Lifepod

The last of the Sandler/Emenegger sci-fi films comes as something of a relief to me as all of these movies have been poor quality, low budget science fiction efforts in which the level of imagination involved counts for nothing when so little money has gone into the production. They're also all entirely derivative, with this one tackling 2001: A SPACE ODYSSEY for inspiration.

Once again the film's main antagonist is a computer, a rather open rip-off of HAL 9000 although without the same quality of the voice acting. A desperate crew are trapped aboard a space ship with time running out (just like in ALIEN) and must figure out a way to work together in order to survive and/or escape.

Like the rest of these movies, the cast is unknown, the quality of the acting is very poor, and the script is sub-par. I appreciate that this one seems to have a little higher budget than others like LABORATORY and CAPTIVE so it's a pity they picked a script that was so derivative. For a change, it's not Robert Emenegger or Allan Sandler directing; instead that job goes to first-timer Bruce Bryant, and he doesn't make much of an effort really.

I'm going to throw some love to this movie. I first saw this almost 25 years ago on a Sunday morning. The graphics even in the day were not top tier. However, I did like the plot.

It's 2020 and the patina of age has treated this kindly, IMHO. The storyline is a luxury liner, the Arcturus, is on it's maiden voyage to Saturn and a malfunction has occurred which has required to abandon ship, a hairy idea if you consider life pods in space going who knows what direction. What has caused the malfunction is the question that gets answered at the very end. A life pod that has escaped the Arcturus, containing a ship's lieutenant, various passengers, and the head of the Whitestar line is being pursued but the ship itself while the captain remains on board, not in control, wrestling with the central computer that controls it.

This is a movie that with the right exposure could be something of a cult classic. I think the acting is pretty good, especially Christopher Cary, the captain. Like every good Sci-Fi movie, they lend a believability that allows a willful suspension of disbelief. The design of the Arcturus is pretty good, the robots in the film are believable, the launch and movement of the Lifepod are well done, and the interaction of the cast are good. They set out to make a believable movie given the limitations of the money (obviously) and I think they did a good job.

This is a movie you can find on Amazon Prime. Give it a try. You'll either turn it off in the first 20 minutes or you'll enjoy the ending.

Wow. Something of a surprise. Though flawed, it is far better that I expected.

The brand new space liner Arcturus with some 3,000 passengers is in the final days of its sixteen day trip to Jupiter. Without warning, the ship's Cerebral (central computer) sounds a disaster alarm and orders everyone to evacuate.

Soon, there are only a handful of people remaining including one of the ship's astrogators (Penny), the captain (Cary), and the director of the shipping line (Kenyon).

It turns out that the alarm was false and that the main Cerebral is acting

erratically. The remaining passengers and crew must escape the ship and

avoid personal conflicts in order to survive.

The film starts out very well. The opening commercial is a very nice touch. There are obvious parallels to 2001: A Space Odyssey and to the historic

sinking of the Titanic. The film does slow down at times and has pacing

problems, but is generally well made and well acted.

I like this forgotten little gem. The opening 'commercial' is reminiscent of a similar technique in Futureworld. Of course the computer-run-amok theme is not new, but a nice electronic soundtrack combined with an overall soundscape of computer voices and radio transmissions create a soothing mood piece of sci-fi escapism. Everything here is in a futuristic font with names like Arcturus, Cycloid, and two computers named FLX (Felix) and the Master Cerebral. Whole film is done very seriously with no attempts at comic relief. I did wonder how that rolling robot ('mechanical') got through the doorways though, since it would have to step up and over the portal-type entrances. I recommend closing your eyes, turning the volume way up, and floating away with this one.

I first saw this in grad school, and recently watched it on late-late-night TV. For a remake of the 1940's Hitchcock movie, with minimal early 1980's special effects and sets, the story held up surprisingly well. Worth a couple of hours to see Joe Penny and Carl Lumbly (1980's actors with mainly TV roles), and Kristine DeBell ("Meatballs" and a memorable cameo on the Harry Anderson "Night Court" TV show). Reasonably decent acting, and the "surprise ending" wasn't completely telegraphed in the plot. There was no connection to 2001, other than a talking, slightly psychotic computer. More closely related to an episode of the a Rod Serling "Twilight Zone"