Un inteligente ayudante del fiscal investiga un horrible asesinato y esconde una pista que encontró en la escena del crimen. Tras amenazas profesionales y un atentado contra su vida, descubr... Leer todoUn inteligente ayudante del fiscal investiga un horrible asesinato y esconde una pista que encontró en la escena del crimen. Tras amenazas profesionales y un atentado contra su vida, descubre que las pruebas apuntan a la mujer a la que todavía ama.Un inteligente ayudante del fiscal investiga un horrible asesinato y esconde una pista que encontró en la escena del crimen. Tras amenazas profesionales y un atentado contra su vida, descubre que las pruebas apuntan a la mujer a la que todavía ama.
- Premios
- 2 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The film does inhabit i think some of Friedkin's finest work. An example would be the car chases sequence, which is in fact one of the most spectacular and thrilling chases ever filmed. I think it's his best to date. Cinematography for the film is beautiful and very noir like in the night scenes. Although he did a decent job with directing the leading characters, only Chazz Palminteri came across as really inhabiting his character. To me the problem with the film is that the story probably got lost in the editing or through rewrites.
The bluray for this film, by Lionsgate, is one of the worst transfers I've ever seen. I wish paramount would put out both version of the film on a bluray. The theatrical version is not impressive at all but the unrated cut does a better job.
Joe Eszterhas' psycho-sexual script may not be fitting material for director William Friedkin. The rewriting is evident of that and not necessarily fixed anything. This concentrates more on the lurid in this stylized erotic thriller. Bless his heart, Friedkin tried. There are some car action on the steep streets but he has done better work before. Driving thru the parade may be an interesting idea. The execution is more frustrating than thriller.
The movie got caught up with the Caruso factor during its initial release. He is a perfectly serviceable actor if he doesn't get romantic. His sex appeal is limited and any attempt at sexuality is awkward at best. His character is rarely a lawyer and runs around investigating like a cop. He plays a better cop than a lawyer. Corelli should have been a police detective. Fiorentino has her great smoldering dark sexuality and that helps in this role. The story is a little messy and drags sometimes. It needs a little simplification to allow better flow and heightened tension. None of it is that compelling but it's not completely bad.
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- TriviaAccording to Joe Eszterhas's autobiography, he hated the final film. Director William Friedkin changed Eszterhas's script so much, he threatened to remove his name from the credits. Paramount settled with him by giving him a "blind script deal" worth $2-4 million. Later, Friedkin admitted that he did virtually rewrite the script, but Friedkin also said that this was his favorite film.
- ErroresWhen David is chasing the black car you can clearly see his airbag coming out with the second jump. In the next scene the airbag is gone.
- Citas
David Corelli: Cristal, Baluga, Wolfgang Puck... it's a fuckhouse.
- Versiones alternativasWilliam Friedkin created a director's cut of the film, approximately twelve minutes longer, which added quite a few scenes including a different ending. This version aired exclusively on USA cable network Cinemax in August/September 1996. It has also been posted on Hulu.
- ConexionesEdited into The Green Fog (2017)
- Bandas sonorasThe Mystic's Dream
Written, Performed and Produced by Loreena McKennitt
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products and Quinlan Road Limited
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Джейд
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 9,851,610
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,284,246
- 15 oct 1995
- Total a nivel mundial
- USD 9,851,610
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1