La vida del dueño de una librería cambia cuando conoce a la estrella de cine más famosa del mundo.La vida del dueño de una librería cambia cuando conoce a la estrella de cine más famosa del mundo.La vida del dueño de una librería cambia cuando conoce a la estrella de cine más famosa del mundo.
- Dirección
- Guionista
- Elenco
- Ganó 1 premio BAFTA
- 11 premios ganados y 17 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Romantic Comedy is my Second Favourite Genre in Movies following only Dramas. What is it that makes a great Rom-Com? Is it the chemistry between the Protagonists? Is it an unclichéd and non-banal script? Is it the Direction? Is it a mesmerising Soundtrack Or the enthralling Cinematography? Maybe it's a combination of all these. Notting Hill is one of those few which have all these ingredients to make for a great Rom-Com.
Notting Hill is the story of William Thacker, a diffident divorcee who lives in a house with a Blue Door and runs a not so lucrative Travel Book Shop in a small cheerful neighbourhood of London called Notting Hill. It is the story of his eventful rendezvous with the fabulous, ravishingly beautiful Anna Scott, a renowned American Actress and the love affair that ensues.
As William says in the movie 'Surreal, But Nice', is exactly how I'd describe my experience watching Notting Hill. It is one of those Movies which makes us believe in fateful encounters, in the enigmatic inexplicable appeal to which our very hearts tremble, in the aching separations and the exhilaratingly joyous 'Happily Ever After'. Some people might be of the opinion that these so called Rom-Coms though exquisite, portray an unrealistic affair, that the Writers conjuring such Fables live in Oblivion and not in the real world. To some extent this might be the hard truth. After all what are the chances of me running into Julia Roberts? Probably next to zero or, to be a hardcore realist, absolutely zero. These Movies might give false hope to the heartbroken or the lonely, but it is Hope nonetheless. Hope, that I might bump into a significant other while fetching for Orange Juice and that some people do spend their whole lives together. And that is what I'd prefer to believe. After all I am guilty of being the Hopeless Romantic.
What I like about the movie is that it isn't just some random Girl Meets Boy Story. Albeit being a Rom-Com, Roger Michell tries to dwell a little deeper into each character's Inhibitions, Hopes and their Psyche. The 'Last Brownie Scene' is a testament to the same. This very brief scene is my favourite from the movie. It portrays immaculately how each character on the table has their own Wins and Fiascos, Dreams and Inhibitions and how life never goes on as intended. As Bella very aptly says - 'C'est La Vie'.
'Hugh Grant' plays William Thacker while 'Julia Roberts' is Anna Scott. Their Chemistry is most coveted and undeniable on screen. 'Rhys Ifans' plays the eccentric roommate Spike and 'Gina McKee' plays Bella, among the troupe of Artists employed by Michell.
The enthralling Soundtrack is an anthology of Songs by various Artists which works flawlessly for each scene. My favourite among them being 'When You Say Nothing At All' by Ronan Keating.
In short, Notting Hill is an absolute delight to watch. It may not be the best Rom-Com out there, but it definitely is worthwhile.
A Review by - Mohammed Saood.
(A Joseph still awaiting his June)
Notting Hill is the story of William Thacker, a diffident divorcee who lives in a house with a Blue Door and runs a not so lucrative Travel Book Shop in a small cheerful neighbourhood of London called Notting Hill. It is the story of his eventful rendezvous with the fabulous, ravishingly beautiful Anna Scott, a renowned American Actress and the love affair that ensues.
As William says in the movie 'Surreal, But Nice', is exactly how I'd describe my experience watching Notting Hill. It is one of those Movies which makes us believe in fateful encounters, in the enigmatic inexplicable appeal to which our very hearts tremble, in the aching separations and the exhilaratingly joyous 'Happily Ever After'. Some people might be of the opinion that these so called Rom-Coms though exquisite, portray an unrealistic affair, that the Writers conjuring such Fables live in Oblivion and not in the real world. To some extent this might be the hard truth. After all what are the chances of me running into Julia Roberts? Probably next to zero or, to be a hardcore realist, absolutely zero. These Movies might give false hope to the heartbroken or the lonely, but it is Hope nonetheless. Hope, that I might bump into a significant other while fetching for Orange Juice and that some people do spend their whole lives together. And that is what I'd prefer to believe. After all I am guilty of being the Hopeless Romantic.
