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- Nominado a 1 premio Primetime Emmy
- 1 nominación en total
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I started watching Nowhere Man, like many people here, because it came on after Star Trek: Voyager, and my interest in the former soon began to eclipse my interest in the latter. I didn't catch every episode (given its obvious quality I assumed I would have ample opportunity to watch it in reruns) but the ones I did see had a huge impact on me and I was lucky enough to see the final episode.
Nowhere Man is the kind of show you need to discuss with other viewers, but I can count on one hand the number of people I've met who remember it and inexplicably none of them cared for it. I was totally nuts for the show when it was on the air but I was much younger at the time. Truthfully, over the years I had worried that it would not live up to my memories.
Finally, Nowhere Man's single season has been released in a great 9-disc DVD set, and after 10 years I've truly enjoyed the chance to rediscover each of the 25 episodes. It's just as good as I remembered (and even better in some cases), with only a few episodes that don't quite measure up to the rest. Bruce Greenwood's performance is incredible. There is literally nobody else who could have made Thomas Veil more human. He makes even the silent moments a fascinating pleasure and basically carries the entire series. That's not to suggest that there aren't great performances from other actors, but Greenwood is the keystone of the show and he handles the weight effortlessly. You don't see acting of this quality on television very often. The writing is consistently solid and smart (though as I mentioned there are some "off" episodes), and Mark Snow (of The X-Files and Millennium fame) provides a wonderfully varied, appropriately moody soundtrack.
The bottom line: if you're a fan of The Prisoner (which strongly influenced the creator of the series) and/or The X-Files, you owe it to yourself to give Nowhere Man a chance. It's hard to believe that a show this good was canceled and it's harder to believe it graced a channel like UPN. At least we got one great season out of it.
Nowhere Man is the kind of show you need to discuss with other viewers, but I can count on one hand the number of people I've met who remember it and inexplicably none of them cared for it. I was totally nuts for the show when it was on the air but I was much younger at the time. Truthfully, over the years I had worried that it would not live up to my memories.
Finally, Nowhere Man's single season has been released in a great 9-disc DVD set, and after 10 years I've truly enjoyed the chance to rediscover each of the 25 episodes. It's just as good as I remembered (and even better in some cases), with only a few episodes that don't quite measure up to the rest. Bruce Greenwood's performance is incredible. There is literally nobody else who could have made Thomas Veil more human. He makes even the silent moments a fascinating pleasure and basically carries the entire series. That's not to suggest that there aren't great performances from other actors, but Greenwood is the keystone of the show and he handles the weight effortlessly. You don't see acting of this quality on television very often. The writing is consistently solid and smart (though as I mentioned there are some "off" episodes), and Mark Snow (of The X-Files and Millennium fame) provides a wonderfully varied, appropriately moody soundtrack.
The bottom line: if you're a fan of The Prisoner (which strongly influenced the creator of the series) and/or The X-Files, you owe it to yourself to give Nowhere Man a chance. It's hard to believe that a show this good was canceled and it's harder to believe it graced a channel like UPN. At least we got one great season out of it.
Quite possibly the best show in age of modern television that was cancelled before it could shine. The concept of the "man on the run" and the conspiracy that invariably drives such events has been done before, but what made Nowhere Man a more effective, if not evocative story was the idea that Thomas Vail quite possilby fabricated the events that caused him to go on the run. Everything he was running from, he may have created. This plus the many turns and twists the episodes took made the series irresistable to many, maddening to most and unfortunately fodder for dismissal in the pantheon on UPN. Its really too bad SciFi hasn't sought fit to continue the series or at least pick it up for rerun. They did some good fan service when they picked up other slain series like "Prey" and "Burning Zone" for replay, and you would think this one would come up for the running. Shame really.
I was lucky enough to be able to get the whole series on VCD and am utterly hooked. More than halfway through the series and every episode has a different flavour. Like everyone else whose comments appear on this site, I really don't understand why it was cancelled - it's one of the best shows I've ever watched.
This was one of the most brilliantly written shows of the 1990s. Unlike the vast majority of shows, it did NOT hold the audience in contempt and therefore dumb down the show, but created a captivating and surreal treat for those ready to watch something different. It was similar to the British series The Prisoner (early in season one only--after that, The Prisoner lost it's brilliance and momentum very quickly).
The problem is that in nearly every case like this, this is sure proof that the show will not last! Another excellent case was Brooklyn Bridge. The network also had no faith in this program because once again it was not mind rot--it was exquisitely written and engaging. Years ago, well-written shows for people who think were possible--the original Mission: Impossible is a good example. However, I fear that we are in an age where schlock sells.
PS--This GREAT series is now out on DVD! Get your copy ASAP!
The problem is that in nearly every case like this, this is sure proof that the show will not last! Another excellent case was Brooklyn Bridge. The network also had no faith in this program because once again it was not mind rot--it was exquisitely written and engaging. Years ago, well-written shows for people who think were possible--the original Mission: Impossible is a good example. However, I fear that we are in an age where schlock sells.
PS--This GREAT series is now out on DVD! Get your copy ASAP!
While all of us who were hooked by this series probably still mourn its passing almost all the plaudits are, directly or otherwise, in reference to the concept or the writing. Both of these were indeed superb; however one aspect seems to have been overlooked. I doubt if there is another actor alive who could have brought to the character of Thomas Veil the precise qualities brought by Bruce Greenwood. He was simply perfect for the role. Combining appeal, intelligence and a certain "je ne sais quoi" of seeming a quarter of a bubble off, a semi-tone out, a tiny percentage off the beat and yet also perfectly normal. While everything else was terrifying, strange and unfathomable Greenwood was the sympathetic Everyman caught up in peculiar events and yet he himself is also peculiar. The audience can thus identify with Thomas Veil both as just like us and also as like us when we feel slightly bent. Greenwood conveyed this as probably no one else could. Should he not have won a Best Actor Emmy?
¿Sabías que…?
- TriviaConceived as a cross between classic American television series "The Fugitive" and British television series "The Prisoner."
- Citas
[opening narration]
Thomas Veil: My name is Thomas Veil, or at least it was. I'm a photographer. I had it all: a wife, Alyson; friends; a career. And in one moment it was all taken away, all because of a single photograph. I have it; they want it; and they will do anything to get the negative. I'm keeping this diary as proof that these events are real. I know they are; they have to be.
- ConexionesReferenced in RIOT (Righteous Invasion of Truth) (1995)
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