CALIFICACIÓN DE IMDb
5.9/10
9 k
TU CALIFICACIÓN
Después de ser liberado de una institución psiquiátrica, un hombre intenta redimirse ante su ex esposa.Después de ser liberado de una institución psiquiátrica, un hombre intenta redimirse ante su ex esposa.Después de ser liberado de una institución psiquiátrica, un hombre intenta redimirse ante su ex esposa.
- Dirección
- Guionista
- Elenco
- Premios
- 3 premios ganados y 4 nominaciones en total
Robin Wright
- Maureen Murphy Quinn
- (as Robin Wright Penn)
Jamie Bozian
- Intern #1
- (as James Bozian)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I think this is a good movie. The characters are fresh enough, the plot avoids Hollywood cliches quite successfully. The movie says that crazy people have the right to love, too, and it shows how they realize this right. It is another answer to the questions: what is love and do love and morality have a lot in common. The weakest point is the ending scene. First, it made me feel that something needs to be added - a cue, a situation, anything - and, second, it resembles "The Graduate" too much. The last scenes of the "10 years ago" part are very good, Nick and Sean!
I found my initial disturbance of these characters living way too close to the gutter, amazingly moved to an affection and an eyeopening awareness. The deep emotional pains of these characters are obvious, and yet presented in such a tender way, one can bear and become intrigued to look into this side of life and be moved, touched and understand. The result an enriching trip.
Sean Penn's scenes are always amazing, but there are at least 3 that make the movie worth seeing alone. One scene where he speaks for the first time to his unknown 9year old daughter, one where he speaks of love being SO difficult and one when he has been confined to a straight jacket. This character's portrayal is so beautiful and unforgettable.
John Travota too portrays an unforgettable character and performance.
I cant help wondering what was the childhood to produce these people as they are, a young 9year gives a hint.
Sean Penn's scenes are always amazing, but there are at least 3 that make the movie worth seeing alone. One scene where he speaks for the first time to his unknown 9year old daughter, one where he speaks of love being SO difficult and one when he has been confined to a straight jacket. This character's portrayal is so beautiful and unforgettable.
John Travota too portrays an unforgettable character and performance.
I cant help wondering what was the childhood to produce these people as they are, a young 9year gives a hint.
As a filmmaker John Cassavetes was always challenging his audience. He wanted to shake people out of their traditional patterns of the way people watch movies. He wanted to constanly stay one step ahead of viewers and challenge them to keep up. If you know this, any Cassavetes movie is a rewarding viewing experience. If you are unaware of this, you will surely be lost like so many reviewers I've read here are. SHE'S SO LOVELY is Nick Cassavetes paying tribute to his father's unique and often misunderstood style. The characters, like real people, do not know what they are going to do from one moment to the next. This is what makes the movie so funny, unpredictable - and so honest and true to life - that it makes some uncomfortable. Alot of critics have stated that it is unrealistic that a mother would ever leave her family under the circumstances presented here, but until you've been in a similar situation how can you really say? At any rate, one thing you can never accuse this movie of being is predictable. John Cassavetes often recut his movies even when people liked them. If he were still alive, he would probably be delighted to read all the negative reviews here, because they all point to one thing: Cassavettes has done it again. He has shaken people out of their set ways of watching movies and no one seems to be hip to it - yet. Like any great jazz artist, the work of John Cassavetes may be misunderstood at first, but finds it's audience eventually. He is somewhere laughing, knowing he has done his job. If you don't agree, keep this review in mind and watch this movie again/for the first time. Like all of his films, SHE'S SO LOVELY improves with repeat viewings.
10Niro
Some of the people who "review" flicks here continually amaze me with their complete lack of film knowledge.
When I heard an interview with the always-extraordinary Sean Penn, in which he said he was upset that so few people had seen what he considers to be his best work: this film and the excellent "At Close Range," I knew that I had to catch this.
Then, finding that it was based on an unproduced John Cassavetes script, I was all the more eager.
That final statement should scare off anyone who expected a happy, romantic Hollywood film, as they clearly haven't seen any of the late writer/director's stark, realistic films. Cassavetes' work relied heavily on tortured, unlikable or unredeemable characters who can act their brains out [quite often portrayed by his wife/widow, Gena Rowlands].
We're talking serious fare, folks ~ required viewing such as "Husbands," "Woman Under The Influence," "The Killing of a Chinese Bookie" and "Gloria" [the brilliant Rowlands original, not the adequate Sharon Stone remake].
