CALIFICACIÓN DE IMDb
6.0/10
21 k
TU CALIFICACIÓN
Un convicto reformado va de incógnito con la ayuda de un detective furioso para atrapar a un psicótico mafioso.Un convicto reformado va de incógnito con la ayuda de un detective furioso para atrapar a un psicótico mafioso.Un convicto reformado va de incógnito con la ayuda de un detective furioso para atrapar a un psicótico mafioso.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Opiniones destacadas
This was part of the David Caruso effort to dominate movies as he was tv at the time. Unfortunately for him, and probably us, he never really managed to pull it off. Because he had developed a reputation (valid or not I don't know) as a bit of a *%#^ people seemed happy to see him fail.
Its a shame because he is a good actor and he's good in this. As is the rest of the cast which is full of A and A- actors.
It won't knock your socks off but it will entertain so mission accomplished!
Its a shame because he is a good actor and he's good in this. As is the rest of the cast which is full of A and A- actors.
It won't knock your socks off but it will entertain so mission accomplished!
A mostly gripping crime drama with a good script and a great cast. This is David Caruso's best movie by far as a leading man, the reason he left NYPD Blue, and it portended a good career to follow. Well, his movie career tanked but this is still a good character study and underrated neo noir entry. Cage is all breathy snarl and wonderful menace in the flashy sociopath role originated by Richard Widmark. Hard to imagine assembling a backup cast with Ving Rhames, Helen Hunt, Stanley Tucci, Michael Rapaport and Samuel L. Jackson these days on this budget, and they all put in nice turns.
Probably worth a shot if you are a fan of modern noir and gritty crime dramas, though it does peter out a bit with the too-convenient denouement. Cut from the same tough cloth as other sleeper modern noir movies like DEEP COVER and ROMEO IS BLEEDING.
"You F#&$ with the bull, you get the horns." 7.5 / 10 Would rate higher if not for the too-cute ending.
Probably worth a shot if you are a fan of modern noir and gritty crime dramas, though it does peter out a bit with the too-convenient denouement. Cut from the same tough cloth as other sleeper modern noir movies like DEEP COVER and ROMEO IS BLEEDING.
"You F#&$ with the bull, you get the horns." 7.5 / 10 Would rate higher if not for the too-cute ending.
My friend made me watch this and I found it to be a surprisingly entertaining movie. It's a remake of a 1940s film noir, but I haven't seen that one. Here David Caruso plays the typical gangster-gone-straight in order to support his new family, but one of his friends (played by Michael Rappaport) pulls him in for one last deal which (unsurprisingly) screws him over big time.
The casting here is absolutely phenomenal. The performances by all the lead actors are some of their best: Nicholas Cage, Stanley Tucci, David Caruso and Michael Rappaport all bring serious color to the story. It is clear here that the careful casting makes a big difference. I'd like to say one performance in particular stands out (maybe Nicholas Cage, in one of his best roles ever) but everyone pulls their weight. Michael Rappaport, despite staying in his typical character role, manages to play the most loathsome character in the film! Even the villains have more humanity to them than he does...
The story is good too. It's not original, but very well done. Many classic crime twists are provided in ways one doesn't expect and there are some plot points that are only alluded to, not blatantly shown (i.e. the reason certain characters get knocked off, etc.). It also gives us a good rundown on the inside of a corrupt court system which only protects ex-cons if there's a profit to be made.
And to top it off, despite the criminal element and violence, there is a cool sense of humor to several scenes. Little Junior's (Nicholas Cage) mourning scene stands out as a highlight. And then the way the movie ends, you'd think you were watching Beethoven or something. Hee hee, and Stanley Tucci was in that one too!
It's not some critically acclaimed showboating from the '90s, like American Beauty, The Usual Suspects, and so on, but it is a solid little '90s period piece.
6.5
The casting here is absolutely phenomenal. The performances by all the lead actors are some of their best: Nicholas Cage, Stanley Tucci, David Caruso and Michael Rappaport all bring serious color to the story. It is clear here that the careful casting makes a big difference. I'd like to say one performance in particular stands out (maybe Nicholas Cage, in one of his best roles ever) but everyone pulls their weight. Michael Rappaport, despite staying in his typical character role, manages to play the most loathsome character in the film! Even the villains have more humanity to them than he does...
