Funny Bones

When I first saw this film I thought that it was brilliant. At first it seemed to have an amateurish quality about it, but this turned out not to be true. What I thought was amateurish about it turned out to be the sound. The ever present ocean seems to add to the sound quality as if the viewer were really there, experiencing what actually happened.

This is undoubtedly one of Oliver Platt's best roles. I thoroughly enjoyed watching the intriguing Mr.Fawkes. Lee Evans was also unbelievably riveting in his portrayal as the mentally disturbed young man.

This film is very representative of the small town in Britain with it's quiet undisturbed population that seems to be frozen in time, in contrast to Fawkes's father's life in America, which is busy and ever-changing, where the most important thing in life is money, as opposed to memories being just as important back in the small British town.

The best part of the film is watching (in small parts) the unravelling of the horrific event that had happened so many years before and turned the young man (played by Lee Evans) into the person he is today.

A riveting watch. See it.

This film is a very underrated gem - it cant be put into a nice little box like Hollywood always wants to do with projects. "This is a wacky comedy" "This is a dark family drama", etc. You could tell they did not know how to market the film when it first came out in the US. They made it look like a wacky farce which it is not. This film works as a dark comedy about talent, those that have it and those that dont and yes, Jerry lewis gives a strong performance (right up there with King Of Comedy)and Lee Evans is a marvel as a talented comedian and Oliver Platt gives one ofhis best performances as an untalented offspring of a legend. Worth seeing - just dont expect slapstick, expect three-dimensional flawed people trying to make peace with one another and get through their torn lives.

Not really a comedy - more a surreal, sometimes weirdly comic piece about comedians, about families, about the awfulness of having a famous father, about genius, about the problem of what makes a comic funny, about the sublime sadness of failure. Lee Evans is absolutely haunting as the tortured comic genius, the natural comic who is so purely a comedian that he can barely communicate except in gags, yet who will never be allowed to perform in public because of his dark past. Leslie Caron is heart-rending as his mother, a brave, faded French beauty stranded for ever singing mildly risque songs in Blackpool pubs, and their tender scenes together are for me the best thing in the whole film.

The whole cast is incredible...right down to Oliver Reed camping it up gloriously in a bizarre sub-plot which at first I thought might be part of the Evans' character's fevered imagination. It is a movie absolutely crammed with magic but in one of my favourite scenes, Oliver Platt arrives in Blackpool and instantly sees it peopled with characters from Donald McGill postcards - fat ladies, saucy girls with flouncy skirts, burly men. The ending is a bit wonky and looks to my eye to have been changed from a tragic one to a "happy" one to please audiences. In the two opening sequences, both Evans and Platt utter the words "I'm going to die" in very different circumstances, and mean very different things, and other variations on the theme of death and laughter follow - all this seemed to be pointing down a much darker alleyway than the one we got. Doesn't matter, though. Still a great movie.

Although mostly overlooked at the time of release, this is undoubtedly one of the best films of the 90's. Elegantly surreal, Funny Bones is filled with wonderful visuals and a timeless quality.

At the center of this story stands Tommy Fawkes, a reluctant young comedian struggling in his famous father's (Jerry Lewis) shadow. Fawkes is masterfully portrayed by Oliver Platt, an incredibly talented actor who is often placed in supporting roles. Adept at all roles, it's always refreshing to find him as our lead. Platt has a particular gift for portraying the edgy hero, reminiscent of Karl Malden at his best. Somehow, he manages to make Tommy dark, yet uncomplicated.

In contrast, we have Jack Parker--seemingly the simplest of characters, he is the darkest and most complicated of all. This offered many of us our first glimpse of Lee Evans, a brilliant young UK actor/comedian with an astonishing penchant for physical comedy. His energy alone is enough to leave the viewer completely awestruck. If Fate is kind, we should have the good fortune of seeing a great deal more of him.

As for the rest of this stellar cast, Leslie Caron is charming as ever, George Carl and Freddie Davies are pure energy, and Jerry Lewis is, well, Jerry Lewis (there is no higher compliment I can pay him).

Essentially, this film is a requisite for anyone who enjoys surreal, dark comedy with a philosophical edge and an often slapstick pace.

"The dark moon, she pulls the tides also." --Thomas Parker (Freddie Davies)

I had seen the standard shots of this film when it came out and thought that the comedy seemed pretty bad - which put me off seeing it in the cinema.

However, now that it's been on TV I would like to recommend it to anyone who wants to see a film which has an original story, interesting characters, unusual settings, great acting, great photography.... generally the opposite of the usual Hollywood fare I usually have to suffer because of my friends.

So, to sum up, it's been marketed wrongly - this is not a film which you should see for a laugh; it's a film which constantly surprises - not least in dramatic turns in the story.

Loved it - 9/10