CALIFICACIÓN DE IMDb
5.1/10
4.5 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaAn indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.An indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.An indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Christian J. Meoli
- Tobo
- (as Christian Meoli)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I liked it, it was really off the wall, many very funny scenes, and wonderful dialogue throughout. Maybe it's just because I used to love a red headed trouble loving woman, this was a fun movie. No one got killed, only one short scene that involved any violence. Not as good as High Fidelity, not as weird as Clerks, but way better than usual.
Seemed to go nowhere in particular. Though, the 80s party at the end was hilarious. Get your groove on Jeremy! The rest of the movie was somewhat hopeless and the end with the spaceship. Give me a break! Why would he ever go back to that Serena any way.
When I first saw the trailer for Bongwater, I thought, "This will be the best movie of all time." I really did think that. This could not be further from the truth. Quite frankly, I'm not quite sure what I saw. I would analogize it to cotton candy(or Chinese food, just hear me out). I ate a lot, but it just kind of dissolved. I know that I watched this movie, but what was it that I saw? Was I too deep for it or was it too deep for me?? Unfortunately, this is another case in the grand tradition of "Mr. Wrong" and "Dude, Where's My Car" where a trailer writes a check that it's ass simply cannot cash. My advice is to watch the trailer continously- it's hilarious on so many levels. Watch the "Mr. Wrong" one as well to really get a taste of unbridled potential gone horribly awry.
I read many of the other review before adding my comments, so the net result may be a review of the reviews more than commentary on the movie itself. What a twisted, postmodern web I weave, huh?
The first point I would like to address is criticism of the plot - sure it meanders a bit, but it seems more cohesive and lucid than the lives of the stoners this movie illustrates. Also, there is a pretty clear parallel between the stoner sensibilities of the characters and the way the movie was directed. Without giving too much away, I can say that the movie is about inertia. And sometimes the movie is similarly inert. To me this does not challege the the viewer's imagination too much.
There are far more challenging movies out there, even in the same genre (if there is in fact a stoner/slacker genre) - well, Slackers is a good example. It has virtually no plot, no Jack Black comedy payoff, and yet it is a good film. Bongwater, although it does not rely on the same devices, is a good film for the same reasons.
The writing seems to be perfectly good. But there is no accounting for taste. It was not sublime, but neither was it conspicuously bad. I think the characters are rendered well too. Even the smaller parts played by Andy Dick and Jeremy Sisto have a proper amount of complexity to them.
I'll sum up by saying that I think the disappointment I have read here is a reflection of expectations of the movie and the movie not aligning to some viewers' satisfaction. So if you have not read the book, or you have not seen the trailers, and you don't have unrealistically high expectations hot chicks in daisy dukes, prepare to be amused. Excepting most of the scenes Brittany Murphy is in.
I give it a solid B+
The first point I would like to address is criticism of the plot - sure it meanders a bit, but it seems more cohesive and lucid than the lives of the stoners this movie illustrates. Also, there is a pretty clear parallel between the stoner sensibilities of the characters and the way the movie was directed. Without giving too much away, I can say that the movie is about inertia. And sometimes the movie is similarly inert. To me this does not challege the the viewer's imagination too much.
There are far more challenging movies out there, even in the same genre (if there is in fact a stoner/slacker genre) - well, Slackers is a good example. It has virtually no plot, no Jack Black comedy payoff, and yet it is a good film. Bongwater, although it does not rely on the same devices, is a good film for the same reasons.
The writing seems to be perfectly good. But there is no accounting for taste. It was not sublime, but neither was it conspicuously bad. I think the characters are rendered well too. Even the smaller parts played by Andy Dick and Jeremy Sisto have a proper amount of complexity to them.
I'll sum up by saying that I think the disappointment I have read here is a reflection of expectations of the movie and the movie not aligning to some viewers' satisfaction. So if you have not read the book, or you have not seen the trailers, and you don't have unrealistically high expectations hot chicks in daisy dukes, prepare to be amused. Excepting most of the scenes Brittany Murphy is in.
I give it a solid B+
Fans of movies such as "Half-Baked", "Fear and Loathing in Las Vegas", and "Orgazmo", should see this once in their lifetime. Don't be fooled by poor reviews. This movie is the best vehicle for Jack Black's obscure comedy I have seen to date (07/2005). Inter character relationships and general plot progression are over emphasized and simplified in a camp like fashion that, reminds me "Cheech and Chong". Sometimes this is done at a sacrifice to depth, but come on if I wanted to watch "Fight Club" or "Lord of the Rings" I would have. This movie only does one thing well, as so many movies do today, but that doesn't make it dull. I recommend this only to viewers who want to have some friends over, eat a big meal, get "into" the movie, and laugh at potheads being potheads.
¿Sabías que…?
- TriviaWhen Tommy (Jamie Kennedy) looks at Serena's driver's license, we see that her last name is Witt. Alicia Witt, who plays Serena, wrote her last name on it exactly like in her own signature.
- ErroresThe boom mic can be blatantly seen several times in the full screen (1.33) version.
- Créditos curiososThrough the closing credits, we hear people leaving coded messages on an answering machine about buying pot.
- Versiones alternativas96-minute version:
- Opening credits uses the song "Sunday" by Sonic Youth.
- 65 minutes in, at the end of David's hallucination, his mom walks away and says "Now how the hell do I get out of this place?" In this cut, she fades away into nothingness after saying that line.
- ConexionesReferences When We Were Kings (1996)
- Bandas sonorasSunday
(uncredited)
Written by Thurston Moore, Kim Gordon, Lee Ranaldo and Steve Shelley
Performed by Sonic Youth
[Appears 1 minute in during some versions of movie]
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Bongwater?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 37 minutos
- Color
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta