Acusación: El juicio de McMartin

It is 1983, and Ray Buckey- a teacher at his grandmother's preschool- is arrested after numerous children accuse him of sexual assault. Awaiting trial, Buckey is assigned fast-talking defence attorney Danny Davis, who isn't interested in whether he in innocent or not; only caring about the mechanics of the law. As the trial unfurls, however, Davis becomes increasingly disturbed by the way social worker Kee MacFarlane extracted the children's confessions of abuse, and starts to believe in Buckey's innocence. Will Davis be able to convince the jury, or will Buckey be found guilty on all counts?

Directed by Mick Jackson from a screenplay by Abby and Myra Mann, 'Indictment: The McMartin Trial' is a riveting retelling of a sadly true story that is prescient and relevant- perhaps even more so now than when it was first broadcast. A frightening and gripping court-room procedural, the Mann's narrative moves at a brisk pace and is brimming with strong dialogue, both humorous and dramatic. They raise interesting questions about the reliability of memory, the validity of testimony and the ethics of investigation, while their examination of the McMartin case exposes a multitude of flaws, in the world of social care work, the legal profession and- particularly- society in general.

The Mann's use the McMartin case to shine a light on one of the more troublesome aspects of modern society: the rush to judgement after an accusation is made. The media controlled the discourse around Buckey, painting him as a criminal before his trial even started, dictating the opinion of the masses in regards to same. The film criticises the idea that accusations should be- and are- considered as fact before proper investigation, and that accusers should always be believed. Though in the 90s, when the film was made, this was certainly topical; in the era of MeToo it feels even more so.

While the filmmakers lean on the side of Buckey, they don't take a simplistic or one-sided view of the case, rather exploring the complexities and ambiguities of the evidence and relating testimonies. In addition, the procedural elements are well-realized, with the scenes involving Davis preparing Buckey for court being especially grounded and believable. Furthermore, Jackson's inclusion of actual archival footage and real-life interviews adds a sense of stark realism to proceedings that bolsters the overall narrative impact.

Moreover, Rodrigo García's muted cinematography is subtle, contributing to the mood of the piece but never distracting or dominating scenes. His use of close-ups and artificial lighting in the court-room sequences is particularly effective, while he manifests suspense with his utilisation of low-angles and wide shots. He creates a realistic and immersive atmosphere, which is only compounded by Peter Rodgers Melnick's subdued score and Howard Cummings's unobtrusive production design.

'Indictment: The McMartin Trial' finds James Woods starring as Danny Davis, delivering a typically energetic performance both engaging and entertaining. Woods handles the comic and dramatic with equal aplomb, never appearing as anything other than authentic, whether in court or out of it. He carries the film, and works well alongside co-stars Mercedes Ruehl and Henry Thomas. Ruehl, for her part, does strong work as the prosecuting attorney, who has her own stake in the game; while Thomas's performance as Ray Buckey is nuanced and sympathetic. Also worth mentioning is Lolita Davidovich, who steals all her scenes as the sinister and saccharine Kee MacFarlane with ease.

A powerful and pointed made for TV Movie, 'Indictment: The McMartin Trial' retells an important chapter of modern history that should never be forgotten. An indictment of society and those who rush to judgement, it is both relevant and compelling, featuring punchy dialogue, sharp cinematography and a fine score. Boasting strong performances from the likes of James Woods, Henry Thomas and Lolita Davidovich, Mick Jackson's 'Indictment: The McMartin Trial' is a film innocent of irrelevance and guilty of greatness.

The pursuit of legitimate child abusers is worthy indeed, but this movie shows how it can quickly get out of control. It also shows how people who start out to protect victims can fall in love with their own reputations along the way. I'm sure all the "bad folks" in this story started out with all the best intentions. James Woods and Henry Thomas stand out in a strong cast. This is a very important story.