Now comes his former B-movie star & son, Nick, who dusts off papa's script and enlists the type of actors who are eminently qualified to play a group of true undesirables: Sean Penn, Robin Wright Penn, James Gandolfini, Harry Dean Stanton, Debi Mazar and the newly-retalented John Travolta, who appears in the last reel.
Even Mom [Rowlands, of course] gets a small but important role.
And the adorable Kelsey Mulrooney, playing Penn & Penn's nine-year-old daughter is terrific without stooping to precociousness.
Is this a brutally honest film? Yep. Is it vulgar in nearly every way? Of course. Do the leading characters have any chance of redemption, moral or otherwise? Not likely.
Do I care?
Let's just say that there's more passionate acting in "She's So Lovely" than was evident in nearly every other 1997 film.
And that's certainly good enough for me.
So there.
When I heard an interview with the always-extraordinary Sean Penn, in which he said he was upset that so few people had seen what he considers to be his best work: this film and the excellent "At Close Range," I knew that I had to catch this.
Then, finding that it was based on an unproduced John Cassavetes script, I was all the more eager.
That final statement should scare off anyone who expected a happy, romantic Hollywood film, as they clearly haven't seen any of the late writer/director's stark, realistic films. Cassavetes' work relied heavily on tortured, unlikable or unredeemable characters who can act their brains out [quite often portrayed by his wife/widow, Gena Rowlands].
We're talking serious fare, folks ~ required viewing such as "Husbands," "Woman Under The Influence," "The Killing of a Chinese Bookie" and "Gloria" [the brilliant Rowlands original, not the adequate Sharon Stone remake].
Now comes his former B-movie star & son, Nick, who dusts off papa's script and enlists the type of actors who are eminently qualified to play a group of true undesirables: Sean Penn, Robin Wright Penn, James Gandolfini, Harry Dean Stanton, Debi Mazar and the newly-retalented John Travolta, who appears in the last reel.
Even Mom [Rowlands, of course] gets a small but important role.
And the adorable Kelsey Mulrooney, playing Penn & Penn's nine-year-old daughter is terrific without stooping to precociousness.
Is this a brutally honest film? Yep. Is it vulgar in nearly every way? Of course. Do the leading characters have any chance of redemption, moral or otherwise? Not likely.
Do I care?
Let's just say that there's more passionate acting in "She's So Lovely" than was evident in nearly every other 1997 film.
And that's certainly good enough for me.
So there.
I suppose that the point of this movie is that love, and people in love, are not necessarily very "proper" and jasmine-smelling. Fine, I agree, but by the time the movie ended I was not sure it was love this movie was about. Quinn and Mrs. Quinn amply deserve each other that there was hardly any point in making a long movie to demonstrate that. The pity is, that the movie was well done, well directed, with some nice touches; the actors were also good, but the script, or rather, the characters are a mess. In any case you might even tolerate the failures of script and characters but it is impossible to get past the inanity of the protagonist Mrs. Quinn: she just doesn't make sense. In the second part of the movie Mrs. Quinn is as messed-up as in the first part, only ten years, a new marriage, three children and a change in her social standing are supposed to have happened in between; nevertheless, only her clothes and her makeup have changed. How can that be? I am not the same as ten years ago, and not so many things have happened to me. Also, she's supposed to be the pivot of the whole conflict, but she's not solid enough to justify that.
¿Sabías que…?
- TriviaJohn Cassavetes was going to direct the film in the 1980s with Sean Penn in the lead, but the project could not be completed before the elder Cassavetes died.
- ErroresJoey gets out of his Cadillac holding his car keys, but the car's warning beeper signifies that the keys are still in the ignition.
- Versiones alternativasThe film was released straight to video in Holland. This version has no strong language whatsoever. Every swearword etc. has been badly replaced with milder versions, probably not by the actors themselves.
- Bandas sonorasIt's Oh So Quiet
Performed by Björk (as Bjork)
Written by Hans Lang & Bert Reisfeld
Published by Southern Music Publishing Company, Inc.
Courtesy of Elektra Entertainment/One Little Indian
By arrangement with Warner Special Products
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- How long is She's So Lovely?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Sin embargo... es adorable
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 18,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 7,281,450
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,020,015
- 1 sep 1997
- Total a nivel mundial
- USD 7,281,450
- Tiempo de ejecución
- 1h 40min(100 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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