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Rosewood

  • 1997
  • R
  • 2h 20min
CALIFICACIÓN DE IMDb
7.2/10
9.2 k
TU CALIFICACIÓN
Rosewood (1997)
Home Video Trailer from Warner Home Video
Reproducir trailer0:31
1 video
27 fotos
DocudramaPsychological DramaTragedyActionDramaHistory

En 1923, una mentira provocó que vigilantes blancos arrasaran un próspero pueblo negro en Florida, asesinando a sus habitantes. Algunos sobrevivieron gracias a personas extraordinarias que l... Leer todoEn 1923, una mentira provocó que vigilantes blancos arrasaran un próspero pueblo negro en Florida, asesinando a sus habitantes. Algunos sobrevivieron gracias a personas extraordinarias que los ayudaron.En 1923, una mentira provocó que vigilantes blancos arrasaran un próspero pueblo negro en Florida, asesinando a sus habitantes. Algunos sobrevivieron gracias a personas extraordinarias que los ayudaron.

  • Dirección
    • John Singleton
  • Guionista
    • Gregory Poirier
  • Elenco
    • Jon Voight
    • Ving Rhames
    • Don Cheadle
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.2/10
    9.2 k
    TU CALIFICACIÓN
    • Dirección
      • John Singleton
    • Guionista
      • Gregory Poirier
    • Elenco
      • Jon Voight
      • Ving Rhames
      • Don Cheadle
    • 73Opiniones de los usuarios
    • 42Opiniones de los críticos
    • 70Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 premios ganados y 10 nominaciones en total

    Videos1

    Rosewood
    Trailer 0:31
    Rosewood

    Fotos27

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    Elenco principal59

    Editar
    Jon Voight
    Jon Voight
    • John Wright
    Ving Rhames
    Ving Rhames
    • Mann
    Don Cheadle
    Don Cheadle
    • Sylvester Carrier
    Bruce McGill
    Bruce McGill
    • Duke Purdy
    Loren Dean
    Loren Dean
    • James Taylor
    Esther Rolle
    Esther Rolle
    • Aunt Sarah
    Elise Neal
    Elise Neal
    • Beulah (Scrappie)
    Robert Patrick
    Robert Patrick
    • Lover
    Michael Rooker
    Michael Rooker
    • Sheriff Walker
    Catherine Kellner
    Catherine Kellner
    • Fanny Taylor
    Akosua Busia
    Akosua Busia
    • Jewel
    Paul Benjamin
    Paul Benjamin
    • James Carrier
    Kevin Jackson
    Kevin Jackson
    • Sam Carter
    Mark Boone Junior
    Mark Boone Junior
    • Poly
    Muse Watson
    Muse Watson
    • Henry Andrews
    Badja Djola
    Badja Djola
    • John Bradley
    Kathryn Meisle
    Kathryn Meisle
    • Mary Wright
    Jaimz Woolvett
    Jaimz Woolvett
    • Deputy Earl
    • Dirección
      • John Singleton
    • Guionista
      • Gregory Poirier
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios73

    7.29.1K
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    Opiniones destacadas

    8momjessicaandjordan

    Loved the movie but kinda hard to watch.

    Rosewood on its own as a movie experience, it's pretty enjoyable. It is kinda hard to watch and you might feel bummed out watching the movie like me but there is great story telling going on. It gets very suspenseful around the middle of the movie and stayed that til the very end. The set design was great, the building and the environment was authentic and the costumes was on point and it felt like I was in this movie for a little bit or went back in time. This movie is based on a true story and the towns are still there today. I wanna say I can't believe these events happened but at the same time I definitely can believe these events happened just watching it.
    Special-K88

    well-made but hard to watch

    Powerful, gut-wrenching drama recreates the destruction of a once prominent black town. Florida 1923: Rosewood and neighboring Sumner are built on an uneasy alliance between blacks and whites. When an influential white woman makes a false accusation that she was assaulted by a black assailant, angry white citizens form a brutal lynch mob determined to either find the culprit, or coerce other black citizens into revealing his whereabouts. The film's harsh subject matter is so vividly realized by director Singleton, and acted with such great conviction by its cast that it's deeply unsettling and at times unbearable to watch. If you can get past that, which is no easy task, you'll appreciate what a sharp, well-crafted historical drama that this really is. ***
    9StevePulaski