The story is good too. It's not original, but very well done. Many classic crime twists are provided in ways one doesn't expect and there are some plot points that are only alluded to, not blatantly shown (i.e. the reason certain characters get knocked off, etc.). It also gives us a good rundown on the inside of a corrupt court system which only protects ex-cons if there's a profit to be made.
And to top it off, despite the criminal element and violence, there is a cool sense of humor to several scenes. Little Junior's (Nicholas Cage) mourning scene stands out as a highlight. And then the way the movie ends, you'd think you were watching Beethoven or something. Hee hee, and Stanley Tucci was in that one too!
It's not some critically acclaimed showboating from the '90s, like American Beauty, The Usual Suspects, and so on, but it is a solid little '90s period piece.
6.5
Kiss of Death boasts an impressive cast, authentic locales, and a gritty, accessible storyline, but it still comes across as an asthmatic remake of the film noir classic. Nobody "stars" in KOD; rather, David Caruso, Helen Hunt, Nicholas Cage, Samuel L. Jackson, Ving Rhames, and Kathryn Erbe all put in good, workmanlike performances that just don't catch fire.
I enjoyed Kiss of Death ten years ago when I rented it. What made it enjoyable again was seeing people I had forgotten about--a young Hunt, commanding on screen, an obscure Jackson, Cage almost unrecognizable, and Caruso, long before he decided to trade in acting for the ridiculous posturing he does on the boneheaded CSI: Miami.
Yet, the movie never really jells. We know the story well so we expect something better to make KOD stand out. "Workmanlike" just isn't enough.
I'd still recommend it, though. The freshness of the talent might be enough for you. And Cage, ripped and psychotic is so different from his breezy action roles of the last half decade.
You may find a gem here!
I enjoyed Kiss of Death ten years ago when I rented it. What made it enjoyable again was seeing people I had forgotten about--a young Hunt, commanding on screen, an obscure Jackson, Cage almost unrecognizable, and Caruso, long before he decided to trade in acting for the ridiculous posturing he does on the boneheaded CSI: Miami.
Yet, the movie never really jells. We know the story well so we expect something better to make KOD stand out. "Workmanlike" just isn't enough.
I'd still recommend it, though. The freshness of the talent might be enough for you. And Cage, ripped and psychotic is so different from his breezy action roles of the last half decade.
You may find a gem here!
I liked this movie and I am quite surprised by the low IMDb user voting for this film. It is certainly not Academy Award material. But the story, character development, and the acting performances are really above average. I am not a big fan of television dramas. I have never seen a single episode of CSI. I thought NYPD Blue was very overrated, except for Dennis Franz. However, I think that David Caruso is a much better movie actor than he gets credit for. This one is definitely worth seeing. It is not a stupid high-action movie like Armageddon. However, it does have some very intense and well staged scenes that will keep action movie fans happy.
¿Sabías que…?
- TriviaThe club featured in the film was actually a small business office building next to McDonald's in Queens, New York that was completely converted to the look in the film by production designer Mel Bourne. It is now abandoned, and remains unused to this day.
- ErroresThe Rolls-Royce being torched at the salvage yard has a perimeter frame; genuine Rolls-Royce Silver Shadows are unibody vehicles.
- Citas
Little Junior Brown: I have an acronym for myself. Know what it is? B.A.D. B.A.D... Balls, Attitude, Direction. You should give yourself an acronym... 'cause it helps you visualize your goals.
Jimmy Kilmartin: How about F.A.B.? Fucked At Birth.
Little Junior Brown: No good. Too negative.
- Versiones alternativasThe FX cable TV version that aired in the late '90s/early 2000s did the usual violence and language edits and most notably during the strip club scenes adds black blurs (ex: when Nicolas Cage is talking to a few people, the topless dancer has a digitally added black dress so that the scene is safe to air).
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- How long is Kiss of Death?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Kiss of Death
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 40,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 14,942,422
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,317,066
- 23 abr 1995
- Total a nivel mundial
- USD 14,942,422
- Tiempo de ejecución
- 1h 41min(101 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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