Nixon

I will start by saying I am an Oliver Stone fan. For some particular reason though I did not expect to like this movie but obviously I did. He actually unexpectedly gave a very fair depiction of Nixon. Nixon really transformed before my eyes in here. That was really something special to see.

The acting was quite good. Anthony Hopkins though totally uplifted this movie. I could imagine many people saying his performance was over-the-top or a bit too surreal at times. Yet that is what really made his performance so amazing. The way he was able to transform the many crazy and totally off the wall aspects of Nixon and make them into a reality. To me as the movie went on I felt I was in some way able to see his paranoia, anxiety, thirst for power and just the simple fact of wanting to be liked. I could see he was more of a troubled and vulnerable man than a monster. He never quite connected with anybody which made him bitter and fueled his paranoia and greed even more. To me Hopkins portrayed this all perfectly, all the complexities and inner feelings of Nixon. Hopkins slipped into this role in way that you rarely see. He became Nixon, and at times I was speechless or should I say thoughtless watching him portray such an important figure in such a way. More and more I felt sorry for Nixon, as he looked more and more like a schizophrenic. To me this role was more psychologically bone-chilling than his role as Hannibal Lechter in Silence of the Lambs and I have no problem debating that.

The rest of the cast was quite good as well. Joan Allen was very good in showing the complex relationship/marriage she had with Richard Nixon. James Woods freaked me out at times displaying that pure evil and hatred at times that Hopkins showed as Nixon. Paul Sorvino was very good as Henry Kissinger. Mary Steenburgen was interesting to watch in the very limited time she played in here. The two actors though other than Hopkins though that really stood out to me were Bob Hoskins and Sam Waterston. Despite Hoskins not giving an amazing performance and having very limited time he gave me chills just seeing J. Edgar Hoover being portrayed in some sort of way. Sam Waterston despite being limited to really just one scene was even more chilling than the rest of the cast(excluding Hopkins) combined in that one moment. That moment was one of the most intense face to face scenes that I have ever seen. It was so memorable.

The directing was very good. It was not the best I have seen from Oliver Stone but it was up there. For the first 45 minutes or so I was a bit confused about what was happening and the flow of the movie but I got used to it. The first portion of the movie did feel unbalanced at times but the feel of the movie got better as it wore on. Going back to that one scene between Sam Waterston and Anthony Hopkins, I felt this scene was one of the best directed and written scenes I have seen from Oliver Stone or anyone ever. That scene was a microcosm of the movie. The motion-sickness, mind scrambling, paranoid feeling of that scene captured the entire movie. The feeling of even seeing the president himself being treated like a puppet, despite not that shocking, was mind numbing to watch. That scene was true testament to the writing and directing abilities of Oliver Stone.

The writing was also very good throughout. It seemed as if everything Stone wanted to get across got across. The writing was not amazing but it certainly served it duty. The cinematography was great though. Stone always knows how to get his point across in the way he photographs a movie even if all of other aspects of the movie fail. That dark Oliver Stonish feeling kept on creeping in on every scene, but also that dark psychological feeling that he had put in Born On the Fourth of July and Platoon also was felt through the cinematography. The music by John Williams, who always knows how to capture a moment musically, was simply perfect in here again.

I can understand this movie being boring to a lot of people or it being considered propaganda. Yet I think this movie is an overlooked masterpiece. Just seeing Anthony Hopkins perform as Nixon is a good enough reason to see this movie. He took control of this movie by force and took it to another level. Despite this being an Oliver Stone movie it is more fair than you would think. Of course this movie may have a few conspiracy theories included in it but Oliver Stone never forces his theories on people. There is a reason why at the beginning at every movie he puts a disclaimer saying that not everything in his movies are facts. Despite it being great I don't know if this is a movie for everyone. This movie seems to be crazy and surreal but isn't that how life seems to be at times as well?

This is a scary one. A merciless look into the pathology of one weird bloke. Anthony Hopkins may not look like Nixon but he does the role to perfection. It is truly scary.

Great cast. Hopkins is a hard working star. What a shame he lost to the Hoffman aper Cage. And Nixon? What a loser. What a terrible insufferable tragic loser. It surely was a challenge to do this for Hopkins.

The biggest most significant detriment is of course one knows not where fact ends and fiction begins. Stone doesn't exactly have a reputation for avoiding hyperbole.

But taken as a personality portrait it's devastating. You might know your history but you've probably never imagined things were like this. You could have imagined them if you'd taken the time, but this movie brings you there.

It's just a tragic movie about an extraordinarily tragic figure. Stone brought you Salvador where he showed how well he knows the art of movie making; he brought you the screenplay for Scarface; and so forth. He can do it, whether or not he goes too far on some occasions. The movie production itself is very good.

And it's a long one. It's not a popcorn movie. It's extremely depressing and frightful. A look into one very weird pathology. But a 7 out of 10 is not out of order.