    A long and brutal picture

    John Singleton's Rosewood documents the tragedy of the Rosewood Massacre in piercingly raw detail, showing us how a prosperous Florida town fell to shambles from one woman's lie, spawning over a hundred murders and massive calamity on the survivor's shoulders for years to come. This event occurred in 1923, but is usually left unprinted in history textbooks and shoved to the side as if it had never occurred. Just a few weeks ago, a gunman opened fire on patrons in a movie theater, killing twelve and wounding fifty eight. That story was the most talked about thing for the entire week and still sneaks its way into the top story.

    Rosewood isn't written with anger, hostility, or a burdening grudge. It is written with its mind firmly centered on history and examination rather than shameful exploitation. The town of Rosewood was populated mainly by blacks who are also operating most of it, with the notable exception of the white grocery store owner, Mr. Wright (Jon Voight). About 1/3 of the town is white, and most have a great disdain for the blacks, which as we know by now wasn't atypical.

    The film centers mainly on Mann (Ving Rhames), a World War I veteran who travels aimlessly on a horse in search of land that he is willing to pay good money for. When he shows up at a town auction and becomes one of the highest bidders, he does nothing but generate sneers and racist remarks from the patrons. Mann is, for the most part, impassive towards the criticism. One of his friends that he grows closer to over time is Don Cheadle's Sylvester, who happens to be one of the strongest character actors of this or any other decade.

    The hostility towards blacks skyrockets when the mentally unstable woman, Fanny Taylor (Catherine Kellner) is triggered into a screaming frenzy repeatedly saying a black man beat her, but did not rape her. The reality is, Fanny is a victim to the abuse of her lover, who consistently throws her around and leaves her bruised and battered. Regardless, there is simply no justification for this kind of impulsiveness.

    And thus, the bell begins to ring louder and for longer and the towers slowly begin to fall; the town becomes even more racially divided than before, violence breaks out in the streets, houses are burned, neighbors become enemies, and secrets holding important, valuable information are kept until it's too late. A white sheriff (Michael Rooker) has an understanding of the events that occurred with Fanny Taylor, begins to piece together that the story of the evil black man beating the white woman is a myth, but is unfortunately silent about the event until violence overwhelms the once humble town. Even Mann grows aware of the impending violence and unsafe nature of this town, and fears because of his "new" status that he will fall victim to murder.

    The film touches on some other topics not usually explored in a period piece, such as how the idea of racism is spread through explicit teachings from father to son. One father teaches his son how to make a noose, and continuously reminds him that the blacks are the enemies in which the whites must take action against. This even involves the father taking the son along on trips where they go hunting, and I don't mean for animals.

    Writer Gregory Poirier illustrates this story on a large, limitless canvas for John Singleton to direct with a looming challenge. There is an unusually broad amount of talent here and a plethora of characters and situations to document, and Poirier is careful never to spend too much time on one specific situation, but takes the time to balance the events out evenly. It wasn't long before this that Singleton constructed Boyz N The Hood, a film detailing the tribulations of growing up on the wrong side of the street. That appears on my list of most captivating dramas for its poignant dialog and incredible performances. Rosewood is in an entirely different league; a film that features many different scenes, all highly detailed and illustrated intricately, that is strung together by an easily understandable story.

    Speaking in terms of aesthetics, the costume and set design here is lavish and meticulous. From the sets of the stores, to the simplicity of the roads, the people, the clothing, and the shops, everything is portrayed in such a refreshingly different light that it becomes indescribably powerful. The care and attention here is not only commendable, but award worthy.

    Yet sadly, Rosewood, like the actual event, is a long forgotten wave in the ocean of cinema and the world. The film's hefty budget, for which I assumed was mainly used on costumes, set structures, and actors, proved unable to be recouped and went on to become a commercial failure, only seen by those brave enough to endure its tragedy with an open mind and a hungering for knowledge. This is not a movie that many will be able to digest easy. It's a long and brutal picture. But one that is masterfully done in almost every respect and one that should brew a healthy, informative conversation soon afterwards.