What I like about the movie is that it isn't just some random Girl Meets Boy Story. Albeit being a Rom-Com, Roger Michell tries to dwell a little deeper into each character's Inhibitions, Hopes and their Psyche. The 'Last Brownie Scene' is a testament to the same. This very brief scene is my favourite from the movie. It portrays immaculately how each character on the table has their own Wins and Fiascos, Dreams and Inhibitions and how life never goes on as intended. As Bella very aptly says - 'C'est La Vie'.
'Hugh Grant' plays William Thacker while 'Julia Roberts' is Anna Scott. Their Chemistry is most coveted and undeniable on screen. 'Rhys Ifans' plays the eccentric roommate Spike and 'Gina McKee' plays Bella, among the troupe of Artists employed by Michell.
The enthralling Soundtrack is an anthology of Songs by various Artists which works flawlessly for each scene. My favourite among them being 'When You Say Nothing At All' by Ronan Keating.
In short, Notting Hill is an absolute delight to watch. It may not be the best Rom-Com out there, but it definitely is worthwhile.
A Review by - Mohammed Saood.
(A Joseph still awaiting his June)
Notting Hill is a district of west London that was built as a fashionable Victorian suburb, became very run down during the mid twentieth century and is now once again fashionable, but which retains a distinctly cosmopolitan atmosphere, with London's biggest street market and many small specialist shops. (My wife and I sometimes go there to shop for bargains). The hero of the film, William Thacker, is the owner of one of these shops, a travel bookshop. The film concerns the romance which develops between William and a young woman named Anna Scott whom he meets when she comes into his shop.
As another reviewer has pointed out, 'Notting Hill' is based around a theme, love between people of unequal social standing, which has provided literature with some of its greatest works, both comic and serious, dating back at least to the tale of King Cophetua and the beggar-maid. Although many of these stories tell of a poor but honest lad who aspires to the hand of a princess or titled lady, Anna is not part of the Royal Family or the British aristocracy. She rather belongs to an even more exclusive elite, the Hollywood starocracy. She is a hugely popular film star who earns at least $15,000,000 per film, and pops into William's shop during a brief stay in London to publicise her latest movie.
Although Anna is played by a real-life Hollywood superstar, Julia Roberts, the film is very typically British. William is similar to an number of other Hugh Grant characters, being a shy, diffident middle-class Englishman, probably public-school and university educated. (Despite this background, he is not particularly wealthy following a divorce from his first wife and is forced to share his lodgings with an eccentric Welsh flatmate, Spike). The humour of the film, particularly the dinner-party banter between William and his friends, is mostly of the typically ironic, self-deprecating variety popular in Britain, especially in middle-class circles. Rhys Ifans's Spike, by contrast, typifies another strand of British humour, the eccentric zaniness found in the likes of 'Monty Python'. Spike's strong provincial accent suggests a more working-class background; this possibly accounts for the teasing that he has to put up with from the other characters, although he takes it all in good part.
William may be diffident, self-deprecating and unsuccessful, but he is probably the stronger of the two main characters. Anna is beautiful and successful, but underneath it all she is insecure, worried about losing her fame and fortune and about her inability to form lasting relationships with men. Early on in the film she has another boyfriend, Jeff, but it is clear that he is only the latest in a long string of unsatisfactory romances which have left her emotionally (and in some cases physically) bruised. The scene where Anna says to William 'I'm just a girl, standing in front of a boy, asking him to love her' is the one where we see her at her most vulnerable. Although both characters are in their late twenties or thirties, it is noteworthy that Anna refers to 'girl and boy' rather than 'woman and man'. Anna's vulnerability also comes through in her reaction in the scene where hordes of paparazzi appear on William's doorstep; William tries to play down the incident, and Spike finds it hugely amusing, but Anna is horrified. (The film was made shortly after the death of Princess Diana; this scene possibly reflects British disgust with the antics of the paparazzi, who were regarded as being partly to blame for the Princess's death). Like others, I found myself wondering how much Anna's personality reflects Julia Roberts's own; she too has had a number of unhappy relationships.
