Cenizas del paraíso

This Marcelo Pineyro's 1997 directorial effort, shows a man that understands how to involve his viewers into a story that is not only pleasant to look at, but with a message. Working with Aida Bortnik, they have created a film that will surprise a lot of people, fortunate enough to watch it.

The film involves the family of a judge in Buenos Aires and his three sons. Costa Makantasis is an honest man surrounded by corruption in higher places. He is trying to uncover the machinations of Francisco Muro, a powerful man that is involved in many dirty business in Argentina. As luck should have it, his younger son meets Muro's beautiful daughter, Ana. The young woman practically moves into the Makantasis household as she and Nicolas are enjoying their time together.

Nicolas, the older Makantasis son, falls under the spell of Ana, as well. And we also have seen how Pablo, the middle sibling stares at the sexy woman. We realize there is going to be a reckoning because the way Ana is the object of love of two of the brothers who feel passionate about her.

The film begins with events that are the conclusion of the events that culminate in horrible deaths for two key figures in the story. In flashbacks, as a special judge, Beatriz Teller, examines the facts surrounding the mysterious circumstances in the two deaths, we are given the details in order to absorb what really happened.

Mr. Pineyro gets excellent performances of his cast. Hector Alterio, is seen as the head of the Makantasis family. He is a good man who is pursuing a cause that means a danger for himself. The wonderful Cecilia Roth plays the investigating judge Teller with a fury that shows her determination and resolve. Leonardo Sbaraglia, one of the best actors from Argentina, is seen as Pablo, the middle brother. Daniel Kuzniecka makes Nicolas, the older brother, come alive. Leticia Bredice is amazing as Ana, the woman who awakens passion in all the brothers.

The film will satisfy the viewers because of the rich web spun by Marcelo Pineyro to ensnare us into this interesting tale of passion and crime.

Three Argentine brothers fall into the hands of a female judge, each individually claiming to be guilty of the murder of a powerful man's daughter. Having these three men in custody, the body of the dead girl, and the news that the brothers' father, who is also a judge, was also killed, Judge Teller finds herself in trying to unravel the complex mystery. The mystery which is presented with great passion and chaos from the very start of the film, is slowly unraveled by showing the main characters' individual perspectives of the previous week or so, one at a time. By showing one piece of the puzzle at a time, Marcelo Piñeyro builds up much suspense and pushes the audience to try to guess what the missing pieces will be. The story demonstrates what could happen to extremely close-knit families, such as the three men and their father, when certain destructive circumstances or people make their way into their lives. Although certain family bonds may be bent and weakened through such circumstances, these bonds are by no means easily broken.

I did not really get the point of "Cenizas Del Paraíso". The movie starts off in full swing and if the viewer doesn't pay very close attention throughout the beginning he or she is in trouble. I had to rewind the tape after about 15 minutes because I was so confused with all the details, names and events. And movies that have so much information, especially in the very beginning, usually have a story to tell, right. Well, the director did a great job at gluing the pieces together. Even with all the flashbacks I knew exactly what happened when and where and I was really dying to see what had really happened and who murdered the girl, and why. In the end I was not surprised at all, it was rather an anticlimax and I don't know what makes this movie better than an average "Matlock" episode. Sure, the acting is good (I really felt the immense love between father and sons during the dancing scene) and the plot is quite intriguing, but it's not executed in the best way. I wasn't expecting another "Usual Suspects" or something, but the movie made such a fuss about the murder I wasn't expecting predictability either. Oh, and what's up with the final scene with the brothers in the elevator. Maybe I'm complicating but is there a hidden message somewhere in there or is it just a final artistic moment. Worth for the performances, not the thrill. 7/10

Cenizas del Paraiso is an aptly-named crime-thriller with just the right amount of intrigue, romance, action and pathos. Besides the compelling direction and excellent acting, I was especially impressed by how the story insinuated certain disturbing circumstances without being soap-opera vulgar about them. The story and direction suggest an even more intriguing backstory than is overtly presented. Hector Alterio is an amazingly versatile and charismatic actor and I would see any film of his.

Regarding the previous reviewer's comment on Argentine cinema being used primarily as a political tool, among the Argentine films I've seen, many have little or no political themes. Cenizas del Paraiso does indeed involve economic and political corruption and how it can infect other institutions. In any case, one would hope that any country with a history of horrendous political and human rights abuses would evolve to the point where the arts and press are free enough to expose and alert the people to the dangers of such abuses. American cinema produces and exports films about corruption in America; it is a testimony to the existence of democracy in Argentina that it is able to do so about Argentina. That said, this film is primarily a psychological crime drama with a subplot which includes corruption.

I've seen this movie from Argentina, and I think my opinion can be divided in two parts: the script and way the director guides us through it.

The script is an excellent thriller, with all the characters very well designed. The three brothers and their getting along with the father... you can feel their pain for his death. I think the scene where all they four dance that Greek music is breath-taking.

And the way the director puts us in the plot, with all the flashbacks. You never get lost. Separating the story in parts, it makes all much more clear.

Finally, thanks a lot for the update. I was sure Francisco Muro was not a judge.