You Rang, M'Lord?

This was one of the funniest sitcoms to come out of the BBC, sweet, funny and innocent. It showed the class divide in the country during the 1920's. The Meldrum's, a wealthy family living in a large house, below stairs live the servants. A charismatic bunch lead by butler Alf Stokes. Most of the humour comes from downstairs, and lots of the serious bits come from the mix of the two.

On many occasions social and political arguments were raised, there were often touches of realism.

It went out on a Sunday evening, and it was the last good bit of the weekend, before School on a Monday morning.

Great performances from all the cast. Su Pollard was visually very funny, so often she's the one that steals the laughs. The craziest laughs came from Lady Lavender, her and that parrot.

It was a brilliant series, one I couldn't recommend highly enough, 10/10

I possess about 96% of this series, or should I say these series on VHS and am awaiting the day they will be available on DVD. This was an excellent comedy series which seems to have fallen into oblivion. Some of the actors starred in "It Ain't Half Hot Mum ", another excellent series set in British India ! This series examines the relationships between the servant staff and the occupying family of an upper class British Household during the 1920's. What is good about it is that each character is extremely well analyzed and developed and when you follow the series from one episode to the next, their is a rigid consistency in the way each of the characters behaves. What is good is that the satire concerns everyone, it is not an anti-upper-class satire, the humbler characters are portrayed to be just as scheming and below-the-belt as the aristocratic ones. Of course I sympathize with poor old Mabel who is treated like dirt by the other servants who for some reason consider her below their level to partake of the same food as themselves ! Also I found extremely annoying the policeman who turns up every time in the kitchen to scrounge tea and cake - in fact the servants probably come out of this with a worse image than the aristocrats - sure Poppy is a spoiled brat and is always leading James on, but he himself has a kind of inverted snobbery or obsequiousness. Paul Shane's character (head butler) is also extremely dislike-able ( for me ) as he represents typical working-class-with-a-chip-on-their-shoulder but I found the character of his daughter Ivy absolutely adorable and found Henry incredibly funny with his off the cuff remarks as I did Teddy with his cravings for servant girls. Sir Ralph's character can also get annoying at times and it's a bit of a shame that Lord Meldrum has a soft spot for his wife as she seems to be more of a slut than anything else; Each episode is very well crafted and provides many moments of laughter, quiproquo, an insight into relations between "upstairs and downstairs" plus the inclusion of a number of external influences ( Barbara Windsor, for example, as Shane's false wife ). I am very fond of Donald Hewlett as an actor and his character is that I prefer in this series.

The series is typically English humour, I am not sure whether it could be appreciated by foreign audiences as some prior knowledge of the English class system is necessary - but once you get into it and become familiar with each of the characters - you cannot do without it ! I am hopeful that one day this will get round to being issued on DVD, such is the scarcity of good comedy in the UK nowadays, we need to re-edit these oldies on DVD to provide ourselves with some hours of pleasure.

I grew up watching this series. It has a cult status in my family. Without a shadow of doubt, this is the best comic series ever. The casting is perfect and the acting superb. The story and its layers are simply amazing; I could watch each episode hundred times over and I would still enjoy it as much as I did the first time and notice something new, something I hadn't noticed before. I wish the series lasted 30 years instead of just 3. I have bought the DVD of the first season and plan to buy the rest of the series too.

The thing that puzzles me most is the fact that this series is not as well know as Dad's Army, Only fools and horses or Blackadder. The BBC conducted a poll back in 2004 to find out what is considered to be the best Britain's sitcom and You rang m'lord is not even in the first 100 series. One can't help but wondering how this could be. I am simply astonished.

While it's not news that British comedies are far better than their American counterparts, You Rang M'Lord tops the list of excellent British comedy. The post-Victorian aristocratic setting is perfect for class distinction humor, its underlying political themes subtle enough to serve the humor only. This series reveals that all "classes" of people are driven by basic human nature, the same foibles, desires, hopes, and dreams. The situations are hilarious and tied to an overall theme in each episode, the characters as good as any ever conceived, the acting of each one superb, the costumes and sets flawless. I just wish the series had run for 10 years, as each episode is so much fun.

Without doubt this show is the magnum opus of Perry and Croft, it's 26 episodes enchant and beguile like no other show. Set between the wars in one of London's great houses, it follows the life of Lord Meldrum, his family and their servants. Every facet of this show extols the virtues of the cast, set designers, and writers to perfection. Few shows have ever captured the feel of an era better, capturing as it does the styles, social issues and morals of the transitional era that followed the reign of Victoria. The extraordinary attention to detail at all levels involves one entirely, this mated with a superb script which supports all the visual magic, leaves only the actors to make the best of it all. This they do with extraordinary finesse and believability, one can completely empathize with each character and have sympathy with each role. The show is actually a serial, but with each episode featuring a vignette, it is episodic as well. It is impossible to define any one actor as being a lead as each role attaches itself seamlessly to the story, to create a gorgeous sense of flow and continuity, it is involving, poignant and immensely funny. The troupe consists of many regular players from David Croft's "stable", but in no other show are they better used. The cast and crew are detailed in the body of the IMDb page, but a must mention are the almost background parts played by Perry Benson, Barbara New and Mavis Pugh, as Henry, Mabel and Lady Lavender respectively. Between them, they inject a positively brilliant series of almost surreal comedic asides all through the series, and they add to its charm and depth immeasurably. One could go on and on about all the virtues of this show, but in conclusion, I honestly think that this wonderful story is the absolute epitome of British TV comedy, the like of which, is unlikely to be seen again, it is a work of quality, passion and genius at every level. If you get a chance to see it, you must.