    Starring: Jon Voight, Ving Rhames, Don Cheadle, Bruce McGill, Loren Dean, Esther Rolle, Elise Neal, and Michael Rooker. Directed by: John Singleton.
    10tal-49

    An accurate portrayal of north Florida racism as seen from a native Floridian.

    I am white and grew up in the county where this really happened. I remember as a child driving by the place where this community was. There was a small sign that was put up by the Florida DOT that said "Rosewood" but there was nothing there. I asked my mother why and she was unsure what to tell me. Then when this movie came out I realized what had happened. I began asking the elderly people I knew, but they did not want to talk about this except for my ex-husband's step dad. He remembered being a boy and the mob trying to get his father to join them. He refused to participate and was threatened for the future of his family. I am also ashamed to say that race relations have still not gotten a lot better here. In 1969 when I was in kindergarten, I remember being sent home due to race riots in the high school. I now live in California, and I know some people found the movie distressing. Unfortunately the south has a subculture of violence even to this day. The actors did an excellent job on this film. I am so glad that the filmmakers had the courage to take this story on. People tend to think of Florida as an integrated state because of Miami and Orlando, but central and northern Florida is still very racist. For example the African-Americans still call the whites by names such as "Mr. John" or "Miss Ellen". Then little town I grew up in ,Williston, still has the African-Americans living on one side of the railroad tracks and the whites on the other "better" side. There are some whites that are very decent people and some blacks that are of very poor character. I keep waiting and praying for the day when a person will "be judged not by the color of their skin but by the content of their character" in the words of the great Martin Luther King JR. PLEASE SEE THIS MOVIE!! If Americas can take the violence that is in video games and stupid horror movies they should be able to take the true portrayal of man's inhumanity to man in this most wonderful film!!
    8lastliberal

    N*gger is just another word for guilty.

    Less than 100 miles away from me is a town that is a reminder of the hatred that exists in those who grew up in the rural South. I just read Olympia Vernon's book on a similar subject, so it is fresh in my mind. The inhumanity of man towards our fellow man is incomprehensible to me. Whether it is Schindler's List or Rosewood, it is hard to understand. We only have each other, and to think than any one of us is better than the other is pure crap.

    This film hits hard. It will move you to tears and anger you at how some people close by are seething with hatred. I would even go so far as to say that if it doesn't viscerally affect you, then you are either dead or part of the problem.

    The film itself features outstanding performances by Ving Rhames, Jon Voight, Don Cheadle, Esther Rolle and many others. Their work will hopefully inform the viewer of this great tragedy and remind them that it is not something in the past. Florida's election fiasco of 2000 and the aftermath of Hurricane Katrina serve as evidence that the State and federal government is full of racists who continue these acts today.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      After Wynton Marsalis' score was rejected, he released his score as an album called "Reeltime".
    • Errores
      In the title sequence, the date is Thursday, December 31, 1922; in reality, that date was a Sunday.
    • Citas

      Mann: There ain't enough bullets in the world for all them crackers.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Dante's Peak/SubUrbia/The Beautician and the Beast/Rosewood/The Whole Wide World (1997)
    • Bandas sonoras
      Sylvester's Blues
      Written by Wynton Marsalis

      Produced by Delfeayo Marsalis

      Performed by Eric Reed

      Courtesy of Impulse Records

    Selecciones populares

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    Preguntas Frecuentes21

    • How long is Rosewood?Con tecnología de Alexa
    • Is this movie based on a true story?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de febrero de 1997 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Warner Bros. (United States)
    • Idioma
      • Inglés
    • También se conoce como
      • 黑色大風暴
    • Locaciones de filmación
      • Sanford, Florida, Estados Unidos
    • Productoras
      • Warner Bros.
      • Peters Entertainment
      • New Deal Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 25,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 13,130,349
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 3,154,075
      • 23 feb 1997
    • Total a nivel mundial
      • USD 13,130,349
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 20 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 2.39 : 1

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