CALIFICACIÓN DE IMDb
8.1/10
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TU CALIFICACIÓN
Un hindú y una musulmana se enamoran en una pequeña aldea y se mudan a Bombay, donde tienen dos hijos. Sin embargo, las crecientes tensiones religiosas y los disturbios espontáneos amenazan ... Leer todoUn hindú y una musulmana se enamoran en una pequeña aldea y se mudan a Bombay, donde tienen dos hijos. Sin embargo, las crecientes tensiones religiosas y los disturbios espontáneos amenazan con separar a la familia.Un hindú y una musulmana se enamoran en una pequeña aldea y se mudan a Bombay, donde tienen dos hijos. Sin embargo, las crecientes tensiones religiosas y los disturbios espontáneos amenazan con separar a la familia.
- Dirección
- Guionistas
- Elenco
- Premios
- 13 premios ganados y 1 nominación en total
Arvind Swamy
- Shekhar Narayanan Pillai
- (as Arvind Swami)
Nassar
- Narayanan Pillai
- (as Nazar)
Nagendra Prasad
- Dancer in the song 'Humma
- (as S. Nagendra Prasad)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Begins like a silly Indian love/dance movie and develops into the strongest, most emotional movie I have ever seen. I saw it in the Gothenburg film festival and I saw couples holding each other after the film finished (comforting each other) and a guy asked: " Do they have a crisis center set up to help us deal with the movie now?". Religious tensions and human conflicts is a hard subject (doing the right vs the wrong thing), wonderfully dealt with in this movie. A strong argument for peace and a colorful tale of recent Indian history. See it.
This movie is often compared to Spielberg's "Schindler's List", as the one and only movie which actually works in this context and how Spielberg could have made it to express his strong pathetic and political emotions. What a shame that "Bombay" haven't got such a big audience.
The true life epos tells us the story of the Muslim-Hindu conflict 1995 in Bombay from the viewpoint of a young Muslim-Hindu couple doomed to leave their home town and families. This movie was made in the south, in Madras, shortly after the riots, and was immediately synchronized in Bombay to Hindi for the big audience. During the next three hours (the typical hindi movie length) everything works out fine, until the last thirty minutes where the Bombay riots suddenly break up everything. Mani Ratnam is the one and only director how dares to bring a song (every Hindi movie is a musical) during the very realistic war scenes, where such a scene actually works. Scenes where you are immediately reminded to how you would have shaken your head or laughed if this was just "Schindler's List". Imagine the jews singing in the last 30 minutes. Or the Trier train dance scene (for which you have to see "Dil Se") cut to the end. Not so here. They sing about the cruelty of war. Stop fighting. Crying, laughing, singing, dying, very close together. Where Trier sinks into unbelievable and childish anti-dead sentence pathos, Ratnam is still with the people, full of positive power. Incredible. A must see from one of the most important directors world-wide.
The true life epos tells us the story of the Muslim-Hindu conflict 1995 in Bombay from the viewpoint of a young Muslim-Hindu couple doomed to leave their home town and families. This movie was made in the south, in Madras, shortly after the riots, and was immediately synchronized in Bombay to Hindi for the big audience. During the next three hours (the typical hindi movie length) everything works out fine, until the last thirty minutes where the Bombay riots suddenly break up everything. Mani Ratnam is the one and only director how dares to bring a song (every Hindi movie is a musical) during the very realistic war scenes, where such a scene actually works. Scenes where you are immediately reminded to how you would have shaken your head or laughed if this was just "Schindler's List". Imagine the jews singing in the last 30 minutes. Or the Trier train dance scene (for which you have to see "Dil Se") cut to the end. Not so here. They sing about the cruelty of war. Stop fighting. Crying, laughing, singing, dying, very close together. Where Trier sinks into unbelievable and childish anti-dead sentence pathos, Ratnam is still with the people, full of positive power. Incredible. A must see from one of the most important directors world-wide.
This is a truly beautiful film. The story is essentially this: a Hindu man and a Muslim woman from a small village in India fall in love and decide to marry. The villagers disapprove of this marriage to the point that they are ready to incite a riot. Given the circumstances, the man and woman elope to Mumbai (Bombay.)
