Honey, I Shrunk the Kids: The TV Show

The kids are well casted, the parents are loving and humorous. They are truly better casted than the movie. The characters do a fantastic job, and they work. They're compatable, they have loving moments. Even though the fathers problematic inventions can make plans go awry, they make it through and with pleasantly funny moments. The best episode is the one where the father joins a Canadian spy mission, and so does the family. They actually shrunk the moon.

"Honey, I Shrunk the Kids" is the rare film-to-TV series that beats its source material. While the movies are often plodding, cumbersome messes with anonymous characters, "HISTK" the TV series is firmly grounded in Matheson, Colorado, a sort of Anytown U.S.A. where anything can happen. Realistic science is, thankfully, tossed out the window: it's supposed to be a silly romp through suburbia fueled by wild creations from the Szalinskis.

I dare say the casting and acting is better than all the movies. Peter Scolari replaces the recognizable Rick Moranis, and actually does an even better job at the character. Scolari's Szalinski is a family man who invents things that go wrong, but he still has enough charm to make his relationship with his wife and kids reasonable. Barbara Alyn Woods makes what could have been a typical "Mom" character into an interesting, intelligent, and active co-conspirator/victim/commentator on the happenings in the household. Hillary Tuck and Thomas Dekker play the Szalinski kids, with Amy being a witty, sarcastic-but-never-irritating rival to Nick's sensible, science-minded personality. They form a believable family, more believable than most "normal" sitcoms on primetime.

Created by Kevin Murphy (he also created the brilliant "Weird Science" TV show on USA with Vanessa Angel), the show's stories are often breezy, sometimes predictable, but never boring. Unfortunately, HISTK is over (it had a three-season run), but, for my money, it remains a memorable comedy/scifi with truly likable characters.

Let's recap. The first "Honey, I Shrunk the Kids" movie was the best of the series and the special effects used in it have held up extremely well since 1989. "Honey, I Blew Up the Kid" was mediocre at best. "Honey, We Shrunk Ourselves" was just plain stupid. Now we have a T.V. series? What the hell? I mean, since the last two sequels to the original "Honey, I Shrunk the Kids" movie bombed, what made the writers think they could possibly do a T.V. show without having disastrous results? The story lines for the series are incredibly stupid and range from Wayne getting trapped inside the T.V. to getting sent back in time. Please, just quit now. What is it with Wayne anyway? Why does he keep getting himself and his family into these chaotic situations? Besides, if I remember correctly, in "Honey, We Shrunk Ourselves", didn't Diane Szalinski say that the state had strictly forbidden Wayne from ever using his machine for any reason and he used it anyway? In either case, he broke the law and should have been arrested for endangering the lives of himself, his family, as well as everyone around him.

I remember watching loads of episodes as a kid and watched the movie only after having watched the TV show and it didn't stand up to the stuff that Szalinskis were pulling on the TV.

There were sub-plots involving all characters and every episode featured a new invention which went awry. It was well-acted and the humor for a kids' show was spot on. There were Bigfoots, aliens, ghosts, international spy agencies even noir. There was goofy humor, some fanservice from the beautiful Diane (red dress), Mr Jennings as the funny boss, Jake Mckenna as the neighbor who inevitably ends up involved in Wayne's schemes.

Tbh most of the Disney live action shows that came after did not even stand close to it. And given the state of live action tv from Disney right now, its better they don't remake it unless they can rediscover the 'fun' spirit of the original

Before the review, a brief plot summary: Wayne Szalinski is a brilliant and eccentric inventor working for Mr. Jennings at GENTEK. Happily married with a lawyer named Diane for a wife, he has a son, Nick (who follows in the tradition of his father) and a daughter Amy (witty but a bit spoiled). Neighbour to Police Chief Jake McKenna and his family, Wayne is the inventor of the shrink ray, the time hopper, the fully equipped van, and several other wacky creations which, whie functioning almost exactly as they were supposed to, always somehow backfire, sending the family into situations involving crime, aliens and the supernatural.

For one thing, the cast is far better than the movie. Peter Scholari is amazing at Wayne and far better than Rick Moranis, and these actors potray the characters and their relationships far more easily and with more wit. Now potraying Wayne's job and the people at work, this is like a sitcom... only much better.

The titles are always amusing, with examples like "Honey, The House Is Trying To Kill Us", "Honey, We're Past Tense" and "Honey, I'm The Wrong Arm Of The Law", and the one-liners make James Bond blush. "Deader than a Charlie Sheen flick", "When you have a brainstorm, it's a drizzle", and "The mayor will be back in six months, his term was shortened on good behaviour" are some of my favourites. Like Stephen King, When the plots are explained, they sound silly and corny, ie the van is shrunk and falls into Grampa's drink ("Honey, We've Been Swallowed By Grandpa"), a machine sucks them into the Tv ("Honey, We're On TV), and that Wayne inherits a billionaire's brain to re-animate ("Honey, It's A Billion Dollar Brain"). However, also like Stephen King, they are executed well. Unlike "Honey, We Shrunk Ourselves", "Honey, I Blew Up The Kid" and those other cheap sequels, of course.

The spoofs are also very amusing. For example, in "From Honey, With Love" Wayne is showing some foreign buyers some metal at GENTEK, which they try to steal, when Dalton Pierce shows up. He's a Canadian secret agent, and impressed by Wayne's gadgets. He joins Dalton's organization taking the code letter P ("Oh, I can just hear: 'Let's get P on this one'."). When the superspy is accidently blinded by one of Wayne's inventions, P takes his place, trying to trap a villian on the Canadian submarine Scotia. He finds it has been abandoned and the villian has left explination of his death (the way villians would tell Bond) on the computer, where Wayne can listen like on voice mail, "If you were suprised, press one. If you saw it coming, press two." Wayne then finds a bomb left to destroy the ship, and, when failing to disarm it, uses his hand-held shrink ray to turn it into a tiny explosion. Better than Austin Powers, Get Smart or Spy Hard.

Theres so much more about this show I cant list it all, see it for urself!