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6.8/10
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Sobre la búsqueda del amor y la intimidad en la era del SIDA. La historia de un actor/camarero gay de unos treinta años que decide quedarse célibe - el riesgo de contraer el SIDA se ha lleva... Leer todoSobre la búsqueda del amor y la intimidad en la era del SIDA. La historia de un actor/camarero gay de unos treinta años que decide quedarse célibe - el riesgo de contraer el SIDA se ha llevado toda la alegría del sexo.Sobre la búsqueda del amor y la intimidad en la era del SIDA. La historia de un actor/camarero gay de unos treinta años que decide quedarse célibe - el riesgo de contraer el SIDA se ha llevado toda la alegría del sexo.
- Premios
- 1 premio ganado y 4 nominaciones en total
Joe Dain
- Movie Theatre Guy #1
- (as Joseph Dain)
Opiniones destacadas
I like this movie-- I liked it when it came out and I still enjoy it today-- however, many people watching it nowadays have no idea it's been vandalized-- censored-- edited for "family" consumption.
I remember well the fantasy sequence at the "Hoedown for AIDS" benefit party when the "cowboys" and "indians" dance; it was a completely over-the-top burlesque romp with the square-dance caller announcing positively obscene moves. This blast of color and action was in counterpoint to the rather staid, boring benefit party and it was marvelously conceived and executed.
It is now a drab remnant of its former self with all its verve and hilarity removed-- as though someone had cut off parts of a man's anatomy.
Why?
We get fairly explicit material verbally during the movie-- like the hilarious fantasy phone call Jeffrey has with his parents-- but for some reason we no longer are allowed to see suggestions of gay sex-- even those presented in the spirit of fun and fantasy. This is wrong.
I just thought people should know.
I remember well the fantasy sequence at the "Hoedown for AIDS" benefit party when the "cowboys" and "indians" dance; it was a completely over-the-top burlesque romp with the square-dance caller announcing positively obscene moves. This blast of color and action was in counterpoint to the rather staid, boring benefit party and it was marvelously conceived and executed.
It is now a drab remnant of its former self with all its verve and hilarity removed-- as though someone had cut off parts of a man's anatomy.
Why?
We get fairly explicit material verbally during the movie-- like the hilarious fantasy phone call Jeffrey has with his parents-- but for some reason we no longer are allowed to see suggestions of gay sex-- even those presented in the spirit of fun and fantasy. This is wrong.
I just thought people should know.
Contrary to most viewers, I found "Jeffrey" to be a singularly pleasant experience all the way through. It sags a bit in the middle, but then, please name a movie that doesn't?
It starts off like a protracted confessional; gay waiter Jeffrey (Steven Weber) waxing neurotic (in some telling vignettes) about the danger of having sex in the age of AIDS. He decides to work out instead. Meeting Mr. Exactly Right in the gym gives him pause, though. Especially when the guy is the delectable Steve (Michael T.Weiss), all muscle and chiseled grin. Jeffrey's friends advise him to reconsider his celibacy, and give it a go. It takes Jeffrey around 1 hour and 20 minutes of screen-time to do so. Had he succumbed to Steve right away, there would have been no movie! There is a sitcom-like feel to this story; obstructions and cracks are neatly wall-papered over in the name of light-hearted comedy. Darius' angelic reappearance towards the end smacks of opting for the easy way out. How else would Jeffrey have seen the error of his ways? It's the least convincing scene in the movie. Still, everything else is both funny and touching. The fantasy game-show is nice, the "Hoe- Down for AIDS" is a scathingly funny piss-take on charity-events, while Sterling's banter and relentless quips are wonderful:
"Martha Stewart says that as long as you can make a nice, dried flower arrangement - nothing else matters!!
Darius is a believable character, Steve is the hunk of the year, and although Steven Weber doesn't set the room on fire as Jeffrey, I found him to be exactly in character. After all, Jeffrey is SUPPOSED to be a rather ordinary guy. Why Steve would go for him, though, is a bit of a mystery. Their subsequent affair would make for an interesting sequel. It would probably all turn sour in the end. Then again...
It starts off like a protracted confessional; gay waiter Jeffrey (Steven Weber) waxing neurotic (in some telling vignettes) about the danger of having sex in the age of AIDS. He decides to work out instead. Meeting Mr. Exactly Right in the gym gives him pause, though. Especially when the guy is the delectable Steve (Michael T.Weiss), all muscle and chiseled grin. Jeffrey's friends advise him to reconsider his celibacy, and give it a go. It takes Jeffrey around 1 hour and 20 minutes of screen-time to do so. Had he succumbed to Steve right away, there would have been no movie! There is a sitcom-like feel to this story; obstructions and cracks are neatly wall-papered over in the name of light-hearted comedy. Darius' angelic reappearance towards the end smacks of opting for the easy way out. How else would Jeffrey have seen the error of his ways? It's the least convincing scene in the movie. Still, everything else is both funny and touching. The fantasy game-show is nice, the "Hoe- Down for AIDS" is a scathingly funny piss-take on charity-events, while Sterling's banter and relentless quips are wonderful:
"Martha Stewart says that as long as you can make a nice, dried flower arrangement - nothing else matters!!
