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IMDbPro

Memorias de Antonia

Título original: Antonia
  • 1995
  • R
  • 1h 42min
CALIFICACIÓN DE IMDb
7.4/10
9.8 k
TU CALIFICACIÓN
Memorias de Antonia (1995)
Home Video Trailer from WinStar Cinema
Reproducir trailer1:35
1 video
32 fotos
ComedyDrama

Una matriarca holandesa establece y supervisa durante varias generaciones, una comunidad matriarcal unida donde prosperan el feminismo y el liberalismo.Una matriarca holandesa establece y supervisa durante varias generaciones, una comunidad matriarcal unida donde prosperan el feminismo y el liberalismo.Una matriarca holandesa establece y supervisa durante varias generaciones, una comunidad matriarcal unida donde prosperan el feminismo y el liberalismo.

  • Dirección
    • Marleen Gorris
  • Guionista
    • Marleen Gorris
  • Elenco
    • Willeke van Ammelrooy
    • Jan Decleir
    • Veerle van Overloop
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    9.8 k
    TU CALIFICACIÓN
    • Dirección
      • Marleen Gorris
    • Guionista
      • Marleen Gorris
    • Elenco
      • Willeke van Ammelrooy
      • Jan Decleir
      • Veerle van Overloop
    • 86Opiniones de los usuarios
    • 23Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Ganó 1 premio Óscar
      • 8 premios ganados y 10 nominaciones en total

    Videos1

    Antonia's Line
    Trailer 1:35
    Antonia's Line

    Fotos32

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    Elenco principal67

    Editar
    Willeke van Ammelrooy
    Willeke van Ammelrooy
    • Antonia
    Jan Decleir
    Jan Decleir
    • Boer Bas
    Veerle van Overloop
    • Thérèse
    Els Dottermans
    • Danielle
    Dora van der Groen
    • Allegonde
    Esther Vriesendorp
    • Thérèse (13)
    Carolien Spoor
    • Thérèse (6)
    Thyrza Ravesteijn
    • Sarah
    Mil Seghers
    • Kromme Vinger
    Elsie de Brauw
    Elsie de Brauw
    • Lara
    Reinout Bussemaker
    Reinout Bussemaker
    • Simon
    Marina de Graaf
    Marina de Graaf
    • Deedee
    Jan Steen
    • Lippen Willem
    Catherine ten Bruggencate
    • Malle Madonna
    Paul Kooij
    • Protestant
    Fran Waller Zeper
    • Olga
    Leo Hogenboom
    • Pastoor
    Flip Filz
    Flip Filz
    • Kapelaan (The Curate)
    • Dirección
      • Marleen Gorris
    • Guionista
      • Marleen Gorris
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios86

    7.49.8K
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    Opiniones destacadas

    meisterpuck

    a feminist spin on Schopenhauer

    This film is a beautiful presentation of European feminism, which, unlike its American counterpart, is about exploring and celebrating femininity rather than just kicking men in the balls. It is also a film that, judging by the other user comments, appeals to men just as strongly as to women. Literary, beautifully filmed and emotionally gripping, "Antonia's Line" is (pardon the cliche) a film unlike any other.
    colmansa

    It's like watching a painting

    What a wonderful, gorgeous, beautiful creation. Antonia's Line is a bittersweet embrace of life in all it's manifestations. It's one of those rare movies that is just as incredible as a great book. A true work of art. I've seen it four times, and would see it again.
    10moviebuffgirl

    Quirky! Excellent! See it, here's why

    Rarely does a movie embrace life as fully as "Antonia" (also known Antonia's Line). It was the deserving winner of the Academy Award for best foreign film in 1995. Quirky, unexpected, funny, frightening, and ultimately beautiful, Antonia's line is a portrait of hope that successfully escapes being saccharine. There are moments of violence and despair, but beauty endures. It portrays 3 generations of independent women, and the matriarch of their unusual family, Antonia. Antonia left her small village before WWII and returns years later with her grown daughter. Antonia has an opinion on everything, and smiles as she points out the colorful village characters to her cosmopolitan artist daughter who is amused by everyone from the town busy-bodies to the tradition of drunk men peeing on the church wall. However, Antonia manages to carve out a place for herself by embracing love when she finds it, and opening her arms to the needy outcasts and oddballs that are victimized by cruel villagers.