Important roles are also played by Tim McInnerny and Gina McKee as William's best friend Max and his disabled wife Bella; the love of this ordinary couple for each other provides a more realistic, down-to-earth counterpart to the fairy-tale romance of William and Anna, helping to anchor the film more firmly in reality. The main charm, however, lies in the relationship of the two main characters, as Anna comes to realise that the seemingly ordinary William has a kindness and decency which count for more than the monstrous egos of Jeff and his like. Like 'Four Weddings and a Funeral', which was also written by Richard Curtis and starred Hugh Grant, 'Notting Hill' is one of the warmest and most human British films of the nineties. 7/10
As another reviewer has pointed out, 'Notting Hill' is based around a theme, love between people of unequal social standing, which has provided literature with some of its greatest works, both comic and serious, dating back at least to the tale of King Cophetua and the beggar-maid. Although many of these stories tell of a poor but honest lad who aspires to the hand of a princess or titled lady, Anna is not part of the Royal Family or the British aristocracy. She rather belongs to an even more exclusive elite, the Hollywood starocracy. She is a hugely popular film star who earns at least $15,000,000 per film, and pops into William's shop during a brief stay in London to publicise her latest movie.
Although Anna is played by a real-life Hollywood superstar, Julia Roberts, the film is very typically British. William is similar to an number of other Hugh Grant characters, being a shy, diffident middle-class Englishman, probably public-school and university educated. (Despite this background, he is not particularly wealthy following a divorce from his first wife and is forced to share his lodgings with an eccentric Welsh flatmate, Spike). The humour of the film, particularly the dinner-party banter between William and his friends, is mostly of the typically ironic, self-deprecating variety popular in Britain, especially in middle-class circles. Rhys Ifans's Spike, by contrast, typifies another strand of British humour, the eccentric zaniness found in the likes of 'Monty Python'. Spike's strong provincial accent suggests a more working-class background; this possibly accounts for the teasing that he has to put up with from the other characters, although he takes it all in good part.
William may be diffident, self-deprecating and unsuccessful, but he is probably the stronger of the two main characters. Anna is beautiful and successful, but underneath it all she is insecure, worried about losing her fame and fortune and about her inability to form lasting relationships with men. Early on in the film she has another boyfriend, Jeff, but it is clear that he is only the latest in a long string of unsatisfactory romances which have left her emotionally (and in some cases physically) bruised. The scene where Anna says to William 'I'm just a girl, standing in front of a boy, asking him to love her' is the one where we see her at her most vulnerable. Although both characters are in their late twenties or thirties, it is noteworthy that Anna refers to 'girl and boy' rather than 'woman and man'. Anna's vulnerability also comes through in her reaction in the scene where hordes of paparazzi appear on William's doorstep; William tries to play down the incident, and Spike finds it hugely amusing, but Anna is horrified. (The film was made shortly after the death of Princess Diana; this scene possibly reflects British disgust with the antics of the paparazzi, who were regarded as being partly to blame for the Princess's death). Like others, I found myself wondering how much Anna's personality reflects Julia Roberts's own; she too has had a number of unhappy relationships.
Important roles are also played by Tim McInnerny and Gina McKee as William's best friend Max and his disabled wife Bella; the love of this ordinary couple for each other provides a more realistic, down-to-earth counterpart to the fairy-tale romance of William and Anna, helping to anchor the film more firmly in reality. The main charm, however, lies in the relationship of the two main characters, as Anna comes to realise that the seemingly ordinary William has a kindness and decency which count for more than the monstrous egos of Jeff and his like. Like 'Four Weddings and a Funeral', which was also written by Richard Curtis and starred Hugh Grant, 'Notting Hill' is one of the warmest and most human British films of the nineties. 7/10
The funny thing about Notting Hill is that Hugh Grant comes off as more charming than Julia Roberts. William Thacker (Grant) remains poised & polite throughout all the madness happening in his life, whereas Anna Scott (Roberts) becomes unlikable at times. Still, this romantic comedy is full of likable characters and amusing moments. I thoroughly enjoyed each dinner scene, especially the interactions between Bella (Gina McKee) and Max (Tim McInnerny). Notting Hill isn't one of my favorite creations by Richard Curtis, but it features many elements I like from his writing and it's an enjoyable movie.
Notting Hill is a neighborhood in London and it's the title of a romantic comedy
starring Julia Roberts and Hugh Grant. Two of the most unlikely lovers you could
ever imagine get together here.
Grant is the respectable, but somewhat dull proprietor of a bookstore in Notting Hill which specializes in travel books. It looks like he's getting by, but truth be told Grant's perfectly happy with just making enough to pay the bills and a little extra.
Back in the day after she retired from the screen for almost 50 years it was one of those urban legends in New York City to spot Greta Garbo out and about and you'd never know but when she might get a notion to stop into a bookstore like Grant's. In this case Julia Roberts plays a movie star not unlike the real Julia Roberts. Garbo mysterious she's not.
