Un mensajero de datos - literalmente contenidos en su cabeza - debe completar su entrega antes de que la carga - o los Yakuza - lo maten.Un mensajero de datos - literalmente contenidos en su cabeza - debe completar su entrega antes de que la carga - o los Yakuza - lo maten.Un mensajero de datos - literalmente contenidos en su cabeza - debe completar su entrega antes de que la carga - o los Yakuza - lo maten.
- Premios
- 2 premios ganados y 3 nominaciones en total
- Takahashi
- (as Takeshi)
Opiniones destacadas
Nobody says that this is a real block-buster, but it is definetely not as bad as everyone here wants to make it.
It's a nice movie to enjoy (especially on DVD) and forget afterwards. Not because it was bad but just because it was good and entertaining for a short while. Nothing more, nothing less.
And it DID have its benefits: that crazy preacher was so hilarious to behold. A nice and funny mirror to the numerous fundamentalistic Christians in the American society. And, of course, some nice fighting scenes, cool hi-tech equipment, and a gorgeous Dina Meyer, all packed in a futuristic ambience. What else could I ask for for an action movie that you can enjoy and forget about afterwards?
1. Takes place in a world created in William Gibson's many works of fiction. 2. Man has data in head. 3. Others REALLY want data. 4. Man tries to get data out of head before it kills him -- or the people chasing him do.
Along the way there are some colorful characters, cool gadgets and cityscapes from Gibson's 2021, and even a smidgen of romance (but not enough to bother anyone). I mean what's the problem!?! The movie is very faithful to Gibson's vision and even asks the main character to wrestle with an ethical dilemma or two while all the action is going on...
It is the year 2021 and the world has been taken over by large coorporations that do pretty much what they want to. Most of them are out to make money, however, and will do anything to achieve that goal. One of these coorporations is PharmaCom, a coorporation that deals in medicine and exists pretty much all over the world. From Beijing to Newark. 'Johnny' is a Mnemonic courier who carries an implant in his brain which allows him to carry a large amount of data there. But when he accepts a job where he is overloaded with data, he is not only experiencing trouble with getting rid of the data, but also finds that several bounty hunters and crime organizations are after his head and the information stored within. Over 24 hours he jumps around in the city of Newark, trying to find a way to get rid of the data and the bounty hunters.
A touch in this movie that many might recognize from the film 'The Matrix' is that in this movie they tend to hook themselves up to the internet, which has become a virtual reality like, àlà The Lawnmower man. But in the end of the film, Keanu's character completly hooks himself up to the internet for a short amount of time, walking around in it and controlling his actions as if he was in another world. Pretty much like he did in the Matrix. Wierd, huh?
The film presents a very interesting vision of the future. Coorporations, crime syndicates, virtual-reality, futuristic weapons and the like. The sets look authentic and the look and feel of the film is top-notch. The music seems to fit the mood at all times, too, which is a big plus. The characters are likeable and unique in their own way, but with one exception. Keanu Reeves plays 'Johnny' without any life or energy put into it and delivers his lines flat and in the most boring way. His worst acting job ever? Perhaps. You could tell he didn't like this movie very much.
Overall, its a very interesting sci-fi flick which has its ups and downs. The upsides is the setting, the music, the vision of the future etc. etc. while the downsides are Keanu Reeve's acting and sometimes lack of interest in what happens next in the movie. I give it a 7/10.
Ideally, you need to have read Gibson's short stories and "Neuromancer" first, and then all the props - cyberspace, 'black ice', grubby streets, brand-name hardware, Yakuza assassins, muscle grafts, etc - make sense. The "Blade Runner" style information dump was no substitute. Incidentally, many of these props appear cliched, but remember that Gibson more or less invented them; it's merely that this film appeared long after they had become standard movie fixtures.
Gibson's written work has fairly sparse dialogue, and makes heavy use of precise and rather introspective visual description to convey character. Perhaps this just doesn't translate well to film.
¿Sabías que…?
- TriviaThe script was rumored to have been dumped on the doorstep of Keanu Reeves' house, a tactic that piqued his interest, and led to him accepting the role of Johnny.
- ErroresThe date on the screen in the New Darwin Inn reads "Thursday, 17 January 2021". January 17, 2021, was a Sunday.
- Citas
Johnny Mnemonic: What the fuck is going on? WHAT THE FUCK IS GOING ON? You know, all my life, I've been careful to stay in my own corner. Looking out for Number One... no complications. Now, suddenly, I'm responsible for the *entire fucking world*, and everybody and his mother is trying to kill me, IF... IF... my head doesn't blow up first.
Jane: Maybe it's not just about you any more.
Johnny Mnemonic: Listen. You listen to me. You see that city over there? THAT'S where I'm supposed to be. Not down here with the dogs, and the garbage, and the fucking last month's newspapers blowing *back* and *forth*. I've had it with them, I've had it with you, I've had it with ALL THIS - *I want ROOM SERVICE*! I want the club sandwich, I want the cold Mexican beer, I want a $10,000-a-night hooker! I want my shirts laundered... like they do... at the Imperial Hotel... in Tokyo.
- Versiones alternativasIn 2021, 26 years after its original release, Robert Longo has converted the film into a black & white version that is a bit closer to his original intention. That black and white version premiered at the Tribeca Film Festival.
- ConexionesEdited into Twizzlers: The Movie (2015)
- Bandas sonorasVirus
Written by Sascha Konietzko, En Esch and Günter Schulz
Performed by KMFDM
Courtesy of Wax Trax! Records Inc. / TVT Records
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Fugitivo del futuro
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 26,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 19,075,720
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,033,850
- 28 may 1995
- Total a nivel mundial
- USD 19,077,036
- Tiempo de ejecución
- 1h 43min(103 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1