Un investigador de seguros sospecha del impacto que los libros de terror de cierto autor tienen en su audiencia.Un investigador de seguros sospecha del impacto que los libros de terror de cierto autor tienen en su audiencia.Un investigador de seguros sospecha del impacto que los libros de terror de cierto autor tienen en su audiencia.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 4 nominaciones en total
Jürgen Prochnow
- Sutter Cane
- (as Jurgen Prochnow)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I found this film terrifying. Sure there is no man in a stripy jumper coming to 'stab you up' and no one is tied to a chair and worked on with an angle grinder.
This film makes excellent use of those iconic every day objects that become scary in the correct context. (E.G Clowns, mannequins, Victorian prams or a child's ball bouncing down a stair case.) People who have seen this will know what I mean when I say the word bicycle.
Rather than physical peril this film uses assaults on your grasp of reality. mine obviously isn't that great as I find this movie petrifying.
The production of the film isn't great and there are more exciting films out there. But if you have some imagination, are a little romantic and like being scared without having to sit through some poor soul forced to spectate live at their own autopsy, then this deserves every one of its eight stars.
This film makes excellent use of those iconic every day objects that become scary in the correct context. (E.G Clowns, mannequins, Victorian prams or a child's ball bouncing down a stair case.) People who have seen this will know what I mean when I say the word bicycle.
Rather than physical peril this film uses assaults on your grasp of reality. mine obviously isn't that great as I find this movie petrifying.
The production of the film isn't great and there are more exciting films out there. But if you have some imagination, are a little romantic and like being scared without having to sit through some poor soul forced to spectate live at their own autopsy, then this deserves every one of its eight stars.
The stories of H.P. Lovecraft can be summarized in a simple equation: Mankind + Ancient, Inescapable Horrors = Utter Doom. With IN THE MOUTH OF MADNESS, Director
John Carpenter uses the dread-filled atmospherics of Lovecraft, in order to pay homage to the writer.
Insurance fraud investigator, John Trent (Sam Neill) is sent to discover what happened to a pulp horror writer named Sutter Cane (Jurgen Prochnow), who seems to have vanished without a trace. Trent, a normal, rational man, soon finds himself entangled in a web of incredible, unexplainable occurrences upon finding the mysterious town of Hobb's End. Here, his skeptical / logical mind is tested beyond its limit.
Like Lovecraft, Carpenter gives us small glimpses of immense things that defy description. Reality bends in on itself, until we, along with Trent, can no longer discern fact from fiction. From the ax-wielding, mutant maniacs, to the unspeakable black church, Hobb's End is a place existing only in nightmare. A very satisfying, apocalyptic horror film...
Insurance fraud investigator, John Trent (Sam Neill) is sent to discover what happened to a pulp horror writer named Sutter Cane (Jurgen Prochnow), who seems to have vanished without a trace. Trent, a normal, rational man, soon finds himself entangled in a web of incredible, unexplainable occurrences upon finding the mysterious town of Hobb's End. Here, his skeptical / logical mind is tested beyond its limit.
Like Lovecraft, Carpenter gives us small glimpses of immense things that defy description. Reality bends in on itself, until we, along with Trent, can no longer discern fact from fiction. From the ax-wielding, mutant maniacs, to the unspeakable black church, Hobb's End is a place existing only in nightmare. A very satisfying, apocalyptic horror film...
"In The Mouth of Madness" is one of John Carpenter's better flicks. It features the usually bland Sam Neill in a surprisingly good and likable performance, and is packed with oodles of intriguing concepts and spiffy details. The music is good (it was cowritten by Carpenter) and the movie has a great look. There are also lots and lots of ginchy make-up effects, and while some are better than others (the kid who turns into an old man looks like a kid wearing a Spencer's Gifts Old Man mask and fright wig), but the sheer abundance of them make this unique.
Neill plays John Trent, a no-nonsense insurance investigator who loves his job and has disdain for most of humanity- but with a sense of humor. He's sent to find a missing mega-selling author Sutter Caine (Jurgen Prochnow, in a role that would have been kick-ass if played by Stephen King), whose books are a nation-wide craze. Trent ends up in Hobb's End, a town right out of Caine's books (literally) where the morbid tales of fiction are becoming reality.
