CALIFICACIÓN DE IMDb
6.0/10
21 k
TU CALIFICACIÓN
Un convicto reformado va de incógnito con la ayuda de un detective furioso para atrapar a un psicótico mafioso.Un convicto reformado va de incógnito con la ayuda de un detective furioso para atrapar a un psicótico mafioso.Un convicto reformado va de incógnito con la ayuda de un detective furioso para atrapar a un psicótico mafioso.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Opiniones destacadas
Kiss of Death boasts an impressive cast, authentic locales, and a gritty, accessible storyline, but it still comes across as an asthmatic remake of the film noir classic. Nobody "stars" in KOD; rather, David Caruso, Helen Hunt, Nicholas Cage, Samuel L. Jackson, Ving Rhames, and Kathryn Erbe all put in good, workmanlike performances that just don't catch fire.
I enjoyed Kiss of Death ten years ago when I rented it. What made it enjoyable again was seeing people I had forgotten about--a young Hunt, commanding on screen, an obscure Jackson, Cage almost unrecognizable, and Caruso, long before he decided to trade in acting for the ridiculous posturing he does on the boneheaded CSI: Miami.
Yet, the movie never really jells. We know the story well so we expect something better to make KOD stand out. "Workmanlike" just isn't enough.
I'd still recommend it, though. The freshness of the talent might be enough for you. And Cage, ripped and psychotic is so different from his breezy action roles of the last half decade.
You may find a gem here!
I enjoyed Kiss of Death ten years ago when I rented it. What made it enjoyable again was seeing people I had forgotten about--a young Hunt, commanding on screen, an obscure Jackson, Cage almost unrecognizable, and Caruso, long before he decided to trade in acting for the ridiculous posturing he does on the boneheaded CSI: Miami.
Yet, the movie never really jells. We know the story well so we expect something better to make KOD stand out. "Workmanlike" just isn't enough.
I'd still recommend it, though. The freshness of the talent might be enough for you. And Cage, ripped and psychotic is so different from his breezy action roles of the last half decade.
You may find a gem here!
Ex-con Jimmy Kilmartin agrees to drive a truck of stolen cars as a favour to a friend. Whilst on the job he gets caught but refuses to role over on the others involved. Whilst in prison his wife is killed in a car crash and Jimmy leaves prison, bitter but with a determination to move on. However NYPD officer Calvin wants to use Kilmartin to get close to Little Junior Brown and get evidence to shut him down.
This was one of several vehicles that was planned to turn David Caruso from a TV hit to a big screen star - as we know, it didn't work out that way. However the story is pretty solid, it doesn't break new ground and there's nothing outside of the usual crime thriller plot to surprise you but it's really quite good. At times it's a little dull because it is so straight forward but it's mostly entertaining.
Caruso, for all his current lack of success, is actually very good. The problem is that he's good by doing the same "NY Irish tough but fair" role that he did in NYPD Blue, King of New York, Bodycount and most films he's done! It's good but I don't think he can do anything else. Jackson has presence as he always does and the support cast is really well filled out with people like Helen Hunt, Stanley Tucci, Rapaport, Philip Baker Hall, Ving Rhames. Nicolas Cage's Little Junior is a mixed bag. At some points he is effective but for the most part he's horribly OTT and hammy. His character is full of ticks and eccentricities that at the end of the day that's all Cage has to do.
Overall this is a solid thriller with no surprises. Caruso fans (like me) will like it regardless because it's Caruso doing his usual role. But others may not be so easily made to overlook the weaknesses.
This was one of several vehicles that was planned to turn David Caruso from a TV hit to a big screen star - as we know, it didn't work out that way. However the story is pretty solid, it doesn't break new ground and there's nothing outside of the usual crime thriller plot to surprise you but it's really quite good. At times it's a little dull because it is so straight forward but it's mostly entertaining.
Caruso, for all his current lack of success, is actually very good. The problem is that he's good by doing the same "NY Irish tough but fair" role that he did in NYPD Blue, King of New York, Bodycount and most films he's done! It's good but I don't think he can do anything else. Jackson has presence as he always does and the support cast is really well filled out with people like Helen Hunt, Stanley Tucci, Rapaport, Philip Baker Hall, Ving Rhames. Nicolas Cage's Little Junior is a mixed bag. At some points he is effective but for the most part he's horribly OTT and hammy. His character is full of ticks and eccentricities that at the end of the day that's all Cage has to do.
Overall this is a solid thriller with no surprises. Caruso fans (like me) will like it regardless because it's Caruso doing his usual role. But others may not be so easily made to overlook the weaknesses.
I think the best way to approach this movie is on its own terms rather than as a remake of the 1940s film. In any case, it merely follows the general story outline of the earlier picture. What makes it altogether new is Richard Price's screenplay, Barbet Schroeder's direction, a great lineup of actors, and location shooting in some of New York City's seediest and most squalid areas.
Along with the great locations, what really provides the atmosphere is Price's writing. Once again he shows his down to the ground knowledge of the characters, mannerisms, and lingo of the creeps and hoodlums in the big city underworld, and the law enforcement people who deal with them. And there is also Price's trademark offbeat humor.
