Best of the Best 3: No Turning Back

Tommy Lee (Phillip Rhee), comes into town to visit his sister Karen, right after the mysterious disappearance of a black reverend. His chinese-american sister is married to a white sheriff, one of the few lawmen in this small southern town. As it turns out, a super-rascist skinhead cult is taking control of the town. It was a little ridiculous, as they had a huge compound with plenty of C-4 explosives and grenade launchers which would surely attract the attention of the FBI and ATF. The sheriff and Tommy Lee take the law into their own hands, and it is up to one martial arts superhero to save the day.

BEST OF THE BEST 3: NO TURNING BACK steps even further away from the tournament set-up of the original movie to offer straightforward straight-to-video action thrills from leading man Phillip Rhee. Rhee is the sole returning cast member from the first two movies, although he steps up to direct here as well as star in what turns out to be a typically over the top, mildly entertaining slice of mid-'90s entertainment.

This time around the setting is the small, ubiquitous town in one of the southern states. Rhee turns up and soon uncovers a hotbed of racism and murder, brought about by the antics of the cult-ish members of the local church, which bears more than a passing similarity to Westboro Baptist Church. Cue lots of violent fist fights, shoot-outs and explosives, achieved in the best low budget '90s way.

BEST OF THE BEST 3 isn't as good as the previous film in this series - the action isn't as hard-hitting or as well staged - but it's not bad and could be a lot worse. Rhee is a dependable hero type, and the supporting cast is packed with familiar aces: THE SHAWSHANK REDEMPTION's Mark Rolston as the baddie, R. Lee Ermey as a preacher, Gina Gershon as a potential love interest, Dee Wallace-Stone as a townswoman, and the hulking Michael Bailey Smith (THE HILLS HAVE EYES remake) as a thug.

Looking for a martial arts movie with realistic villains? A made-for-TV-movie with a 'theatrical' budget? An ethnic hero whipping some redneck racist butt? Well, you'll find it here, albeit with sub-par results.

While the actual fighting in the film is all right (though I've seen better), some of the dialogue and characterizations need re-editing. The acting ranges from passable to 'William Shatner' (especially from the Klan leader - the guy with the goatee). The plot for BOTB3 is shaky - you can easily predict what the racists are going to do next and what the hero is going to do about it. The climax can be described as similar to the average horror/chop-sockey movie: not quite believeable (how can one guy take on 50 (or so) villains - with guns no less?) and devoid of thrills. Oh yeah, that Owen kid (the troubled teen who joins the racist gang) is heavily involved in the climax, and EVERYONE who watches this movie will be able to guess what he does at the end, even if they turn it off half-way.

This film is kind of like an episode of 'Walker, Texas Ranger' - tame, predictable, and really not worth bothering with, since there are so many better choices available in your video store.

This outing only has Phillip Rhee from the original cast and although he is the best martial artist, he fails to carry this franchise on his own.

It's not awful, and it tries to deliver a strong message, it just fails!

Any 'message' this film might impart is totally lost in the goofiness of setting a martial arts film in the middle of a Mississippi race war. The writing and performances are so terrible that I found them weirdly entertaining. The cliches come so fast and furious that you may find yourself laughing out loud at things you would never ordinarily laugh at. Gina Gershon is hilarious as the choir conductor. The biggest joke about this movie is that it dislikes racism enough to support the plot about really stupid white supremacists, but not enough to allow Gina Gershon to fall in love with the Asian lead. They had to bring in a totally pointless white character for that... Dee Wallace-Stone is one of the greatest actresses who has ever lived and she is so sadly underrated and underused. She's the only thing in this film that isn't a really funny joke.