For if she was I doubt Hugh Grant would have considered approaching her. As for Roberts she's looking at Grant as a bit of respite from her life in the media goldfish bowl. When she's discovered it's disaster for both of them.
Notting Hill is a nice romantic comedy with very believable leads in a fairy tale fantasy. I mean who doesn't have a fantasy of wooing and winning some celebrity you might admire or be crushing out on. In that sense Notting Hill has a universal appeal.
In an unbilled part Alec Baldwin plays her boyfriend whom we learn little about factually. But he comes across as an egotistical fathead. One thing you're certain of, no matter what happens with Grant, Roberts and Baldwin won't be an item much longer.
Notting Hill, a nice romantic comedy/fantasy. May you win the celebrity of your desires.
Grant is the respectable, but somewhat dull proprietor of a bookstore in Notting Hill which specializes in travel books. It looks like he's getting by, but truth be told Grant's perfectly happy with just making enough to pay the bills and a little extra.
Back in the day after she retired from the screen for almost 50 years it was one of those urban legends in New York City to spot Greta Garbo out and about and you'd never know but when she might get a notion to stop into a bookstore like Grant's. In this case Julia Roberts plays a movie star not unlike the real Julia Roberts. Garbo mysterious she's not.
For if she was I doubt Hugh Grant would have considered approaching her. As for Roberts she's looking at Grant as a bit of respite from her life in the media goldfish bowl. When she's discovered it's disaster for both of them.
Notting Hill is a nice romantic comedy with very believable leads in a fairy tale fantasy. I mean who doesn't have a fantasy of wooing and winning some celebrity you might admire or be crushing out on. In that sense Notting Hill has a universal appeal.
In an unbilled part Alec Baldwin plays her boyfriend whom we learn little about factually. But he comes across as an egotistical fathead. One thing you're certain of, no matter what happens with Grant, Roberts and Baldwin won't be an item much longer.
Notting Hill, a nice romantic comedy/fantasy. May you win the celebrity of your desires.
Not usually impressed with Romantic Comedies, i found this one strangely compelling. It really was a nice movie, littered with great characters, especially Spike played by Rhys Ifans (Hilarious).
The story demonstrates to the extreme that love can occur between the most unlikely of people, and the humorous portrayal of this, is both touching and realistic. And i mean realistically created, not necessarily true realism.
Worthy of your attention, this well written romantic comedy is a must for fans of the genre and is a good gamble if your not.
8/10
The story demonstrates to the extreme that love can occur between the most unlikely of people, and the humorous portrayal of this, is both touching and realistic. And i mean realistically created, not necessarily true realism.
Worthy of your attention, this well written romantic comedy is a must for fans of the genre and is a good gamble if your not.
8/10
Julia Roberts Through the Years
Julia Roberts Through the Years
Take a look back at Julia Roberts' movie career in photos.
¿Sabías que…?
- Trivia(at around 38 mins) During the birthday dinner scene, Anna Scott is asked how much she made on her last film, and her reply is $15 million. This is the amount Julia Roberts was paid for her role in this movie.
- ErroresThree separate times during the movie, the same mother and child are seen in the alley beside William's book shop. All three times this person and child are wearing the same clothes and are in the same physical position. According to the chronology of the film, they would have been standing in that same spot, not moving, for over a year.
- Citas
William: I live in Notting Hill. You live in Beverly Hills. Everyone in the world knows who you are, my mother has trouble remembering my name.
Anna Scott: I'm also just a girl, standing in front of a boy, asking him to love her.
- Créditos curiososThe coloured dots and symbols pop up in time with the music (And when the word 'heart' is sung, a litte red heart appears)
- Versiones alternativasUniversal Studios released a Family Friendly version on DVD that removes objectionable content. This version has a blue border on the DVD cover.
- Bandas sonorasShe
Music by Charles Aznavour
Lyrics by Herbert Kretzmer
Performed by Elvis Costello
Courtesy of Mercury Records
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Notting Hill
- Locaciones de filmación
- 142 Portobello Road, Notting Hill, Londres, Inglaterra, Reino Unido(Will's bookshop)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 42,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 116,089,678
- Fin de semana de estreno en EE. UU. y Canadá
- USD 21,811,180
- 30 may 1999
- Total a nivel mundial
- USD 364,015,475
- Tiempo de ejecución
- 2h 4min(124 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
- 2.35 : 1
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