The Baby Dance

Didn't care for this one, way too slow and the subject was uninteresting. Why do folks want to adopt, especially from a pack of mobile home misfits? One look at these losers and I would have been hanging an exit. This trash couldn't afford a whiff of fresh air but they always had their beer and ciggies. Not a bad production, I just found all the people involved very irritating.

The world was Stockard Channing's oyster when she thrilled us with Rizzo in "Grease", but since then her orbit has been somewhat lower. She's carved out a nice niche in the upper echelons of made-for-TV melodramas, and nearly every year she gets nominated for some award or other. It was the Golden Globes this year, for this performance. She seems particularly adept at playing women in tug-of-love battles over children (see also `An Unexpected Family'), and here she and Peter Riegert are the anguished but wealthy childless couple who throw money at poverty-stricken trailer-trash mother-of-four Laura Dern, hardly happy about the impending appearance of kidling number five; Dern and abusive hubby Richard Lineback are only too happy to sell the superfluous sprog. So far, so usual, but the twist (unlike most TV movies, there is a twist) comes when complications at the birth raises the possibility of brain damage. Will the yuppie couple pay for damaged goods? Will love of child conquer love of money for the trailer trash?

As a woman who lost her child to adoption 35 years ago, and who works voluntarily along with others for reform of adoption laws in Ireland, I found this film (shown on TV here last night) simply wonderful. I know that many previous message posters have commented on the "ugh ending", but I think that the whole point of the film was the carefully observed visual statements of all the characters, that the story continues, and will never end as long as they all live. Obviously, from my perspective, Laura Dern's face haunts me, as does Richard(Linklater's?)as they both sit in their clapped-out truck outside the hospital. I transpose their baby's face onto theirs. My ideal next scene if the film continued would see them bring their daughter home to join her brothers and sister. After all, was it ever suggested that they weren't loving parents? I'm surprised that other commentators on the film haven't stated the obvious - the golden kernel of The Baby Dance is the insightful screenplay and convincing script. I will be recommending this film to everyone I know.

"Baby Dance" is a fine addition to the onslaught of scrupulous films about birth rights and the dynamics involved when nature is not left to its own design, or is in some fashion revealed prematurely. In "Twilight of the Golds" it was homosexuality, and in "Gattaca" it was genetic predisposition, but Baby Dance is a bit more of a human drama with very real situations. I highly recommend this movie as a thought-provoking, intensely personal look at infertility and adoption. You may not like what you see, but what you see is real and genuine.

Stockard Channing stars in yet another tele-movie. Her performance is very good as usual and she deservedly picked up a Golden Globe nomination. Laura Dern gives a fine performance as a pregnant woman who wants to give her baby up for adoption. The movie shows the struggles of these two women and there is a twist at the end which did not surprise me.