The Haunted World of Edward D. Wood Jr.

It seems the criterion for being asked to participate in this documentary was "does Ed Wood still owe you money?" All of Ed's associates are there bashing him and cashing in at the same time. Good for them. Ed was a dishonest guy and he owes them all one at least.

The story is fascinating of those who were stepped upon by a man who pretended to be a Hollywood director/producer/writer. He was so good at pretending though he actually finished a couple of films.

It didn't matter that he had no business doing it. This is the story of how Hollywood could be hijacked for a short time, when it wasn't looking. For this feat Ed Wood is still admired by fans of truly independent film. Wood cheated Hollywood, investors, studios, and even his friends, but he never cheated his audience. Ed Wood did what he wanted to do. He made the films he wanted to see. It's just that his tastes weren't all that refined. Fortunately, neither were those of the syndicate stations who played Ed's Plan 9 from Outer Space ad nauseum in the 70's and made Ed a cult legend.

The biggest problem with The Haunted World of Ed Wood is the fact that actor/mystic seer "Criswell" is given short shrift.

I originally caught this back in 1996 in its one week run at a movie theatre. I was under impressed by it and my feelings haven't much changed.

Documentary about the infamous Edward D. Wood Jr. covering his life and movies. There are interviews with people who worked with him or knew him. They include: Vampira, Dolores Fuller, Bela Lugosi Jr., Loretta King, Gregory Walcott and Paul Marco. Interviews are mixed with clips from the movies or some bizarre recreations. It is interesting (somewhat) but was this really needed? I've seen all of Wood's films and they're just terrible. Wood had ambitions but not a bit of talent to carry them out. I wouldn't say he was the worst director ever but he's down there. Do we really need a docu on a very mediocre film maker? I do like the fact that they didn't try to make Wood out to be some sort of saint. More than a few of those interviewed (especially Lugosi Jr.) pretty much hated the man and it comes through loud and clear. Also they totally ignore his films in the adult film industry in the 1960s and 70s. Still it's of interest if you're a Wood fan. The best interviews are with Vampira (who tears Wood apart) and Dolores Fuller (a long time girlfriend).

The Haunted World of Edward D. Wood, Jr. isn't a particularly good documentary. Aesthetically, it's lackluster and cheap looking, the people in it go off on tangents which make it very unfocused and in-cohesive, but this adds to it's charm. I say this because it's a documentary about an oddball that made oddball pictures and surrounded himself with fellow oddballs and, as such, there's really no other way to document the life and career of the man and his crew of misfits. There are some glimpses of insight into both the genius and the ineptness of Wood, and the portrayal of both qualities is a credit to the genuineness of the documentary. Overall, it's worth a watch for the Wood fan and those of cinema in general, but don't expect brilliance here. Expect a documentary made after Wood's own heart.

I saw this when it came out at the Nuart in L.A. The whole Wood thing had kind of been played out, several Docs had been done already and the Ed Wood feature had come and gone. Bombed really.

My friend and I made it all the way through and though it was O.K. So I was really surprised when I brought it home the other night from the library and was really impressed. The director tracked down a lot of people I don't think had been interviewed elsewhere. The setting of most of the interviews in there own costumed frame was unique.

I thought it was great that Bela Jr. took back some of the mean things he said on the commentary track! After all, Bela was making bargain basement movies long before he met Ed, some terrible, some pretty good. None as interesting or entertaining as "Plan Nine: though.

One flaw: no credit is given to Ed's cameraman, who is often treated as a joke but I think did some great work making Plan Nine look like no other film.

All an all, though, if Wood interests you at all you should check this out. It's quite funny, and quite moving.

I loved this film. Not being a swooning Ed Wood Jr. fan, I prefer to appreciate his "boundless enthusiasm" and acknowledge his shortcomings. His movies are fun, but his personal story is one racked with pain. I hoped, and was delighted to find, that this film would be about understanding his turbulent life, rather than simply heaping him with posthumous praise. From beginning to end, this film evolves from a documentary into a mythology, leaving the cast and the viewer unexpectedly connected to each other and to Ed Wood Jr.

What we get are people who knew Ed Wood the best talking about him from all perspectives, positive and negative, and showing us their character as much as Ed's. We get insight into Ed's personal and professional life: from his romances, to his drinking, to his sexuality, to his friends, to his enemies, and even to his film making.

The film itself is shot in a low-budget way that seems done out of respect for Ed, as if using the techniques of most theatrically released movies from 1996 would be disrespectful (sort of like wearing a nicer suit than the President). The set designer uses a sense of humor and also a great deal of insight when matching each cast member with their background.

Fans will be excited to hear personal testimony regarding Ed Wood controversies, and new comers will be amazed that this man was real. The DVD is full of impossible to find gems ("Crossroads of Lorado" and photo galleries), but the real treasure of this film is the surprisingly engaging and interconnected story.

Ed Wood had a habit of defining people through their association with him (for better or worse), to the point where one woman will go down in history as "Swimming Pool Owner" for once letting him and his friends be baptized in her pool. This ability to define a person's legacy comes through universally, as the most amazing effect of the film is to not only give a well rounded idea of the man that was Ed Wood Jr., but also to give a comprehensive view of the community that he created. Somehow, without ever having more that one cast member being interviewed on screen at a time, the connection that Ed Wood created amongst the various people in his life becomes clear, and the viewer is left with great sense of involvement.

Even the title hints at the B-list horror genre, but by the end, we see that even this is a kindness. What begins as unrelated stories by random people ends with the conclusion that all of the cast will be forever weaved into an unpredictably cohesive fabric that history will bring into haunting unity with Wood's legend.

In many ways a living contradiction, Ed Wood Jr. could not be condensed to a single viewpoint. This collaborative effort is the closest to knowing him that we can ever get. Being itself a juxtaposition of themes, it is at once respectful, provocative, thoughtful, gripping, fun, sad, kind, and fulfilling.