The movie, although muddled in places, too repetitive (on purpose), and too reliant on flash forwards, has lots of things to say about the perception of reality and it interesting and entertaining.
The supporting cast is good: John Glover and David Warner are psychiatrists, a subdued Charleton Heston is a publisher, and Bernie "Revenge of the Nerds" Casey is Trent's boss, but the highlight is Frances Bay as the sweet Mrs. Pickman. She provides the film's high points and ends up looking like something from the director's "The Thing". The weak link in the cast is the leading lady, Julie Carmen, who delivers every line like she just chugged a case of Nyquil. In addition to her lousy acting, she's dressed in ugly outfits and has a kind of "in-your-face" ugliness. In one scene there is a special effects dummy head in place of Carmen's and the dummy head out-acts her.
This is not as great as "The Thing" but better than "They Live" as far as John Carpenter's paranoid, reality-bending flicks go, and is worth checking out.
Neill plays John Trent, a no-nonsense insurance investigator who loves his job and has disdain for most of humanity- but with a sense of humor. He's sent to find a missing mega-selling author Sutter Caine (Jurgen Prochnow, in a role that would have been kick-ass if played by Stephen King), whose books are a nation-wide craze. Trent ends up in Hobb's End, a town right out of Caine's books (literally) where the morbid tales of fiction are becoming reality.
The movie, although muddled in places, too repetitive (on purpose), and too reliant on flash forwards, has lots of things to say about the perception of reality and it interesting and entertaining.
The supporting cast is good: John Glover and David Warner are psychiatrists, a subdued Charleton Heston is a publisher, and Bernie "Revenge of the Nerds" Casey is Trent's boss, but the highlight is Frances Bay as the sweet Mrs. Pickman. She provides the film's high points and ends up looking like something from the director's "The Thing". The weak link in the cast is the leading lady, Julie Carmen, who delivers every line like she just chugged a case of Nyquil. In addition to her lousy acting, she's dressed in ugly outfits and has a kind of "in-your-face" ugliness. In one scene there is a special effects dummy head in place of Carmen's and the dummy head out-acts her.
This is not as great as "The Thing" but better than "They Live" as far as John Carpenter's paranoid, reality-bending flicks go, and is worth checking out.
This film is by far one of the best horror movies I've watched in a couple of months, and I watched a lot. This film succeeds in suspense and thrills, I actually jumped a couple of times. The plot was really good, there was an in-pending sense of doom.
The film moved along fast, and I wished it was a little longer, I didn't want it to end. Sam Neil is the most notable character, and I enjoy most of his work. The rest of the cast didn't have much to do. I loved the inclusion of monsters, even if they had a small part.
I think this film is severely underrated, and deserves a bigger fan base. Check this film out, it's worth your time and money.
The film moved along fast, and I wished it was a little longer, I didn't want it to end. Sam Neil is the most notable character, and I enjoy most of his work. The rest of the cast didn't have much to do. I loved the inclusion of monsters, even if they had a small part.
I think this film is severely underrated, and deserves a bigger fan base. Check this film out, it's worth your time and money.
Insurance claims expert John Trent (Sam Neill) Goes off on a search for missing horror author Sutter Cane (Jürgen Prochnow), convinced his disappearance is a hoax. Once Trent goes looking for the missing author, he's lead to Hobb's End, a supposedly fictional New England town, to discover that something very wrong is going on
and Sutter Cane is responsible. "In the Mouth of Madness" came as a delightful surprise to me.
I rented the DVD solely because I'd been wandering the video store shelves for close to 45 minutes (I have a little too much free time) and figured I'd be kicked out so I grabbed a handful of movies. This was one of them, and let me tell you I'm sure glad I did, because this is a damn fine flick!
To start, Sam Neill is excellent, as is Mr. Prochnow. The only bad performer here is Julie Carmen (Regina from Fright Night 2), who gives a wooden and thoroughly unconvincing "when-the-hell-do-I-get-my-paycheck?" performance.
