Grey Owl

To the Native People, this movie is about what some call a "would-a-be" or "White Indian"; although the Ojibway people, whom Gray Owl's life turns o not use the word "Indian" but "Anishnabe" which means a good person. Gray Owl as an white and wanting to live the native way, is called a "White Indian".

This movie shows him living on and around Bear Island, in Northern Ontario. Gray Owl, shows us his view of their life through his eyes and explain how the northern Canadian native; has been changed by civilization. (trapping,hunting and tourism as in the scene where the "War dance" is performed after a hat-passing collection) It is also an interesting documentary of how the Canadian beaver became a part of the 5 cent coin; as the story advances into how Gray Owl worked to conserve and even reinstate this animal which was endangered from over trapping.

The story is beautiful told to us who know and live the savage life of the Northern wilderness and how beautiful it is to return to the basic of nature and leave problems of civilization behind.

The scene of most important, to me, also a white Indian, is when Gray Owl meets the Americian Chiefs and they all laugh at the blue-eyed would-a-be Indian. But the quote of the chief was how it did not matter the color of one skin but the color of one's heart.

Everyone should have a dream, but if a Gray Owl we can live this dream it is beautiful.. Another similar and great movie of this type is "The return of a Man called Horse" with Richard Harris.

A lot can be learned from this movie.. even now after I have visited the area and met the people, I still see great lessons. (for example, Gray Owls friend is an Cree and shown this native group,living with the Ojibway on Bear Island.

Interesting off-side of this film is a recent development of an Australian who just finished a summer on Bear Island after wanting to learn about the source of this film. "Broken Arrow - A white Indian"

All in all a good film and better for the fact that had the film not been made the story might remain hidden to the masses. Brosnan does a good job as the native American with a hidden past and the photography is stunning. To some, this may be too whimsical, to others boring - for me it is a gentle, well-told tale and perfect for family viewing. Now that's not something you get a lot of recently.

I saw the British premiere of this in Bridgend, South Wales - Richard Attenborough was met with generous applause, his film with polite applause. It is a film equally of the heart and of the head, with emotions and affecting performances never quite being allowed to get in the way of the beautiful photography.

Charming in its own way and with a fascinating tale to tell, Grey Owl never quite gets fired up in the same way as historical rivals like Braveheart and Titanic. And this, possibly shamefully, probably just ironically, would seem to be due to the very thing that Attenborough is keen to sell his own movie on - its lack of violence, action, sex and, above all, excitement.

Still, a graceful and involving film - one which deserves the tag 'worthy' more than many others.

Richard Attenborough who already given us magnific films as "A Chorus Line" and "Gandhi", once more surprise us making a beautiful hymn to the Nature. Indeed, the vast and (in that time) unexplored territory of Canada helps to compose the stunning beauty of the landscapes picked up by the motion picture camera. If the movie is really based on a true story, once more becomes evidente that "men of vision" are, in truth, men that lives beyond their time, with a historical perspective that only the Time will give them reason. The cinematography is magnificient, such as the cast lead by Pierce Brosnan, whose performance is due to Attenborough's master hands. A pleasing surprise is the appearance of Annie Galipeau in the role of Archie's beloved. Movie that must appears in a list of those who really loves the Nature...

The only way a writer could present the conservationist case in the economic slump of the 1930s was by masquerading as primitive man. The story of Grey Owl is a fresh angle on the 20th century's game with the image and reality of the American native. He is also a case study in the way the UK mass media build up celebrities only to tear them down, like the old pagan gods of the year. His story also vibrates with the long-hairs of the 1960s, who had never heard of him, but found the identical vocation. If you don't care about that, this is a fine love story, and account of an identity crisis, in which a man resigns his pride to his woman, only to find that he has won the throne of her heart.