    This film also offers a wonderfully refreshing depiction of love in all shapes and sizes-- connections between mentally handicapped loners, romance between women, elderly romance. It does not sensationalize these unusual couplings, rather it highlights the giddy delight that is two human beings connecting. This is truly a movie about self-made "family," lonely souls that find each other and live together with loyalty. However, one graphic rape scene and a few other (naratively essential) scenes of violence make it inappropriate for young or sensitive children. It is overall, however, not gritty or depressing. Rather it is a portrait of hope made more real by addressing the presence of shadows.

    Both "My life as a Dog" and "American Beauty" are reminiscent of the kind of beauty and humor you can expect from this film.
    9williamknott

    A Story Well-Told

    For the intelligent and reflective movie-goer, there is much to appreciate about this film. To begin with, the opening narration, although fantastic, is just about the best opening line to any story out there. It immediately draws one into the world of these weird, wonderful people. And that fantastic aspect is maintained throughout the film, like a fairy tale that provides a surprise around every corner. It is a pleasure to be taken into this kind of world for the 100+ minutes of the film.

    I strongly disagree with the comments, which the IMDb is currently (as of March 13/04) displaying as being "representative," which states:

    "If you hold dear the innocence of children, respect God and those who serve Him, and hold dear what is beautiful in a spiritual sense, you will probably dislike this film."

    That's one seriously narrow-minded opinion the IMDb people have selected as being representative. There was a time when the IMDb was more discriminating in what they allowed through to the site. That they allowed *this* posting through *and* chose it to represent the average response to the film is bad a sign; the ship is sailing but there's nobody at the wheel. Reading those comments, one could easily conclude that there are a great deal of sadly unimaginative people out there who just don't get this film.

    It isn't surprising that someone with the kind of insular view of the world as expressed in those "representative" comments wouldn't enjoy this film. I never thought of it this way, but I suppose "Antonia's Line" is not for the polite, ultra-conservative, easily-offendable religious folks out there who, it seems, are more apt to feel threatened by fantastic stories like this than to appreciate them for what they are. "Antonia's Line" is the kind of story that give us permission to *imagine* how things might be if they were just slightly eschew. This film is not a picture of the real world, but, like a good fairy tale, provides one an opportunity to reflect on a variety of human conditions and experiences that everyone in some way can relate to.

    In this regard, "Antonia's Line" is a wonderfully rich and rewarding film, and a beautifully well-told story.

    It should not be dismissed so easily. (And the IMDb ought to get their act together.)
    9chrisck

    Great film

    I found Antonia's Line to be a wonderful expression of what is endearing and enduring in the human spirit. It was a truly lovely story, clever character development, warmly delivered. I can understand how some may not understand or enjoy this film. It flies in the face of convention, but that is its beauty. Some would fear the freedoms this film demonstrates.

    Love and acceptance abound, in a timeless manor. I like the way it offered a different definition of family, one where diversity is an asset, guarded by respect.

    This is one of the greatest stories to come across the screen.

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    Argumento

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    • Trivia
      The film winning the Academy Award for Best Foreign Language Film was somewhat serendipitous. The film's reception in its native Netherlands had been somewhat lukewarm, and most of the attention had gone to Zusje (1995) (which had also beaten Memorias de Antonia (1995) as Best Picture at the Dutch Film Festival that year). However, since Zusje (1995) had not been officially released in theaters at the time, it couldn't qualify as the Dutch submission for the Oscars. Fortunately, Memorias de Antonia (1995) enjoyed much more critical success abroad, and especially the positive reception in the USA was felt to have contributed to the film winning the Oscar.
    • Citas

      Verteller: The proverb is wrong. Time does not heal all wounds. It merely softens the pain and blurs the memories.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Broken Arrow/Black Sheep/Beautiful Girls/A Midwinter's Tale/Antonia's Line (1996)
    • Bandas sonoras
      My Blue Heaven
      Written by George Whiting and Walter Donaldson

      Performed by Dora van der Groen and Centrum Nieuwe Koormuziek

    Selecciones populares

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    Preguntas Frecuentes18

    • How long is Antonia's Line?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de septiembre de 1995 (Países Bajos)
    • Países de origen
      • Países Bajos
      • Bélgica
      • Reino Unido
      • Francia
    • Idioma
      • Holandés
    • También se conoce como
      • Antonia's Line
    • Locaciones de filmación
      • La Neuville-aux-Tourneurs, Ardennes, Francia(location)
    • Productoras
      • Bergen
      • Prime Time
      • Bard Entertainments
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • GBP 1,500,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 4,228,275
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 45,051
      • 4 feb 1996
    • Total a nivel mundial
      • USD 4,249,321
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 42 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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