Best of the Best 3: No Turning Back

Looking for a martial arts movie with realistic villains? A made-for-TV-movie with a 'theatrical' budget? An ethnic hero whipping some redneck racist butt? Well, you'll find it here, albeit with sub-par results.

While the actual fighting in the film is all right (though I've seen better), some of the dialogue and characterizations need re-editing. The acting ranges from passable to 'William Shatner' (especially from the Klan leader - the guy with the goatee). The plot for BOTB3 is shaky - you can easily predict what the racists are going to do next and what the hero is going to do about it. The climax can be described as similar to the average horror/chop-sockey movie: not quite believeable (how can one guy take on 50 (or so) villains - with guns no less?) and devoid of thrills. Oh yeah, that Owen kid (the troubled teen who joins the racist gang) is heavily involved in the climax, and EVERYONE who watches this movie will be able to guess what he does at the end, even if they turn it off half-way.

This film is kind of like an episode of 'Walker, Texas Ranger' - tame, predictable, and really not worth bothering with, since there are so many better choices available in your video store.

This outing only has Phillip Rhee from the original cast and although he is the best martial artist, he fails to carry this franchise on his own.

It's not awful, and it tries to deliver a strong message, it just fails!

I picked this up 2nd hand and really enjoyed it, in a campy way. Tommy turns up in some rural town and steps right into a race war. Tommy is basically given reason after reason to take on guys of 4 or more and throw them through various fruit stalls, ticket offices, coffee tables, and french windows. The gorgeous Gina Gershon does her best as a choir teacher helping Tommy out, but whenever she needs to be "helpless" it kinda doesn't work because she now plays such strong, female roles.

The acting and direction are seriously questionable but this film is obviously about fight scenes and they are entertaining enough, from the moment we see Gershon's house is full of glass tables, flimsy bookcases and china filled cabinets we know we are in for a treat.

Terrible, patronising attitude toward racial issues but, hey, its got a rocket launcher and plenty of flying kicks.

Tommy Lee (Phillip Rhee), comes into town to visit his sister Karen, right after the mysterious disappearance of a black reverend. His chinese-american sister is married to a white sheriff, one of the few lawmen in this small southern town. As it turns out, a super-rascist skinhead cult is taking control of the town. It was a little ridiculous, as they had a huge compound with plenty of C-4 explosives and grenade launchers which would surely attract the attention of the FBI and ATF. The sheriff and Tommy Lee take the law into their own hands, and it is up to one martial arts superhero to save the day.

Any 'message' this film might impart is totally lost in the goofiness of setting a martial arts film in the middle of a Mississippi race war. The writing and performances are so terrible that I found them weirdly entertaining. The cliches come so fast and furious that you may find yourself laughing out loud at things you would never ordinarily laugh at. Gina Gershon is hilarious as the choir conductor. The biggest joke about this movie is that it dislikes racism enough to support the plot about really stupid white supremacists, but not enough to allow Gina Gershon to fall in love with the Asian lead. They had to bring in a totally pointless white character for that... Dee Wallace-Stone is one of the greatest actresses who has ever lived and she is so sadly underrated and underused. She's the only thing in this film that isn't a really funny joke.