Best of the Best 3: No Turning Back

BEST OF THE BEST 3: NO TURNING BACK steps even further away from the tournament set-up of the original movie to offer straightforward straight-to-video action thrills from leading man Phillip Rhee. Rhee is the sole returning cast member from the first two movies, although he steps up to direct here as well as star in what turns out to be a typically over the top, mildly entertaining slice of mid-'90s entertainment.

This time around the setting is the small, ubiquitous town in one of the southern states. Rhee turns up and soon uncovers a hotbed of racism and murder, brought about by the antics of the cult-ish members of the local church, which bears more than a passing similarity to Westboro Baptist Church. Cue lots of violent fist fights, shoot-outs and explosives, achieved in the best low budget '90s way.

BEST OF THE BEST 3 isn't as good as the previous film in this series - the action isn't as hard-hitting or as well staged - but it's not bad and could be a lot worse. Rhee is a dependable hero type, and the supporting cast is packed with familiar aces: THE SHAWSHANK REDEMPTION's Mark Rolston as the baddie, R. Lee Ermey as a preacher, Gina Gershon as a potential love interest, Dee Wallace-Stone as a townswoman, and the hulking Michael Bailey Smith (THE HILLS HAVE EYES remake) as a thug.

Tommy Lee (Phillip Rhee), comes into town to visit his sister Karen, right after the mysterious disappearance of a black reverend. His chinese-american sister is married to a white sheriff, one of the few lawmen in this small southern town. As it turns out, a super-rascist skinhead cult is taking control of the town. It was a little ridiculous, as they had a huge compound with plenty of C-4 explosives and grenade launchers which would surely attract the attention of the FBI and ATF. The sheriff and Tommy Lee take the law into their own hands, and it is up to one martial arts superhero to save the day.

This was a movie that had an overused plot. The martial arts expert who comes in and single handedly saves a town. If the movie were to be rated just by the plot, I would give it a 1, but I do believe that a movie is more than just the surface appearance. This movie also had a strong anti-racism message behind it. It showed the affects of racism and the sheer hate and terror that go with it. Watching it is enough to make you want to do something about the problem of racism yourself. So on moral grounds, I would give this movie a 10. However, the plot was inconsistent at times, the acting was cheesy, and this type of movie has been made so many times that you get tired of just hearing about it. Overall, I can only give this movie a 4.

This outing only has Phillip Rhee from the original cast and although he is the best martial artist, he fails to carry this franchise on his own.

It's not awful, and it tries to deliver a strong message, it just fails!

I picked this up 2nd hand and really enjoyed it, in a campy way. Tommy turns up in some rural town and steps right into a race war. Tommy is basically given reason after reason to take on guys of 4 or more and throw them through various fruit stalls, ticket offices, coffee tables, and french windows. The gorgeous Gina Gershon does her best as a choir teacher helping Tommy out, but whenever she needs to be "helpless" it kinda doesn't work because she now plays such strong, female roles.

The acting and direction are seriously questionable but this film is obviously about fight scenes and they are entertaining enough, from the moment we see Gershon's house is full of glass tables, flimsy bookcases and china filled cabinets we know we are in for a treat.

Terrible, patronising attitude toward racial issues but, hey, its got a rocket launcher and plenty of flying kicks.