Michael De Luca's script is sharp enough to never takes itself too seriously, while at the same time it can be very scary and dark. John Carpenter's direction was top-notch. Some of the guy's recent films have been disappointing, to say the least, but here he delivers the gore, suspense and action like a pro.
The special effects are great. The boys over at KNB effects studios cook up lots of monsters, gore and slime, delivering the goods as usual. The creatures here are indeed reminiscent of Carpenter's "The Thing", their creative and all look very lovecraftian in design.
At times the film can be extremely scary. The old trick of using darkness and shadows to convey creepiness that Carpenter's so good at are present and good as ever.
"In the mouth of madness" pulled all the right strings and I thoroughly enjoyed it. Highly recommended.
8/10.
Oh, and great ending.
I rented the DVD solely because I'd been wandering the video store shelves for close to 45 minutes (I have a little too much free time) and figured I'd be kicked out so I grabbed a handful of movies. This was one of them, and let me tell you I'm sure glad I did, because this is a damn fine flick!
To start, Sam Neill is excellent, as is Mr. Prochnow. The only bad performer here is Julie Carmen (Regina from Fright Night 2), who gives a wooden and thoroughly unconvincing "when-the-hell-do-I-get-my-paycheck?" performance.
Michael De Luca's script is sharp enough to never takes itself too seriously, while at the same time it can be very scary and dark. John Carpenter's direction was top-notch. Some of the guy's recent films have been disappointing, to say the least, but here he delivers the gore, suspense and action like a pro.
The special effects are great. The boys over at KNB effects studios cook up lots of monsters, gore and slime, delivering the goods as usual. The creatures here are indeed reminiscent of Carpenter's "The Thing", their creative and all look very lovecraftian in design.
At times the film can be extremely scary. The old trick of using darkness and shadows to convey creepiness that Carpenter's so good at are present and good as ever.
"In the mouth of madness" pulled all the right strings and I thoroughly enjoyed it. Highly recommended.
8/10.
Oh, and great ending.
¿Sabías que…?
- TriviaIn the film, the works of Sutter Cane are occasionally quoted. Most if not all of these quotes are actually taken directly from several H.P. Lovecraft short stories with some adaptations to fit them into the film story. Most notably, in the scene where Styles reads to Trent as he gazes into the abyss--her speech lifts much of its description, including such elements as "the illimitable gulf of the unknown" from the last few paragraphs of Lovecraft's "The Rats in the Walls." In an earlier scene as well, Trent reads a line verbatim from Lovecraft's "The Haunter of the Dark," in reference to the black church being "the seat of an evil older than mankind and wider than the known universe."
- ErroresIt is highly unlikely that Trent could draw on his padded cell wall's with all the crosses with a single crayon and no ladder.
- Citas
John Trent: This shit really sells doesn't it?
Linda Styles: More than you'd think. Surprised?
John Trent: Lady, nothing surprises me anymore. We fucked up the air, the water, we fucked up each other. Why don't we just finish the job by flushing our brains down the toilet?
- Créditos curiososAnimal action was monitored by the American Humane Association with on set supervision by the Toronto Humane Society. No animal was harmed in the making of this film.
Human interaction was monitored by the Inter Planetary Psychiatric Association. The body count was high, the casualties are heavy.
- Versiones alternativasThe original theatrical release had the 1987-1994 New Line Cinema logo at the opening. The 2013 Blu-ray from Warner Bros. plasters it with the modern New Line logo. But the 2018 Blu-ray release from Shout! Factory restores the original logo.
- ConexionesFeatured in Masters of Illusion: The Wizards of Special Effects (1994)
- Bandas sonorasWe've Only Just Begun
Written by Roger Nichols and Paul Williams
Performed by The Carpenters
Published by Irving Music Inc. (BMI)
Selecciones populares
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- How long is In the Mouth of Madness?Con tecnología de Alexa
- Is this movie based on a book?
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Al borde de la locura
- Locaciones de filmación
- Cathedral of the Transfiguration, Markham, Ontario, Canadá(the black church - exterior)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 8,924,549
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,441,807
- 5 feb 1995
- Total a nivel mundial
- USD 8,926,413
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