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6.3/10
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Un joven fotógrafo talentoso, que disfruta tomando fotos de su barrio satírico y pervertido de Baltimore y de su loca familia, se ve arrastrado a un mundo de artistas pretenciosos de la ciud... Leer todoUn joven fotógrafo talentoso, que disfruta tomando fotos de su barrio satírico y pervertido de Baltimore y de su loca familia, se ve arrastrado a un mundo de artistas pretenciosos de la ciudad de Nueva York y encuentra una nueva fama.Un joven fotógrafo talentoso, que disfruta tomando fotos de su barrio satírico y pervertido de Baltimore y de su loca familia, se ve arrastrado a un mundo de artistas pretenciosos de la ciudad de Nueva York y encuentra una nueva fama.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
Mo Fischer
- T-Bone
- (as Maureen Fischer)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"Pecker" is a young, unknown photographer from Baltimore who becomes a big star in the public, the media and the local art scene with his pictures showing the dirty reality of all-day life just as dirty underwear or human excrements. It's a typical topic of John Waters Baltimore-based independent comedies to show the weird sides of the American way of life between political correctness fashion and conservative backlashes by exploring the backgrounds of the middle class society of his hometown.
Edward Furlong of "Terminator 2" fame plays Pecker, supported by Christina Ricchi, photographer Cindy Sherman, legendary Patricia Hearst and Water's long-time actress Mink Stole. Although the pacing of the plot becomes a big flaw sometimes and can't compete with the fast and furious joke attacks of Water's brilliant "Serial Mom", it's still has some good laughs in it and some unforgettable scenes like a former junkie-girl who became a vegetarian by sniffing peas from a vegetable dish... "Pecker" is a great comedy about the arrogance of the art scene, media hypes, middle-class sex angst and the strange ways of how to become a pop star without realizing it. Recommended!
Edward Furlong of "Terminator 2" fame plays Pecker, supported by Christina Ricchi, photographer Cindy Sherman, legendary Patricia Hearst and Water's long-time actress Mink Stole. Although the pacing of the plot becomes a big flaw sometimes and can't compete with the fast and furious joke attacks of Water's brilliant "Serial Mom", it's still has some good laughs in it and some unforgettable scenes like a former junkie-girl who became a vegetarian by sniffing peas from a vegetable dish... "Pecker" is a great comedy about the arrogance of the art scene, media hypes, middle-class sex angst and the strange ways of how to become a pop star without realizing it. Recommended!
In true John Waters form, "Pecker" offers a pure glimpse of human nature. Being human entitles us to our own unique quirks and eccentricities that make us individuals. When we 'seemingly' normal people are influenced by our ever-changing society, that is when the humor begins.
I think the true beauty of this movie is in the acting. Waters guides his cast into committed characterizations, adding layer upon layer of sub-text until they blossom before your eyes. Waters approaches his characters the way a painter approaches his easel and taking a mental snapshot, paints his perspective. Add all these factors in and you see why I say Pecker is a great movie!
Bravo, John. I always enjoy your work, thank you for sharing your art and perspective with the world.
I think the true beauty of this movie is in the acting. Waters guides his cast into committed characterizations, adding layer upon layer of sub-text until they blossom before your eyes. Waters approaches his characters the way a painter approaches his easel and taking a mental snapshot, paints his perspective. Add all these factors in and you see why I say Pecker is a great movie!
Bravo, John. I always enjoy your work, thank you for sharing your art and perspective with the world.
John Waters most accessible film to date is one of his better ones, considering it cut down on all of the campiness and outright vulgarity which seem to litter most of his previous work. Sure, the nudity and the sexual references are still there, at least it is presented in a fashion
that cannot be deemed too foul or disgusting. Due to some great casting choices, this film really brought out the silliness associated with modern art and the subjective nature of your modern artist. Funny and somewhat lighthearted (if that is possible for Waters), this is one of those films I would watch on a rainy day.
that cannot be deemed too foul or disgusting. Due to some great casting choices, this film really brought out the silliness associated with modern art and the subjective nature of your modern artist. Funny and somewhat lighthearted (if that is possible for Waters), this is one of those films I would watch on a rainy day.
I thought this was an utterly charming film. The story seems to be a thinly veiled autobiography of John Waters: Pecker's greatest gift is his ability to find beauty in unexpected places. Edward Furlong does well in the lead, but the best performances are by his grandmother, Mink Stole (a hilarious cameo) and, of all people, Patty Hearst. I think the reviewers are way off base on this one. They seem to be taking Pecker's worst valuation of his work as gospel, when I think the film pretty clearly states that he is indeed a promising artist.
The best thing about this movie is that it is fun. It is full of humorous characters and interesting situations, starting with the blithe, innocent Pecker (played appealingly by Edward Furlong) who likes to photograph almost everything he sees in every day life. Other great characters include Pecker's friend Matt ("he's a thief, but he's really a nice guy"), Pecker's sister Chrissy (who is addicted to sugar), and Pecker's Catholic grandmother who discovers life in a statuette of the Virgin Mary in her room.
The movie gently makes a point about how every day life has many riches to offer, and it succeeds in making this point without being too heavy-handed about it. There is always a risk, when making messages about the value and dignity of "common people", of sliding into a kind of reverse "holier than thou" - but "Pecker" avoids these traps, allowing the audience to get the point while allowing enough breathing room for viewers to compare this message to their own thoughts on the subject.
I recommend the movie mostly because it is a lot of fun.
The movie gently makes a point about how every day life has many riches to offer, and it succeeds in making this point without being too heavy-handed about it. There is always a risk, when making messages about the value and dignity of "common people", of sliding into a kind of reverse "holier than thou" - but "Pecker" avoids these traps, allowing the audience to get the point while allowing enough breathing room for viewers to compare this message to their own thoughts on the subject.
I recommend the movie mostly because it is a lot of fun.
¿Sabías que…?
- TriviaIn the opening scene, the number of the bus is 7734. According to John Waters, this is an old Catholic school joke since '7734' upside-down "spells" hell.
- ErroresIn Pecker's darkroom, his prints are being taken out of the fixer after only a few seconds instead of the required five minutes and then immediately hung to dry instead of being rinsed in water for 10 minutes. The basement windows are also uncovered.
- ConexionesFeatured in Divine Trash (1998)
- Bandas sonorasHappy-Go-Lucky-Me
(1998)
Written by Al Byron and Paul Evans
Performed by Paul Evans
Courtesy of Post Music, Inc.
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- How long is Pecker?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,281,761
- Fin de semana de estreno en EE. UU. y Canadá
- USD 541,646
- 27 sep 1998
- Total a nivel mundial
- USD 2,281,761
- Tiempo de ejecución1 hora 27 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Pecker (1998) officially released in India in English?
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