Haut bas fragile

I'm not very familiar with Rivette, but I did enjoy the other two films I've seen by him (three, technically, counting his Joan of Arc movie as two). This one - I did not enjoy it. It's as purposeless and indifferent as Celine and Julie Go Boating, but nowhere near as enjoyable. It has a handful of enjoyable moments - mostly in its song and dance numbers (it's a musical - when Rivette feels like it). And the three stars, Nathalie Richard, Marianne Denicourt and Laurence Côte, are all quite cute. But, man, does this go absolutely nowhere for nearly three hours. I can only watch Richard dance around like a dope for two hours, tops. Anna Karina also has a small part. I feel like I deserve a trophy for getting through this - I felt like giving up 40 minutes in and I really wish I had.

Most of the reviews here either call it amazing or trash, either could be true.

I think Haut Bas Fragile has some redeeming qualities, notably the portrayal of 90s Paris, unique characters and interesting ways in which they are built in the audience's mind, and good artistic direction. If you're interested in a movie like that, I honestly recommend trying it, I thought it was interesting to see Rivette use a more modern setting, and as always, he uses setting well.

That said, I did not enjoy this movie. I thought the musical elements were thrown in without proper contexts, it's kind of a musical at times, but if you said that to someone, they'd become confused as they watch the first hour or so and see no sung musical numbers, and then even more confused when they suddenly start happening without explanation. The music was a weird mesh of 90s style music and older, more usual musical like songs, this could work, but didn't in this movie, in my opinion.

As well, there are a number of simply strange choices that don't seem to have deeper meaning, the dad's tape voice, the strange fling with the bodyguard, the aforementioned unexpected musical numbers, etc. These strange choices could've worked in a movie that was deigned around them, and Rivette is obviously capable of being surreal, but this just seems random more than surreal to me.

Also, while the movie is Rivette's normal great length, it doesn't develop the characters, mood, or ideas well; it seems to use time inefficiently.

I think the movie is interesting, but to me, it's more of a 'what if' kind of interest (what if Rivette made a more modern musical type movie while retaining his style, and the style of French new wave), rather than a 'I am interested by the plot' kind of interest.

Overall, I think if you want surreal but meaningful + female friendship, watch Celine & Julie, if you want multiple distinct and interesting characters that all contribute to an interesting plot, watch The Gang of Four, if you want to look at Paris, watch Le Pont du Nord, and if you want a musical, watch someone else. That said, if you like Rivette and have already seen much of his other work, give it a try, see if you like it.

One can see that the director really loves his actors, his work, and his audience. Perfect. The librarian girl subplot is so touching, especially the end! My only complain is "The voice of the father" - I understand, that it's supposed to sound "alienated", but it sounds completely unnatural, like it was just an imagination of Louise, or a tape playing. Anyway, this is a beautiful film. 10 stars.

The dance scenes were too long, the chansons didn't really match with the plot. The only cool scene was the deadly game with the mysterious club owner. Without the singing and dancing stuff it could be a wonderful movie about the story of the three women which are linked together in a special way.

After half of the time I was the only one left in the cinema watching the boring movie. Even my french flatmate didn't like the movie.

If you like to see a better (and typical) french movie then choose "La vie est une chanson".

You can trust Rivette. The New Wave is not dead! Fresh and enlightening, definitely not boring (despite the Rivette-standard-length). People in Paris during summertime whose stories link together. A sort of ball of yarn that unrolls more and more as you go on watching. The dancing scenes are top-notch. Good Paris views. Any fans of the New Wave films should not miss this film; Anna Karina has a pretty big role and she does it good as ever. She has aged though, as you will see. My favorite scene is in the end when the camera shows inside Karina's house and one of the walls is filled with old posters of Karina. And she says something like: don't bother about that old rubbish.

I'll vote it a 4 out of 5. Watchers unfamiliar with French films in general and The New Wave in particular maybe won't find it very interesting though.