Richard Nixon is one of the most controversial heads of state of the twentieth century. During his tenure as president of the United States, he earned a general hatred almost as high as the power and influence of his office. He was investigated, vilified, attacked but never condemned. Even though I'm not an American nor an expert of these period, I feel it is necessary to make an unbiased and objective historical analysis of this president, I just don't know if that has already happened. Even so, the film we have here didn't seem partial, trying to remain neutral to some extent.

Directed by Oliver Stone, it's not appropriate for people who don't know anything about Nixon, or Watergate, or this period of American history, since the film wasn't wasting time explaining anything. So if you didn't understand why Nixon opened the US to China or what was the Watergate or the Bay of Pigs, I suggest you ignore the movie for now and first go read some books or see some documentaries about it. Another problem I want to highlight is the huge web of conspiracies and obscure theories that the film weaves around the president. It never lets us understand what "crimes of responsibility" Nixon has committed. The film also suggests, without subtleties, that Nixon was a simple man who rose in life but wasn't accepted by the "American aristocracy" because of this humble origin, which left him deeply hurt. I don't know if it's true, but the film indicates that as origin of President's lack of scruples.

Anthony Hopkins assures the main role in an interesting performance, but that's far from being his best. He made a good preparation and tried his best to be Nixon, but has few physical similarities with him, not to mention his extreme difficulty in imitating president's characteristic voice. Anyway, Hopkins was brilliant at his character's psychological work, with most dramatic scenes going on as he, semi-drunk, reviews his decisions while listening to his famous audio tapes. The remaining cast does a reasonable supporting work. I will not close my review without left a word of appreciation to the sets and costumes, which rebuilt the atmosphere and culture of the Seventies quite well, much like the rooms and offices within White House. Not being exceptional, it's an elegant, quality film, that helps us think about an important period in American history.

Oliver Stone has a way of making films that grab you and hold you until the final frame. His films are usually controversial and that's what generates much debate and Nixon is no exception. Anthony Hopkins assumes the mantle of Richard M. Nixon and he does it with style. His Nixon is a complex man, full of ambition and dreams, but also filled with demons. Nixon lives in the shadow of JFK, and because of that, he feels he can never live up to the greatness that he aspires to. Joan Allen is equally convincing as Pat Nixon. She is a strong woman who loves her husband, but unlike Nixon, she grows tired of the political world. The film works best when we see the inner workings of the Nixon Whitehouse. We see the coverup of the Watergate break in. We see Nixon's historic visit to China and we see the final farewell of a flawed, but ambitious man. It's hard to cram an entire lifetime into a three hour film, but Stone manages to do it well. We get brief glimpses into Nixon's past and we see the events that eventually undid him. Some may say that Nixon is painted in an unfair light. I think Stone actually sympathizes with him. Here was a man who came into power in the middle of a war. He was feared by many and misunderstood by all. Nixon was able to rise above it all for a short period of time, and in that brief period, he did have the world.

In an overall solid cast, Anthony Hopkins shines in a powerful performance as Richard Nixon in this Oliver Stone film tracing the former president's life from his boyhood in California to his resignation as U.S. President in 1974.

Nixon is seen as a troubled figure, insecure and paranoid, with few friends. An unhappy childhood, in which he refers to himself as his mother's "faithful dog," in fact does dog him his whole life, as he seeks to please a demanding ultra-religious mother (Mary Steenburgen)who had already died by the time he took office as President, but whose memory and expectations lived on. Nixon is burdened with an unhappy marriage to Pat (Joan Allen) - unhappy largely because of his own obsession with political success - and haunted by the ghost of John Kennedy, who defeated him for the presidency in 1960 and who Nixon could never live up to. Kennedy was loved; Nixon was hated - he could never get over that. A scene near the end of the movie demonstrates his feelings toward JFK as he looks at Kennedy's White House portrait: "They look at you and see what they want to be; they look at me and see who they are."

Although the movie - as any review of Nixon's life will - revolves around Watergate, it provides a fascinating summary of his life, and of what added up to make him the troubled and lonely figure he really was. There's also typical Oliver Stone material as dark hints of conspiracy extending far beyond Watergate are inserted. Perhaps the most unsettling being a meeting Nixon has shortly before JFK's assassination with some supporters in Texas who are trying to convince him to run for the presidency again in 1964. Nixon protests that Kennedy can't be beaten in '64. A Cuban American present says ominously "What if Kennedy doesn't run in '64?"

A truly fascinating portrayal of a fascinating man, even in the end somewhat sympathetic to Nixon as the film ends with his 1994 funeral service, some comments at that service by President Clinton and a summary of his career by a narrator pointing out his accomplishments. A last note: kudos to Paul Sorvino, who hit Henry Kissinger bang on.

8/10