Un mensajero de datos - literalmente contenidos en su cabeza - debe completar su entrega antes de que la carga - o los Yakuza - lo maten.Un mensajero de datos - literalmente contenidos en su cabeza - debe completar su entrega antes de que la carga - o los Yakuza - lo maten.Un mensajero de datos - literalmente contenidos en su cabeza - debe completar su entrega antes de que la carga - o los Yakuza - lo maten.
- Premios
- 2 premios ganados y 3 nominaciones en total
- Takahashi
- (as Takeshi)
Opiniones destacadas
I was anxious to see whether I made in the final cut or not, but the film's release kept on getting pushed back and pushed back. That is a sure sign that the movie is going to be a turkey. Well, it isn't terrible. William Gibson expanded his own short story-- so much so that the film is actually a mess. A beautiful looking one, however. Longo and DOP Francois Protat do a serviceable job in capturing the "plastic noir" of the future. But ultimately the movie suffers from having too many ideas-- some of them ludicrous, many of them poorly developed. It doesn't help either that the drama of the piece relies on the thespian abilities of Keanu Reeves or Dolph Lundgren. Yikes! Even so, Henry Rollins is pretty cool.
But for me, the great suspense was seeing whether or not I ended up on the cutting room floor. So for about two seconds, you get to see my face in a crowd shot. See? See? Wait! Damn!
1. Takes place in a world created in William Gibson's many works of fiction. 2. Man has data in head. 3. Others REALLY want data. 4. Man tries to get data out of head before it kills him -- or the people chasing him do.
Along the way there are some colorful characters, cool gadgets and cityscapes from Gibson's 2021, and even a smidgen of romance (but not enough to bother anyone). I mean what's the problem!?! The movie is very faithful to Gibson's vision and even asks the main character to wrestle with an ethical dilemma or two while all the action is going on...
There was a LOT of good things about the movie. It told a sci-fi story about a dark and bleak future....somewhat similar to "Blade Runner". And it did it well. There were an amazing amount of sets, extras, and really well done computer effects. There was even one really well filmed shot in a hospital that reminded me of the long scene from "Gone With The Wind" showing the dead and dying in the Atlanta train yard. Many of the secondary actors (especially Henry Rollins as "Spider" and Ice-T as "J-Bone") were surprisingly good and helped to raise my rating of the film from an initial 4.0 to an overall 7.0 rating.
If you aren't into a lot of foul language and/or gore, I'd steer clear of this film. But if you want to see a surprisingly well made piece of dark sci-fi, this is a film worth giving a chance to watch.
Considering it was based on the short story of the same name by cyberpunk godfather William Gibson, the movie is a minor disappointment. It's not that bad, but it could have been so much better.
However, a lot of Gibson's ideas are still there, making it a solid cyberpunk movie. There aren't too many of those around.
¿Sabías que…?
- TriviaThe script was rumored to have been dumped on the doorstep of Keanu Reeves' house, a tactic that piqued his interest, and led to him accepting the role of Johnny.
- ErroresThe date on the screen in the New Darwin Inn reads "Thursday, 17 January 2021". January 17, 2021, was a Sunday.
- Citas
Johnny Mnemonic: What the fuck is going on? WHAT THE FUCK IS GOING ON? You know, all my life, I've been careful to stay in my own corner. Looking out for Number One... no complications. Now, suddenly, I'm responsible for the *entire fucking world*, and everybody and his mother is trying to kill me, IF... IF... my head doesn't blow up first.
Jane: Maybe it's not just about you any more.
Johnny Mnemonic: Listen. You listen to me. You see that city over there? THAT'S where I'm supposed to be. Not down here with the dogs, and the garbage, and the fucking last month's newspapers blowing *back* and *forth*. I've had it with them, I've had it with you, I've had it with ALL THIS - *I want ROOM SERVICE*! I want the club sandwich, I want the cold Mexican beer, I want a $10,000-a-night hooker! I want my shirts laundered... like they do... at the Imperial Hotel... in Tokyo.
- Versiones alternativasIn 2021, 26 years after its original release, Robert Longo has converted the film into a black & white version that is a bit closer to his original intention. That black and white version premiered at the Tribeca Film Festival.
- ConexionesEdited into Twizzlers: The Movie (2015)
- Bandas sonorasVirus
Written by Sascha Konietzko, En Esch and Günter Schulz
Performed by KMFDM
Courtesy of Wax Trax! Records Inc. / TVT Records
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Fugitivo del futuro
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 26,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 19,075,720
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,033,850
- 28 may 1995
- Total a nivel mundial
- USD 19,077,036
- Tiempo de ejecución1 hora 43 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1