Después de perder a su prometido en un fatal accidente de alpinismo, Hiroko quedó devastada. Encuentra su dirección de la infancia en un anuario escolar y le escribe impulsivamente. Pero, ¿q... Leer todoDespués de perder a su prometido en un fatal accidente de alpinismo, Hiroko quedó devastada. Encuentra su dirección de la infancia en un anuario escolar y le escribe impulsivamente. Pero, ¿qué sucede cuando recibe una respuesta?Después de perder a su prometido en un fatal accidente de alpinismo, Hiroko quedó devastada. Encuentra su dirección de la infancia en un anuario escolar y le escribe impulsivamente. Pero, ¿qué sucede cuando recibe una respuesta?
- Dirección
- Guionista
- Elenco
- Premios
- 14 premios ganados y 3 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The film starts out very slowly, leisurely in a snail pace but give it time. By the end of teh first act, you'll be hooked till the subtle twist-in-the-end (more on that later).
The film reminds me alot of The Double Life Of Veronique as it uses the same concept of having the two protagonists being played by the same actress. I've watched both and though Veronique is a masterpiece, this film is a few notches above.
Now the ending of the film is at once touching, intriguing, disturbing and very hard to accept. Some people might have seen it coming early into the film but it caught me off guard. It is not like "Teh Sixth Sense" or "The Usual Suspects" kind of twist ending but it runs along the lines of....man, i can't think of any other film which has this kind of ending. I won't spoil it for you but it involves the two leads and the one "thing" they have in common. Ohh....its tempting to reveal the secret but i won't.
Check this film out. Everything is top notch - direction, script, cinematography, acting, editing and the musical score. Definitely the number one Japanese movie in my favourite film list. I love it...you'll love it too.
The first 30+ minutes of "Love Letter" were quite boring, but if you ever watched the movie again, knowing how the plot unfolds, they'd be anything but boring. The premise of this is cool and a little creepy: a woman, enstranged by her husband's untimely death, sends a letter to his old address. She knows that the house was knocked down and built over by a highway years ago, but does it anyway, perhaps out of desperation. Unexpectedly, she gets a reply. From there, the story begins, and it takes a much different direction than how the plot sounds on paper. I can't really say too much without spoiling it, but this is a tragic movie, yet beautiful at the same time. There are flashback sequences that make you really care about several characters in the movie, including the deceased man (who is shown as a school boy in the flashbacks). This is so well set out, and almost brought me to tears at times. Movies like this are what make me want to see more and more Asian cinema, because this was an absolute epic.
Here is another.
There are many factors of the story, and the director(also the writer), Shuji Iwai, tells them beautifully and seamlessly.
Each story could stand on it's own, but in fact it is each story that moves the film.
Though it originally is about Watanabe Hiroko, the character Fujii Itsuki(female) takes over the story to the end.
This is a movie that makes you think about it long after it's over. That's why I bought it. So, I can watch it when ever I want. There are no life lessons to be learned(except maybe listen to the "crazy" grandpa) nor a message to take away from this. Yet, the film grips you until it's finished. Wrapped up in these women's lives and memories, and scenic cinematography that Japanese films are well known for.
In conclusion. I'm still thinking about it.
The film is very striking visually, in turns showing sweeping landscapes and intimately detailed portraits. Emotions are at times powerfully conveyed by a camera movement accompanied by a well chosen musical score. The limited use of a hand-held camera jarred with the serene beauty of the rest of the film, which no doubt was the intent, but I found it to be a minor distraction.
All in all, a very poetic missive delivered to us by the skilled hand of Shunji Iwai.
The movie is warm and beautiful description of longing for a lost love and nostalgia. Miho Nakayama is ever so beautiful and innocent, and her acting as both Itsuki Fujii and Hiroko Watanabe is just professional. I rather say, couldn't be better. The music and the very atmosphere of the movie is somewhat Japanese, it has something really distant and beautiful. In movie which deals with love, always good sign is that if it does have very few or none scenes where love is physical such as kissing or making love. This movie shows love as somewhat ideal very mindfull and platonic. Works for me, for you, I don't know. Really beautiful movie what I can recommen to everyone. I rated this 10, since couldn't find any reason to give 9.
¿Sabías que…?
- TriviaWas the highest-grossing Japanese film in South Korea, except Japanese animation.
- Citas
Male itsuki fujii: [Checking out books from the female Itsuki in the school libray. The male Itsuki holds up five checkout cards that he has been the first to sign like a poker hand. He speaks in English] Fujii Itsuki straight flush.
- ConexionesReferenced in It's Entertainment (2014)
Selecciones populares
- How long is Love Letter?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 4,900
- Total a nivel mundial
- USD 7,859,654
- Tiempo de ejecución
- 1h 57min(117 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1