The Demolitionist

Granted, as I sat down in 2022 to watch the 1995 action sci-fi movie "The Demolitionist", I wasn't harboring much of any expectations to the movie. I remember watching it back in 1995 on VHS even, because my brother had purchased it, as he was a fan of the ladies from the "Baywatch" series. However, I have to admit that I couldn't remember anything from this movie, aside from it existing.

At first glance, then I feel that "The Demolitionist" from writers Brian DiMuccio, Anne Kurtzman, Robert Kurtzman and Dino Vindeni felt somewhat akin to the 1996 movie "Barb Wire", which also starred a former "Baywatch" star. But putting that aside, then I will say that "The Demolitionist" was watchable, albeit a rather cheesy and campy action sci-fi movie.

Perhaps the storyline was good back in 1995, but in 2022 it felt cheesy and campy, and not really a very well-thought through storyline and plot really. But hey, it makes for some brainless entertainment, and that counts for something.

While the storyline was mediocre, then I have to say that I found the cast list to be rather impressive. There were some very memorable 1990s performers popping up in this movie, with the likes of Nicole Eggert, Bruce Abbott, Peter Jason, Sarah Douglas, Heather Langenkamp, Richard Grieco, Jack Nance, Tom Savini, Nils Allen Stewart, Derek Mears, Greg Nicotero and Bruce Campbell himself.

The effects in the movie were actually fair enough. Not effects that have aged all that well, but they still are passable today.

"The Demolitionist" is probably a guilty pleasure for a great many viewers out there, probably former fans of "Baywatch".

Ultimately, then I am rating "The Demolitionist" a four out of ten stars.

What does being alive really mean? If it means that the blood pumps around your veins, your lungs suck in air, and your eyes help you to aim your gun to blow away your enemies, then Alyssa Lloyd is certainly alive. But in dying and being brought back did she lose something important along the way? Alyssa Lloyd (played by Nicole Eggert) is the Demolishionist, a police officer brutally murdered, and brought back from the dead in true comic-book form. Every night she is forced to undergo horrific scientific procedures which keep her alive and deadly.

The scientist seems to forget that his prize specimen was (and still is?) a woman, with very human feelings.

This film has been likened to RoboCop, and there are some superficial similarities, but Demolishionist is a lot darker, the humour has more 'edge', and the final scenes bring the narrative to a brilliant conclusion!

A tired, second-rate "Robocop" rehash. Deadly predictable, too. You know what will happen in almost every scene. Basically the whole plot is: woman gets murdered, woman gets "ressurrected", woman seeks vengeance on those who killed her. Nothing more than that. The movie is not exactly bad, it's just so.....forgettable (and, as others have mentioned, what's with that red powder that we see instead of blood when someone gets shot?). Nicole Eggert is the sole redeeming element. (*1/2)

Nicole Eggert of 'Charles in Charge' fame plays detective Alyssa Lloyd, working undercover in the gang of rabid, foaming-at-the-mouth criminal mastermind Mad Dog Burne (Richard Grieco, '21 Jump Street'). Her cover is blown, her partner murdered, and she's tortured and left for dead - only to be biologically engineered into a super-human super crime fighter by "professor" Jack Crowley (Bruce Abbott, "Re-Animator") and his "Lazarus" project. Clad in a form-fitting, sleek black outfit, this super-human cop comes gunning for revenge.

Decent comic-book nonsense is obviously derivative of "RoboCop", but it works fairly well as a B level variation on that more famous futuristic action flick. There's lots of gunfire, a fair amount of low-budget atmosphere, and a good score by Shawn Patterson - not to mention some real eye candy shots of the sexy Eggert.

The principal value with "The Demolitionist" is a first-rate cast. Any aficionado of low-budget genre flicks will have a high old time playing Spot the Familiar Face - including an amusing surprise cameo (albeit uncredited) by a longtime veteran of this kind of thing, right near the end. Eggert does a good job as the heroine struggling to retain her emotions & humanity, while Grieco is obviously having fun as the greasy bad guy.

You could do a lot worse than this. It makes for agreeable (if unmemorable) entertainment for a Sunday afternoon.

This marked the directorial debut for veteran effects notable Robert Kurtzman.

Six out of 10.

Plot Synopsis: In the not-too-distant future, the mayor of Metro City introduces a law banning all guns in the city. Her mortal enemy, Mad Dog Burns, escapes from Death Row & stages an unsuccessful attempt to kill her. He then exposes an undercover police officer, Alyssa Lloyd, & kills her. A police scientist resurrects her as an invincible zombie warrior, gives her weapons & a motorcycle & sets her loose on Mad Dog & his gang.

Film Review: It is probably an unwritten rule that any genre film directed by someone who is better known for producing visual effects is going to be a dud. The Demolitionist comes from the mind of Robert Kurtzman, one of the founders of KNB EFX Group, a prominent makeup effects company. Following in the footsteps of Chris Walas (THE FLY II), Gary J. Tunnicliffe (WITHIN THE ROCK), Bob Keen (PROTEUS), the Brothers Strause (ALIENS VS. PREDATOR: REQUIEM), Tom Savini (the NIGHT OF THE LIVING DEAD remake) & the late great Stan Winston (PUMPKINHEAD), Kurtzman tries his hand at directing.

Of those films, only three actually stood out from the pack. Savini's remake of NOTLD was the best of the bunch, while not beating the original, it was still a good zombie film. Within the Rock was a passable monster film that had the indignity of having half its plot stolen by a certain Michael Bay flick the following year. And the most notorious of them all, Aliens vs. Predator: Requiem, despite all the crap poured on it by practically everybody, was slightly better than the first AVP, mainly by delivering on the action that the original failed to do (although its biggest mistake was not having a fully-fleshed out plot & having the monster attacks being shot in the dark).

Which brings us to the $62, 500 question: is The Demolitionist a good film or is it a bad one? Well, to be honest, the film is one of the shoddiest genre actioners ever to come out of the 1990s. I don't think it even had a theatrical release. Anyway, the film has a slightly interesting premise – female cop is killed by a wanted terrorist, resurrected from the dead as a cyborg zombie super-warrior, goes after the bad guys with a vengeance. But the poor script does it no favours.

The Demolitionist does have the occasional moment where it looks halfway promising – Richard Grieco conducts a business negotiation between his police mole & a guard dog – but the poor plotting, atrocious dialogue & under-cooked action scenes conspire to weaken it considerably. Not to mention the fact that the visual effects, despite being produced by a top-shelf EFX group, look very cheap.

On the acting front, the performances range from the okay to the very bad – Richard Grieco overacts wildly (though you can't fault him for not having any fun) but the real worst actor here is Susan Tyrell – her relentless mugging of the stage causes any scene with her in it to collapse to the ground in a heap of flames. Look out for Tom Savini as one of Grieco's fellow gang members & Joe Pilato (Captain Rhodes from the original DAY OF THE DEAD) as a drunken gangbanger.