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5.5/10
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TU CALIFICACIÓN
Dos chicas esperan ante la puerta de un joven actor y descubren que las ha tenido a ambas como "única" novia los últimos diez meses.Dos chicas esperan ante la puerta de un joven actor y descubren que las ha tenido a ambas como "única" novia los últimos diez meses.Dos chicas esperan ante la puerta de un joven actor y descubren que las ha tenido a ambas como "única" novia los últimos diez meses.
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Opiniones destacadas
Toback's backbone of a script is great- it sets up the finest young actor of my generation (debatable- but worth saying) Downey Jr. is masterful in adlibbing and improvising. He accomplishes what Brando failed to do in Last Tango in Paris. Downey is real. His problems, his inner angst, his troubles all surface. This is like being with him. His magic and charm are entrancing and enchanting. Pretty cool. Worth a watch late at night- intense though.
Convict/thespian Robert Downey, Jr. tops his frenzied role in "Natural Born Killers" with another manic Tasmanian Devil-style performance. It's the funniest of the year, an actor's nightmare (how far do you go when you can do whatever you want?), but also the quintessential Downey, Jr. persona.
Heather Graham is my baby, she just doesn't know it yet. Just kidding--truth be told, she excels in the part of one of Downey Jr.'s girlfriends. Wagner nearly matches her in the role of the other.
Toback's direction is stagey (what else can you do with one set?), but his writing is on fire. Sometimes, you snag bits of the actor's riffs and laugh at what you can get your hands on. At other times, you sit back and let it flow over you--this is high-speed Jack Kerouac, coupled with Whit Stillman's keen ear for American bourgeois speech patterns. Wagner and Graham test each other on Downey Jr.'s lovemaking speeches, tying a noose for him before he even arrives, later Downey Jr. verbally abuses and repairs himself in his bathroom mirror--highlights of a dynamite script.
1998 was the year for actors and actresses, and many notables (and a few unknowns) did landmark work: Jim Carrey in "The Truman Show", Jane Horrocks in "Little Voice", Warren Beatty in "Bulworth", John Travolta and Kathy Bates in "Primary Colors", Roberto Benigni in "Life is Beautiful", Bill Pullman in "Zero Effect", and Robert Downey Jr. in this one. James Toback, who also penned the wretched (and similarly themed) "The Pick-Up Artist" in '87, is back on track. With "Bugsy", "The Gambler" and this film on his record, I eagerly anticipate his next picture.
Heather Graham is my baby, she just doesn't know it yet. Just kidding--truth be told, she excels in the part of one of Downey Jr.'s girlfriends. Wagner nearly matches her in the role of the other.
Toback's direction is stagey (what else can you do with one set?), but his writing is on fire. Sometimes, you snag bits of the actor's riffs and laugh at what you can get your hands on. At other times, you sit back and let it flow over you--this is high-speed Jack Kerouac, coupled with Whit Stillman's keen ear for American bourgeois speech patterns. Wagner and Graham test each other on Downey Jr.'s lovemaking speeches, tying a noose for him before he even arrives, later Downey Jr. verbally abuses and repairs himself in his bathroom mirror--highlights of a dynamite script.
1998 was the year for actors and actresses, and many notables (and a few unknowns) did landmark work: Jim Carrey in "The Truman Show", Jane Horrocks in "Little Voice", Warren Beatty in "Bulworth", John Travolta and Kathy Bates in "Primary Colors", Roberto Benigni in "Life is Beautiful", Bill Pullman in "Zero Effect", and Robert Downey Jr. in this one. James Toback, who also penned the wretched (and similarly themed) "The Pick-Up Artist" in '87, is back on track. With "Bugsy", "The Gambler" and this film on his record, I eagerly anticipate his next picture.
First off his is a very interesting movie and it brings up unique ideas all and through out most of the running time. Robert DOwny jr. Heather Graham and Wagner, all perform their parts well and with feeling as well as realism (somewhat). However, there is just one little thing that will either break this movie or get looked over due to the great performances which why in the world the two girls stayed. I was able to look over it because it lead to some interesting diolgue of which no character really had the upperhand but the fact that they stayed to understand why they were cheated is one (if only) of the most unrealistic aspects of this movie. Of course maybe this story came to be by the writer asking himself "What if someone really wanted to know why they were cheated on?"
p.s. the very explicit love scene, I beleive, was done very well. It was not presented in an overly romantic manner and instead shown in a more raw style which was very beleivable.
p.s. the very explicit love scene, I beleive, was done very well. It was not presented in an overly romantic manner and instead shown in a more raw style which was very beleivable.
I recently rented this movie, and having found it in the comedy section of the video store, I thought I was in for a few laughs. Instead I ended up with a head-ache. Listening to the characters constantly bicker and scream at each other was like watching re-runs of the real world. The story-line was bland and exceedingly predictable.The characters were greatly undeveloped-why does Natasha Wagner's character seem so in love with Blake and care so much about him and what he does when she turns out to be a bisexual who is more interested in women anyway? It was an all too convenient way to get rid of her. I found Heather Graham's acting to be very unconvincing and unnatural. Her lines sounded too rehearsed and flat. Natasha Wagner's acting was better, but not by much. Robert Downey Jr.'s part was well acted but, like the other characters, not very interesting. While I am a big Robert Downey Jr. fan, I can't help but dislike this movie greatly.
This movie is probably the worst film I've ever watched. The sleazy concept of Robert Downey, Jr. trying to juggle between two girlfriends is horrendous. The graphic scene that gave this film an NC-17 rating was unnecessary. This film is highly degrading to women because it tries to pass them off as submissive sex maniacs who want nothing but threesomes and sexual satisfaction. Aside from that, the entire movie takes place in Downey's apartment, so you get bored with the atmosphere. The acting is on the level of softcore porno acting, and the script was obviously not present during the filming.
¿Sabías que…?
- TriviaWhen Robert Downey Jr. was arrested for drug possession in 1996, writer and director James Toback vowed to be the first to offer Downey a job once he got out of rehab. Toback wrote the screenplay in four days with Downey in mind for the lead role.
- ErroresThe liquor bottle refills in one shot just before Blake returns.
- Citas
Blake Allen: I think words are not serving me well at all.
- Versiones alternativasOriginally rated "NC-17". An oral sex scene was cut to be less explicit for an "R" rating. The "NC-17" version was released on laserdisc and later Blu-ray along with the "R" rated version that played theatrically.
- Bandas sonorasYou Don't Know Me
Written by Cindy Walker (as C. Walker) and Eddy Arnold (as E. Arnold)
Performed by Jackie Wilson
Courtesy of Brunswick Records
Unichappell Music, Inc. on behalf of itself and MIJAC Music (BMI)
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- How long is Two Girls and a Guy?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Two Girls and a Guy
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,057,193
- Fin de semana de estreno en EE. UU. y Canadá
- USD 649,423
- 26 abr 1998
- Total a nivel mundial
- USD 2,057,193
- Tiempo de ejecución1 hora 24 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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