Everything is okay there, and the two have twins, Kamal Bano and Kabir Narayan (the names are a mix of Hindu and Muslim, to represent their heritage.) The grandfathers (while still in the village) naturally argue with each other and vow to make the children Hindu (or Muslim, depends on who wins.) Suddenly, the 1993 riots erupt, and the whole family is caught in the middle. The twins are almost burned alive, but they survive thanks to police intervention. Both grandfathers show up in Bombay (out of concern for their children and grandchildren) and continue to compete there.
When another riot ensues, and the Hindu grandfather (and grandson) are approached by a group of Muslim men, the Muslim grandfather arrives in the nick of time and tells the men "He is my brother." Later in the film, one of the twins is separated from the other and is taken in for about a day by a member of the "hijda" community (this is a community in India that is essentially composed of eunuchs or hermaphrodites, but they wear women's clothing.) In a conversation with one of the twins, the "hijda" says "Religion is a way to God." The child asks him, "Then why are all of these people killing each other?" To this the man replies, "I have no idea. And I've been thinking about it for a long time."
You don't necessarily have to be Indian to appreciate this film, but I think it helps. The underlying message is that "We (as residents of India) should be Indians first and Hindu/Muslim/whatever second. The film also conveys the message of tolerance and humanity. It is really an excellent film.
Everything is okay there, and the two have twins, Kamal Bano and Kabir Narayan (the names are a mix of Hindu and Muslim, to represent their heritage.) The grandfathers (while still in the village) naturally argue with each other and vow to make the children Hindu (or Muslim, depends on who wins.) Suddenly, the 1993 riots erupt, and the whole family is caught in the middle. The twins are almost burned alive, but they survive thanks to police intervention. Both grandfathers show up in Bombay (out of concern for their children and grandchildren) and continue to compete there.
When another riot ensues, and the Hindu grandfather (and grandson) are approached by a group of Muslim men, the Muslim grandfather arrives in the nick of time and tells the men "He is my brother." Later in the film, one of the twins is separated from the other and is taken in for about a day by a member of the "hijda" community (this is a community in India that is essentially composed of eunuchs or hermaphrodites, but they wear women's clothing.) In a conversation with one of the twins, the "hijda" says "Religion is a way to God." The child asks him, "Then why are all of these people killing each other?" To this the man replies, "I have no idea. And I've been thinking about it for a long time."
You don't necessarily have to be Indian to appreciate this film, but I think it helps. The underlying message is that "We (as residents of India) should be Indians first and Hindu/Muslim/whatever second. The film also conveys the message of tolerance and humanity. It is really an excellent film.
First having heard the music and later having eyewitness information from the 1993 riots in Mumbai from my wife (who was in her early teens at the time), I sat and watched this movie in my home on what happened to be India's 60th Independence Day anniversary. I must admit I was stunned and baffled and all that, especially from the magnificent depiction of an impossible love story. The riot scenes in the second half of the film are also quite moving, but the end of the film lacks some of the momentum found elsewhere.
Nevertheless, this is a movie worth watching, especially in the company of Indians, since it contains a lot of symbolism hardly understandable to "us" foreigners.
Nevertheless, this is a movie worth watching, especially in the company of Indians, since it contains a lot of symbolism hardly understandable to "us" foreigners.
Wallah! What a movie. Shakes and stirs u till the final moment. I saw it and was amazed at how naturally ManiRathnam captures emotions and brings the whole theatre alive with Superlative Direction, Excellent Music, Super dialogues,etc.....!! Truly worth watching!!
¿Sabías que…?
- TriviaMenon explained in an interview that, "The camera moves a lot; there would be long takes followed by three-four small cuts. It made lighting continuity easier for me and I was able to move fluidly." He said that Mani and him, both have a fascination for how Guru Dutt shot his song sequences. They were also inspired by Satyajit Ray's style.
- ErroresIn uyire uyire song from Bombay, the protagonist slits his hand and in the right next shot,his hands are perfectly normal without any laceration.
- Versiones alternativasThere is a dubbed version of this movie in Hindi/Urdu, with Hindi/Urdu songs.
- ConexionesFeatured in Larger Than Life (2003)
- Bandas sonorasBombay Theme
Composed by A.R. Rahman
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By what name was Bombay (1995) officially released in Canada in French?
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