Honey, I Shrunk the Kids: The TV Show

"Honey, I Shrunk the Kids" is the rare film-to-TV series that beats its source material. While the movies are often plodding, cumbersome messes with anonymous characters, "HISTK" the TV series is firmly grounded in Matheson, Colorado, a sort of Anytown U.S.A. where anything can happen. Realistic science is, thankfully, tossed out the window: it's supposed to be a silly romp through suburbia fueled by wild creations from the Szalinskis.

I dare say the casting and acting is better than all the movies. Peter Scolari replaces the recognizable Rick Moranis, and actually does an even better job at the character. Scolari's Szalinski is a family man who invents things that go wrong, but he still has enough charm to make his relationship with his wife and kids reasonable. Barbara Alyn Woods makes what could have been a typical "Mom" character into an interesting, intelligent, and active co-conspirator/victim/commentator on the happenings in the household. Hillary Tuck and Thomas Dekker play the Szalinski kids, with Amy being a witty, sarcastic-but-never-irritating rival to Nick's sensible, science-minded personality. They form a believable family, more believable than most "normal" sitcoms on primetime.

Created by Kevin Murphy (he also created the brilliant "Weird Science" TV show on USA with Vanessa Angel), the show's stories are often breezy, sometimes predictable, but never boring. Unfortunately, HISTK is over (it had a three-season run), but, for my money, it remains a memorable comedy/scifi with truly likable characters.

This is a television show that for its three season run consistently had some of the best writing ever seen on television. Comedies are rarely given much recognition and commercial shows for kids, never, but Honey, I Shrunk the Kids episodes are really well-crafted, witty spoofs that stand up over time. The best episode I feel is about Morpheus who rules the dream world. In this show, Nick is worried about dissecting frogs and keeps having nightmares. His sister, Amy, is worried about taking her SAT's. The plot weaves together their fears and their personal strengths and weakness (nick is logical/Amy is intuitive) in a humorous, dramatic and meaningful way. If there were any justice in the world, this script should have won an emmy and be discussed in film and English classes. If this show ever comes out on DVD, it is definitely worth purchasing.

There were two things I enjoyed about this show. The first was the actors who actually did a better job than those in the movies. The second was how the show used (odd) science and magic to put a new spin on the problems facing the cast of countless other family sitcoms.

The boy wishes he was an adult, no problem, drink a potion and he becomes an adult. The girl has a stalker, but here he is an alien. The dad doesn't get the credit he deserves at work, but why should he when his invention turns the future into a dystopia.

But while the cast was great, and the action even greater. The one thing I did not like about it was that despite being a comedy show the dialog simply wasn't funny. I cannot remember a single time I laughed watching this.

I too thought that this would be a hacked rip off of the movie. Boy what a supreme surprise. The show was infinitely better then the movie. Then I realised why this series was so clever and so awesomely funny and intelligent -Savage Steve Holland who did the acidic and hilarious 'better off dead' movie, was directing these. And this has even wound up on the Disney Channel - go figure!

When I first heard of this series, I thought it was going to be a stupid, corny, throw-away series. After a few episodes, however, I was pleasantly surprised. The family is perfectly casted (they're better than their original movie counterparts), and the dialogue is original and funny, which is the basis of this show's success. The plots are extremely corny (e.g. family gets trapped inside of T.V., family harbors a bigfoot couple, and family travels back to the Wild West days with some aliens) but amazingly they are able to pull them off with sharp dialogue and very creative elements (e.g. every comment is punctuated, very humorously, with a laugh track when trapped inside a sitcom, and the bigfoot couple whine and bicker like married humans). It's sad that the show is so underrated and has such a obscure time slot (11:00 AM, Sundays).