A brilliant account of justice gone haywire as an innocent family is dragged through the courts and all but destroyed by rumours of child abuse. This (true) story is a universal one - it all happened in the early eighties but similar injustices have happened again in Britain recently following witch-hunts by irresponsible national newspapers. (Do we never learn?) The film itself is excellent, with fabulous performances all round but especially by an as-always-knockout James Woods and Mercedes Ruehl. Director Mick Jackson moves it along at a terrific pace - two and quarter hours flies by. Highly recommended!

Tremendously disturbing and well-acted film. What is most troubling is the fact that this episode really occurred. Remarkable portrayal of how easily something like this can get so totally out of control. It is hard to imagine this feeding frenzy among, supposedly, educated and sophisticated people. James Woods is dead-on perfect as an initially slimy, opportunistic attorney, who finds himself slowly horrified by what he finds himself in the middle of. His courtroom questioning of Dr. McFarlane (Lolita Davidovich)is riveting. An impressive, well-done movie, but extremely troubling for what it says about our justice system.

Indictment is a movie showing how untested pop psychology and bad (circular) reasoning can still produce witch hunts in this day and age, and an appeal to both the viewer and the public in general to always keep a critical eye towards the facts like a laser beam.

Nor was this case a one-off. In fact, when I saw the announcement for this movie, I thought it was about the "Little Rascals Day Care Center" in Edison, NC. Only a year before the McMartins were released from jail, an almost cloned incident happened in Edison, when the owner, Robert Kelly jr. and his wife were charged with massive child abuse - as well as satanism, cannibalism, abductions... they were also accused of taking the children along in space ships, killing animals, sacrificing babies in the middle of the day care center during open hours, etc (although no children were ever reported missing). There too, the case started out with a single vindictive mother with an agenda of her own, and was built upon "recovered memories", etc.

However, unlike the McMartins, who spent up to half a decade in jail awaiting trial, the Kelly's were actually convicted and sentenced to twelve consecutive life sentences. Their convictions were later quashed on appeal.

What is also shown out in this movie is the way "true believers" think. Kee, played by the gorgeous Lolita Davidovitch, doesn't look for corrobable evidence, but simply affirmation of her already drawn up conclusions. Here is where the circular thinking comes in. When a child is asked if it has been abused, and the answer is yes, then it must be telling the truth. However, if the answer is no, then something must be keeping them from telling the truth, in this case, "they're in denial". And so they will be cojoled, even threatened, until the answer is yes. They how's, when's and even who's are less important, and as a result many of testimony becomes fantastical, even impossible. Or, to quote from an article on False Memory Syndrome:

"When the victim responds, " but I get along fine with my parents, they aren't perverts". - the trusted advisor responds, "Wow, they must have been really horrible for you to have repressed it that deep. If you won't recall, you won't get better." "

Also, Gerardo and OJ trial regular Ira Reiner (who gravely described OJ's gloves as "loosely fitting, working man's gloves") don't come off very well at all, not surprisingly.

Nor have these modern witch hunts limited themselves to North America - there have been similar mass arrests after allegations of satanic abuse in the north of Scotland, recently in the UK the daily mail undertook a campaign of publicly naming child molesters, many of whom were confused with other people, one man had a neckbrace like one of the men in the newspaper and needed police protection after both his and his neighbors house had been stoned, and a PEDiatrician needed protection after children had painted "PEDo" on her house. Nor is mass hysteria and mass psychology limited to child abuse - recently in Holland a scuzzy politician tried to whip up public support by claiming as "outrageous" the number of middle aged citizens of Maroccan and Turkish descent claiming disability - totally and conveniently ignoring the fact that among the physically demanding and dangerous industries, like steel, chemicals, and the cleaning industry, these groups were hugely over represented in the decades after WWII and still are today.

This movie is an indictment of mass hysteria, and is an appeal for every citizen to think for him or herself, and be very critical, even cynical of whatever news is presented to them on a platter every night at six.

See it.