Darius is a believable character, Steve is the hunk of the year, and although Steven Weber doesn't set the room on fire as Jeffrey, I found him to be exactly in character. After all, Jeffrey is SUPPOSED to be a rather ordinary guy. Why Steve would go for him, though, is a bit of a mystery. Their subsequent affair would make for an interesting sequel. It would probably all turn sour in the end. Then again...
I've noticed that many of the people who really didn't like this film were taking it way too seriously....Either that or they were expecting too much. Its a comedy, (with some serious underlying issues)...It doesn't pretend to be anything else. I found it fun, light-hearted and adorable. Michael Weiss is yummy as usual, Patrick Stewart adds flair and finesse, Nathan Lane gives yet another spunky fun performance, etc.. If you have high expectations for the film, you're going to be disappointed. If you want to have a good time and a good laugh, give it a go.
I watched "Jeffrey" with my Husband earlier tonight. I had meant to watch it for years, but it was a "gay" film, a genre which I love, but often eschew because these films always make me think--even "La Cage aux Folles" had a deep and abiding lesson or two hidden inside.) The themes often involve intolerance, and the traumatic impact of AIDS on the entire gay community; even if the film is a comedy, I find these themes fill me with empathic pain and frustration. I decided to brave those themes despite my female tear ducts this evening, and I was glad I did.
This film was silly. This film was witty. The dialogue is sparkling. All those things made it wonderful to watch. The characters we meet are intriguing, and though the 2-dimensional stereotypes are made for laughs, we get the feeling that we are laughing at the strange mix of truth and falsehood many of the stereotypes possess; we are laughing not at people who are "flaming" but at characters who are exuberant, joyous people, trying to squeeze every bit of joy and delight that they can out of every moment.
I won't spoil the journey through this story with any specifics, let's just say that Jeffrey doesn't quite get it. It is both painful and joyful at turns watching the character navigate through a turning point in his life. I laughed, I got choked up, and then I laughed again, and again ad infinitum. This is not a "gay" movie. It's a character driven story that we can all identify with, if our minds and hearts are open.
This film was silly. This film was witty. The dialogue is sparkling. All those things made it wonderful to watch. The characters we meet are intriguing, and though the 2-dimensional stereotypes are made for laughs, we get the feeling that we are laughing at the strange mix of truth and falsehood many of the stereotypes possess; we are laughing not at people who are "flaming" but at characters who are exuberant, joyous people, trying to squeeze every bit of joy and delight that they can out of every moment.
I won't spoil the journey through this story with any specifics, let's just say that Jeffrey doesn't quite get it. It is both painful and joyful at turns watching the character navigate through a turning point in his life. I laughed, I got choked up, and then I laughed again, and again ad infinitum. This is not a "gay" movie. It's a character driven story that we can all identify with, if our minds and hearts are open.
This is one of those movies that I confidently predict will wind up being considered much better as time goes on than the critics said at its inception. It's especially funny (and biting on occasion) if you happened to have lived through the first rush of AIDS deaths and the fear that engendered. This whole movie is a send up of that, and revels in the idea that sex and life go on even in the aftermath of terror. The Hoe-down fantasy sequence with its overtones of Busby Berkley and Oklahoma is hysterically funny. As for the acting, it's purposely broad with Patrick Steward playing against type, both in his role of Picard and in his many Shakespearean ones. Steve Weber is a hoot and there is no doubt in my mind that the other actors had a blast working in this flick. Many of them appear to have that "look" you see when actors are performing for their peers and enjoying every moment of it. The Pink Panthers moment alone lets Stewart shine. Are there flaws in the movie. Yup! The dialogue is sometimes stilted and jokes occasionally are dumped in rather than flowing from the plot, but overall it's witty, biting, and downright rapier-like on more than one occasion. All in all, Jeffrey is fun and worth an hour or so of your life.
¿Sabías que…?
- TriviaSir Patrick Stewart was reading the script for this film while Viaje a las estrellas: Generaciones (1994) was in production. He found it so sad that he used it to produce the appropriate feelings necessary for weeping during the scene where he finds out that his family back on Earth has perished in a fire.
- ErroresWhen Steve shows up at Sterling and Darius' apartment, Sterling is wearing walking shoes whereas in the scenes immediately before and after, he is wearing black slip-ons.
- ConexionesFeatured in Making the Boys (2011)
- Bandas sonorasOn the Way to Your Heart
Written by Stephen Endelman & Bob Russell
Performed by Ross Hill, Richard Hilton, Jared Barkan & Andrew Rathbun
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- How long is Jeffrey?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 3,487,767
- Fin de semana de estreno en EE. UU. y Canadá
- USD 185,909
- 6 ago 1995
- Total a nivel mundial
- USD 3,487,767
- Tiempo de ejecución
- 1h 32min(92 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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