Devil Monster

Except for the oddity of being taken from three previous films and edited together - all much older than the 1946 release date of this film, Devil Monster is one heck of a bad film with bad acting, bad special effects, a terrible script, and virtually nothing going for it. A third is almost nothing but stock footage of seals,dolphins, and various tribes that look nothing alike in different scenes. I was yawning after two minutes of seeing seals wash up on rocks and having inane dialog try and justify its presence. The original films could not have much better though because a couple of these actors - okay, most of these actors are just downright awful from the lead Barry Norton to the excessiveness of Jack Del Rio looking like a psychopath at the ship's steering wheel to the laughable persona of Jack Barty as the captain to the even more ludicrous native chief with a New York accent. Only the fellow playing Tiny the cook held any of my interest - and that really says just how bad this film is if you saw his performance! I really cannot add much more to this then to say that the film is very, very bad and devoid of any merit whatsoever except if you enjoy watching people pour out their hearts only ending in cinematic misery for the viewer built by the foundation of their lack of talent and competence. Sometimes I do. I did laugh several times at how bad - really bad - thing were.

"Plan 9" may be the best-known bad film of all time, but "Devil Monster" is an infinitely worse film. Much of the movie is clearly stock footage taken from a much earlier film. Ludicrous narration tries to tie it all together, but much of this grade-Z shlockfest makes no sense. The big finale fight scene, in which a sailor grapples with the Devil Monster, has the cheapest special effects you have ever seen. A man splashing around in water is superimposed over footage of manta ray. This movie is not for everybody, but lovers of trashy cinema may find it amusing.

"A ship disappears during an ocean voyage and everyone is presumed lost. When evidence points towards a survivor of the wreck, the sailor's mother organizes an expedition to locate her missing son. When the explorers find the missing man living on n island, they take him against his will in order to return him to his home. The consequences of their actions prove very costly for the explorers, when the sailor sets about their downfall for taking him away from his island paradise," according to the DVD sleeve's synopsis.

This "edited version of a ten-year-old film, 'The Sea Fiend' (1936)" is a curious choice for re-release. Perhaps, its generous footage of topless South Sea island native women was the alluring ingredient. Since they were animalistic "natives", they could be shown bare-chested. Non-native women, similarly displayed, would be considered pornographic. So, you have a big-screen movie turning the pages of the "National Geographic", while attempting to tell an adventure story. And, it's not even the original film.

* Devil Monster (1946) S. Edwin Graham ~ Barry Norton, Jack Del Rio, Terry Grey

And I've seen a lot of them. There is more stock footage in this thing than any movie I know except "Jungle Hell" (1956). The only difference is that "Jungle Hell" was all elephants. This one's all sea lions. On and on and on about the stupid sea lions while the stupid crew in their stupid boat looks for stupid Juan Francisco.

Much of the stock footage that isn't sea lions is native women of the South Pacific. I don't know if the editors were blind or what, but whoever was in charge of splicing the stock footage together didn't seem to mind that the women were mongoloid one minute, negroid the next, and caucasoid the next. They change races with surprising speed.

There is another prominent stock footage scene. An octopus in an aquarium (you can see him stick to the glass, and you can see the reflection of lights on the glass) battles a moray eel. The eel is defending all his little fish buddies from the mean old octopus. I'm not making this up. This is presented as if it were happening in the ocean for crying out loud. Who wins? Watch and find out!

Lots of stock footage of men fishing provides for some humor as the overdubbed voices say things like, "Watch out for my face." But it gets tiring after several minutes of the same stupid footage of the same stupid men catching the same stupid fish.

Alas, there is one more big stock footage scene. This one's of the devil monster. It's not a devil, and it's not really a monster. What is it? Let's just say it's not the kind of monster you were hoping for. Juan, who they did find at the end of all those sea lions, battles the "monster". Again, you'll have to watch to find out what happens.

What really surprises me is that the IMDB says this was edited down from a longer, older movie. That tells me that (1) someone thought the original was worth redoing, (2) someone thought this version was better, and (3) the original must've been worse. I can't imagine.

When you discover that two-thirds is stock footage, and the rest re-edited from an earlier 1936 picture entitled "The Sea Fiend", you know not to expect much. And yet still "Devil Monster" manages to over-promise and under-deliver. Essentially it's the tale of a young man (Norton) begged by the mother of a lost seaman to locate her son (Del Rio) on one of his father's regular tuna voyages; the woman he now loves also keen to discover the fate of her former lover - one in the same.

There's a lot of stock footage in between of sea lions frolicking, birds feathering their nests, native girls dancing, and octopus being harangued in an aquarium by an eel and finally, a mass tuna haul. There's also a brief scene in which a manta ray is captured - apparently sufficient enough to warrant the dubious title. Check out the special effects too - the transparent manta ray struggle is my personal favourite.

Some great corny dialogue to match some egregiously bad moments ensures your time is not entirely wasted ("there was an accident, and, he lost an arm"), but even at just sixty minutes, it's still too much to bear.