Talos la momia

I've seen lots of mummy movies and this one has the distinction of not having a mummy but instead a self-propelled bunch of bandages. The movie has a great beginning with Christopher Lee but then never delivers. About halfway through it looses steam and then craps out. I don't know what disturbs me most: the fact that this movie was made or that the ending left open the possibility of a sequel.

I took a chance on this, based on the cast (Christopher Lee, Honor Blackman, Sean Pertwee, Lysette Anthony, etc.) and because I liked some of the director's previous films (HIGHLANDER, THE SHADOW). But this was definitely a film where the parts were greater than the whole. It had some good moments (and, like many mummy movies, the early scenes in Egypt were among the highlights), but overall the film's plot unraveled faster than the mummy's wrappings. (I would recommend one of Hammer's classics, be it the 1959 MUMMY or 1971's BLOOD FROM THE MUMMY'S TOMB, over this.) I have to admit I have only seen the version released here in the U.S., which is 88 minutes compared to other running times of 115 and even 122 minutes, so maybe the longer cut would help. Would like to point out something, however: Throughout many of the reviewer comments made about the film on IMDB, it is repeatedly stated that writer/director Russell Mulcahy must be an American because of all the mistakes the movie made when it comes to London lifestyles...sorry, folks, but Mulcahy is from Melbourne, Australia.

This somewhat unknown mummy movie starts excellent, with a great mysterious touch and some nice special effects. There is also some wonderful acting by Christopher Lee (as usual). But after the main titles (with a strong piece of music by Stefano Mainetti) this movie fails to maintain the great atmosphere. Some locations just aren't interesting. That is the biggest problem of the film. The rest of the cast isn't bad at all (Jack Davenport does a great job). Talos is not your usual mummy, but he's quiet original. The film has a great plot with some surprising moments. Do not confuse this with The Mummy (1999) by Stephen Sommers, while that one is more adventure than thriller, this one is more thriller than adventure. Overall an entertaining film, the prologue is really worth the effort. I strongly recommend this film to fans of the Hammer horror films.

I don't even know where to start. I was looking forward to seeing this, but I was terribly disappointed. Pretty much everything about it is either wrong (like casting Jason Scott Lee in the main role) or simply bad (abysmal writing). Laughably wooden acting and cheap CGI. And worst of all, this movie takes itself so seriously. It's two hours long, it has Christopher Lee and it takes about 30 minutes to establish the story. If they had gone for B-movie cheese-fest, it would have been great. But this approach killed the film. And what was with the ending? Were they really hoping for a sequel? I found it boring and will not watch it again.

This movie starts off like a salute to the Hammer Mummy films of yore with a prologue that even features Christopher Lee and a young but easily recognizable Gerard Butler. Russell Mulcahy (of HIGHLANDER fame) has crafted his own take on the Mummy mythos that incorporates ideas from several other films.

While some CGI is used, this is primarily a story driven as opposed to an effects driven film. The performances are solid (even Jason Scott Lee fits his role especially when you see the flashbacks and the surprising finale) with a wonderful OTT turn from Sean Pertwee as a haunted member of the expedition and a sympathetic one from Shelley Duvall as a medium who helps him.

Much has been made of the concept of Talos, the mummy as it's his bandages that come to life but it's original and creative and shows what can be done on a small budget. Partially financed but abandoned by Disney, this film was made at the same time as Stephen Sommers' big budgeted Brendan Fraser epic and consequently never got an American release until much later when it was cut from 115 minutes to 88 minutes.

Although I would be curious to see the full length International version, longer is not always better for I can't imagine this film being much longer than it already is. If you're looking for gore and high tech special effects then you won't find them here (although a scene in a Men's room qualifies in both regards) but the widescreen transfer looks great and the sound is loud and clear. Uneven overall but TALE OF THE MUMMY deserves credit for trying something different...For more reviews visit The Capsule Critic.