While the earlier film gave us Richard Widmark as a really scary psycho, in this later film Richard Price has given us Little Junior Brown, a bulked-up killer with a child's mind and an abiding faith in the nostrums of New Age philosophy.
What a delight when Little Junior, fresh from committing murder, asks our hero to take the next day off so they can get together and "talk about life and stuff"! Or when he urges him to settle on an acronym that will give shape to his identity. (Little Junior's is B-A-D--for "Balls, Attitude, Direction.")
Nicholas Cage is often accused of playing over the top, but in the case of Little Junior, over the top is the way to go.
There are also good performances by Stanley Tucci and Samuel L. Jackson. Tucci excels in portraying charming snakes. When he leers and sneers, it is impossible to keep from watching him.
This movie was really very enjoyable.
Along with the great locations, what really provides the atmosphere is Price's writing. Once again he shows his down to the ground knowledge of the characters, mannerisms, and lingo of the creeps and hoodlums in the big city underworld, and the law enforcement people who deal with them. And there is also Price's trademark offbeat humor.
While the earlier film gave us Richard Widmark as a really scary psycho, in this later film Richard Price has given us Little Junior Brown, a bulked-up killer with a child's mind and an abiding faith in the nostrums of New Age philosophy.
What a delight when Little Junior, fresh from committing murder, asks our hero to take the next day off so they can get together and "talk about life and stuff"! Or when he urges him to settle on an acronym that will give shape to his identity. (Little Junior's is B-A-D--for "Balls, Attitude, Direction.")
Nicholas Cage is often accused of playing over the top, but in the case of Little Junior, over the top is the way to go.
There are also good performances by Stanley Tucci and Samuel L. Jackson. Tucci excels in portraying charming snakes. When he leers and sneers, it is impossible to keep from watching him.
This movie was really very enjoyable.
America has the best justice money can buy- meaning gentry that pay for the privilege of justice receive it and normal citizens will see justice only by pure accident. Here is a normal citizen who served his time but continues to be harassed by police- a common tactic of pigs- since they are too stupid to be detectives- they make their informants do all the dirty work of investigation under penalty of return to prison on some lies and setups-ya know- who they gonna believe? Me or you? This is the framework this movie operates in- the reality that most cops and lawyers are total scum that need two neat in the back of the head, and justice is a fairy tale in America.
Add in a little action jackson moments to spice it up and we have a watchable movie that is reasonably OK- not stellar- but watchable to the finish and a decent job of acting by our lead. This is one of the few action flicks that actually tries to do some acting- our lead does a great job- his supporting actors do OK- but not great.
All in all- I would watch this movie for a matinée by myself. One of the humorous things in this movie is you see Nicholas Cage bulked up as a guido in a disco.
Add in a little action jackson moments to spice it up and we have a watchable movie that is reasonably OK- not stellar- but watchable to the finish and a decent job of acting by our lead. This is one of the few action flicks that actually tries to do some acting- our lead does a great job- his supporting actors do OK- but not great.
All in all- I would watch this movie for a matinée by myself. One of the humorous things in this movie is you see Nicholas Cage bulked up as a guido in a disco.
David Caruso and a beefed up Nicholas Cage star in this remake of the 1947 noir film..In this one David Caruso, on parole, is talked into doing a job to help his cousin, when he is busted, his cousin takes advantage of him and his wife Helen Hunt. Caruso is offered a deal by a slippery DA with political aims, played with the usual excellence by Stanley Tucci. Caruso then discovers the meaning of the word politics and seeks revenge on those who betrayed him. An underrated movie that didnt get much press when released (probably due to Caruso's controversial exit from NYPD Blue) this film builds the suspense and keeps you involved and interested.Caruso, the Cagney for the 90s, plays his part great with a tension you can feel. All the other roles are played well in this sleeper movie.. Well recommended Kiss of Death rates a 8
¿Sabías que…?
- TriviaThe club featured in the film was actually a small business office building next to McDonald's in Queens, New York that was completely converted to the look in the film by production designer Mel Bourne. It is now abandoned, and remains unused to this day.
- ErroresThe Rolls-Royce being torched at the salvage yard has a perimeter frame; genuine Rolls-Royce Silver Shadows are unibody vehicles.
- Citas
Little Junior Brown: I have an acronym for myself. Know what it is? B.A.D. B.A.D... Balls, Attitude, Direction. You should give yourself an acronym... 'cause it helps you visualize your goals.
Jimmy Kilmartin: How about F.A.B.? Fucked At Birth.
Little Junior Brown: No good. Too negative.
- Versiones alternativasThe FX cable TV version that aired in the late '90s/early 2000s did the usual violence and language edits and most notably during the strip club scenes adds black blurs (ex: when Nicolas Cage is talking to a few people, the topless dancer has a digitally added black dress so that the scene is safe to air).
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Kiss of Death?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Kiss of Death
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 40,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 14,942,422
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,317,066
- 23 abr 1995
- Total a nivel mundial
- USD 14,942,422
- Tiempo de ejecución1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the Brazilian Portuguese language plot outline for El beso de la muerte (1995)?
Responda