The Tichborne Claimant

When Sir Roger Tichborne is lost at sea he is feared dead but his mother believes him alive and living in Australia. Sending her youngest son and butler (Andrew Bogle) to Australia to find him, plans are ruined when her son drinks himself to dead with his newfound freedom. When Bogle appeals for money for the passage home he finds himself forgotten and asked to 'start a new life'. With this in mind, Bogle sets out to find a ringer for Roger Tichborne and return to claim (and share) his part in the estate. With the long sea voyage to prepare, Bogle applies the extra work needed to turn his impostor into the real deal, but will they be able to carry it off?

With an intriguing premise from the very start, this film delivers an occasionally comic story that is enjoyable if a little forced. The plot is fairly ordinary from the start but still is interesting enough to engage. If anything it is in the later stages where it pushes into an out of the ordinary plot that it becomes a bit exaggerated and not as enjoyable as a result but by that point I was into the story enough to stick with it. It has a certain amount of humour but it is more gently amusing rather than hilariously funny and it is this that helps the drama play out pretty well. This is not to suggest it is a great film because it isn't that great but it is lively enough to be enjoyable.

The characters are a fair part of this because the main two are the focus of the film and the source of both drama and comedy. Bogle is a good character who is delivered with dry wit by the actor John Kani. His delivery can often seem lacking in life but for my money it was well pitched to be the firm base of the film. Pugh has a much more lively character and plays it well drawing out the comic side of the material well. He manages with the more obvious pratfalls as well as the more serious side of the film. These two are the heart of the film and they deliver well enough to cover the weaknesses in the material, but it can only help to have a colourful support cast that includes small roles and cameos for a hatful of famous faces ranging from Stephen Fry, John Gielgud, Robert Hardy, Dudley Sutton right down to the rather more unusual finds of Anita Dobson.

Overall this is an enjoyable and engaging little story that manages to cover up the fact that it never really convinces when it needs to. The story has nice comic touches to it as well as having enough in the way of drama to it to keep the interest. The delivery from the lead two is nicely done despite some reservations and the support cast are as good as one would expect from those involved.

British period dramas aren't normally my thing , but since this is the first film i ever saw in a test screening , i thought i would give it a mention.

The titchbourne claimant is a slow moving, by the numbers period drama that does have 2 good performances - if your willing to stick around for them . John kani does well in his role as the solem faced valet bogel as does robert pugh as the slob turned aristocrat claimant .

These are strong points in an other wise dull film.

The film seemed more suited to television as a drama special rather than an official cinema release but because its so unremarkable It probably would not have mattered .

Every inch a home-grown product, The Tichborne Claimant is a Victorian-set comedy-drama, based on a true story and featuring a whole host of British character actors. During the 1870s Sir Roger Tichborne, heir to the ninth largest estate in Britain, went missing, shipwrecked off Australia. Sure of his survival, his brother and manservant went to find him. When his brother died of alchohol abuse, the servant was stranded in Australia, the Tichborne family unwilling to pay for his return. This is where the story really begins. The servant, Andrew Bogle (John Kani), formerly an African slave, begins to look for Tichborne - or a passable imposter - in order to return to England and resume his old life. After years of searching, a fat drunkard (Robert Pugh) appears who is evidently Tichborne - or someone who knows an uncanny amount about him. They sail back to London, Bogle training Tichborne up to act like an aristocrat on the way. Unsurprisingly, his family claim he is an impostor and he is forced to take legal action to claim his estate. Both Pugh, a veteran stage actor, and Kani, a South African who survived three assassination attempts while campaigning against Apartheid, are excellent. Kani is both dignified and enigmatic, while Pugh is outrageous as the cigar-smoking, drunken Tichborne. A supporting cast of dozens of Britain's finest adds an enormous amount, with Stephen Fry and John Gielgud (who recently died, aged 96) particularly enjoyable as wonderfully odious members of the establishment. First-time director David Yates sustains a comfortable pace and establishes a stylised but believable vision of Victorian England. As in real life, we are never truly sure whether Tichborne is who he says he is and this helps to sustain the interest in the story throughout. Overall, an enjoyable film - witty, moving and interesting, a quiet alternative to the likes of Fight Club.

British period pieces typically suffocate under the dull weight of precise costumes and historically accurate settings, offering nothing but boring, predictable and comforting aesthetics. Here is a stronger number, true to the tired genre but beyond it -- a period piece with strong, well-developed themes and balanced, multidimensional characters liberated from crusty, faux bourgeois literariness. Aside from haunting, perfectly pitched performances, it examines questions that matter: What constitutes personality? What constitutes class? Is one contingent on the other? If a "coarse" man can be transformed into a convincing "gentleman," what is he really? And if the class boundaries are truly porous and arbitrary, what is their true function and purpose? Don't let the superficially "Masterpiece Theatre"-ish trappings fool you -- this mysterious, stimulating picture has a pulse.