Atrapado

A couple of years old this now but still worth a mention. Originally A very spooky James Herbert book the film doesn't quite hit the mark in the same way but it's still worth a look especially if you haven't read the book. Dashing surrogate Yank Psychologist Quinn returns to native England in the thirties with two aims: to pursue an academic career and the expose all who make others believe in a spirit world. He investigates the case of a mad old woman, whose house is supposedly haunted by her daughter and husband. Her three adult grandchildren are also in tow, including the alluring Christina (Kate Beckinsdale) - alluring enough to tempt at least one of her brothers and the new visitor. However, the ghosts of his own past - either real or imagined - start him doubting his own ability to rationally explore what is going on. Personally Kate Beckinsdale saves the film for me as it's very difficult to judge it in it's own right if you have already read the book and constantly find yourself noticing huge differences. To bring it down to a more basic level, for me Kate Beckinsdale puts her more famous English namesake far into the shade as a top example of what English actresses have to offer.

Young David Ash and his sister are playing beside the lake on their family estate. When his sister falls, hitting her head on a stone and drowns in the lake, David is unable to save her. Blaming himself for her death, David becomes a Phd in Paranormal studies. Years later, after a successful career of exposing fraudulent mediums, David is recalled to his former home by an old woman who writes to say the home she works in is haunted.

David is met at the station by Christina (Beckinsale), a bewitchingly beautiful woman, who drives extremely dangerously and thinks nothing of stripping her clothes off and swimming in the nude in front of Dr. Ash, though she has just met him. When one of her brothers also swims nude, David is still more surprised.

The older brother is barely tolerant of David and wants him to do his job as rapidly as possible and not get involved with his sister. David talks to the elderly woman, referred to as Nanny, learning of the tragic death of Christina's parents. During his attempts to understand what is going on David has several very frightening moments. The Special effects are outstanding by the way.

While making his investigation, David comes across a shocking family secret and sees the ghost of what may be his own sister, near the lake. He then has several more strange experiences which cause him to doubt his sanity. The only person who seems to understand his confusion is the elderly doctor who is the family physician. David visits the old man at his home in the village which helps him realize he is not insane, but still leaves him with unanswered questions.

The shocking conclusion will completely twist everything you think you know about ghosts and reality. This film may be the seminal influence in a new era of ghost stories on film, which was lately added to by the talented director, Alejandro Amenabar, who gave us THE OTHERS, starring Nicole Kidman. If you like ghost stories HAUNTED is a must see.

I think the summary about says it all. It has twists and turns and has you guessing all the way through it. And in the end, you find out you were possibly fooled all the time. It was scary at times and I would rate it as an excellent film of this genre. I must admit, that I am a real fan of this type of film.

Rating: ** out of ****

Haunted is probably a slightly better movie than I'm giving it credit for, but after having seen so many similarly themed supernatural dramas the past few years, this one just didn't have the impact on me it could have had if I'd seen it back in '95. So take that into account for both my rating and my review.

Set mostly in the English countryside in the early 1900s, Aidan Quinn stars as David Ash, a professor who spends his time debunking the supernatural. His latest investigation takes him to a country manor occupied by three siblings (two brothers and a sister played by the gorgeous Kate Beckinsale) and their housekeeper, who claims the estate is haunted.

Initially, the strangest oddities Ash notices is the pseudo-incestuous way the siblings act around each other; the older brother paints the sister, Christina, in the nude, and she and the younger brother often go skinny-dipping in the lake together. Still, Ash finds himself falling for the lovely Christina, even as he ponders the history of the manor, its occupants, and the secret behind this haunting.

By most standards, Haunted is not a bad movie. In fact, it's got plenty of merit. The cinematography and locations are beautiful, the pacing is rather brisk despite the fact very little actually happens on-screen, and Kate Beckinsale is so breathtakingly gorgeous it's hard to believe a person could be so naturally luminous. I would wager anyone new to the genre would probably enjoy the movie quite a bit.

But as someone expecting something innovative or original, the film just didn't do it for me. From the beginning, the climactic twist is blatantly obvious, and unlike the later films this twist inspired, it's not structured in such a manner that you'd gain a new appreciation of the film by re-observing the hints.

While I gather that the film is partly a romantic drama, the tone and atmosphere are a little too light, such that when the film does attempt its scares they never fully work (this is the kind of horror movie that'd work well for those who generally don't like horror). It surely doesn't help that few of the characters even seem concerned the manor might be haunted.

But as a romantic drama, the film is a moderate success. Aidan Quinn makes a likable enough protagonist and Kate Beckinsale is not only a physically wondrous presence (I would have been inclined to bump the rating up if her nude scenes had been genuine), she's immensely charming and appealing as well. There's enough solid chemistry between the two to sustain a large portion of the film.

But even this story stumbles pretty badly once it intersects with the haunted manor plot, both leading to an unsatisfying ending. Come to think of it, even if I had seen the film in its initial release, the twist might have worked as a genuine surprise, but it really harms the film more than it helps, so perhaps it makes little difference the twist is so obvious.

I have little regret of the time and money I spent to watch the film; it's still going to be required viewing for Beckinsale fans (like myself) who'll watch her in just about anything. But with so many superior entries in the genre, the film otherwise wouldn't be worth mentioning without her.

Haunted is directed by Lewis Gilbert, who co-adapts the screenplay with Bob Kellett and Timothy Prager from the novel written by James Herbert. It stars Aidan Quinn, Kate Beckinsale, Anthony Andrews, Alex Lowe, John Gielgud and Anna Massey. Music is by Debbie Wiseman and cinematography by Tony Pierce-Roberts.

Following the accidental death of his twin sister when they were just kids, David Ash (Quinn) has grown up to be a parapsychologist determined to debunk the existence of ghosts. Receiving an invitation from the Mariell family to investigate supernatural activity at their family home, Edbrook House, David accepts and quickly finds his life flipped upside down…

It's from the old fashioned school of horror, a period piece of some worth, but not one for anyone looking to be scared out of their wits. Actually the novel by the late great James Herbert was becalmed when judged by his superb standards, so it really will help any potential first time viewer to go into this expecting a more ethereal chiller than anything else.

There's an air of romanticism constantly hanging in the air, and with Gilbert nodding towards the likes of The Haunting for his scares and Don't Look Now for the meditation on grief angle, it's a film of mixed blessings. Also nice to see very good period design for the 1920s setting, while Roberts' photography skilfully brings beauty to the English countryside and murkier tones for the inner workings of Edbrook House.

Cast are fine, with Quinn and a perky Beckinsale creating good sensual chemistry, and Andrews and Lowe are suitably odd as the clearly off- kilter Mariell brothers. Massey, however, is not challenged by her role and Gilegud is only really filing in for an easy money cameo.

It gets away from itself a little in the final stretch, where it's not helped by some shoddy effects work, but there's good value to be had in the picture. With grief, guilt, redemption and incest bubbling away thematically, and the spectral visage of David's dead sister haunting the edges of the frame, film never lacks for literate effort or a sense of unease. The book is much better, mind. 7/10