Æon Flux

Aeon Flux is one of the sexiest animated characters I've ever seen. "Aeon Flux" is one of the most bizarre, intense, reality-bending animated series I've ever seen. It aired as part of MTV's "Liquid Television" in 1995, and won over a devoted following. 10 years later and one feature-length film starring Charlize Theron later, "Aeon Flux" remains a milestone in animation.

Created by visionary Peter Chung, its style is reminiscent of Anime', yet to a trained eye it isn't. It's distinctly American, and the animated series itself is unique because the star of the title died at the end of nearly every episode, with the next entry redrawing the lines of reality and continuity.

Hundreds of years into the future, Trevor Goodchild is the charismatic dictator running a utopian society and is locked in a costly battle of wills with Aeon Flux, an amoral, sexy-as-hell mercenary who seeks to bring him down at all costs. Her motives are unknown, yet we get the sense she is the rebel hero though her amorality makes it truly unclear about why she has it in for Goodchild.

I don't know what inspired Chung to give rise to this, but given if he creates more stuff like "Aeon Flux," you can bet I'm going to buy the next DVD set of whatever he envisions. "Aeon Flux" walks a fine line between intense sci-fi battles and borderline pornography, but I have to hand it that this is some really amazing stuff here.

It's tripping the rift, "Aeon Flux," but the recent DVD made my jaw drop and its style is unmatched. This is "Aeon Flux."

Too be honest, I never cared that much about MTV: The programming of that channel seems to keep getting worse year by year...However, I really liked some of the animated shows produced by that channel, such as "Liquid Television", "Beavis and Butthead", the excellent adaptation of Sam Kieth's comic "The Maxx", "Daria"...And this show.

Stylih, surreal and unique "Æon Flux" is possibly one of the most original and daring cartoons ever made in America, being like nothing ever made before, not only in the visual aspect, but also in the stories and the characters: Instead of the typical battle of "Good vs Evil" that was so common in the cartoons of the time,"Æon Flux" had an ambiguous tone, where the "heroine" and the "villain" had strange and vague motivations(And even weirder ways to accomplish their objectives) What's even more, despite their antagonistic ideologies, both characters had a strange love/hate relationship, an element that worked as a sub-plot in most of the chapters, and worked incredibly well.

This deliberately ambiguous tone of the story, joined to the grotesque, but at the same time beautiful imagery of each chapter showed how mature and artistic Western animation could be, despite the prejudices of some part of the public against this genre, considering that cartoons are only "kiddy stuff", despite the existence of incredible works such as this.

"Æon Flux" was ahead its time, and maybe for that reason, I didn't get the recognition it deserved...However, a few episodes (and shorts) were enough to appreciate the full quality of this animated masterpiece, being one of the most original and artistic TV -shows ever made, such as "Twin Peaks", "The Maxx" and "The Prisoner".

Oh, yeah,there was also a terrible live-action movie made in the 2005, but that film lacked of every single one of the great elements of this excellent series. The less said about that lousy film, the better.

I'll spare you the standard review and assume that you've already accepted that Aeon Flux is bloody awesome. What follows is a guide to getting the full bloody awesomeness out of this experience.

If at all possible, take it in chronological order since the first 6 shorts are what set the stage. Essentially all rules are bent, broken, defecated upon and then handed back to us with a hint of Snuggle fabric softener. This is no mere cartoon; this is a revolution in storytelling.

The best way to describe the shorts is to say they are visual puzzles for us to solve. It ain't easy, either. I highly recommend watching the short, feeling like an idiot, and then watching it again with Peter's commentary. He doesn't always spell out the solution, but he gives some good hints that allow you to appreciate it on its intended philosophical level.

I'll give you just one example without really ruining anything. In the episode "War", we see a bunch of people killing people, getting killed, and more of the same. But there's much more to it than that. What Chung does is play on our fickle sympathies to make us change loyalties over & over. Without noticing, we start out rooting for the black team, then the white team, back to black, white, black, etc. You can surmise what sort of statement he's making about the act of war & society's attitudes. I can't help but wonder if Peter Chung was a fan of the 19th century French writer Maupassant ("Tell the people to vote for the Emperor and they'll vote for the Emperor. Tell the people to vote for the Republic and they'll vote for the Republic.")

Bloody awesome.

Other episodes are more abstract but just as deliberate & defined. In "Tide" we're presented with some seemingly arbitrary, repeating scenes. But actually it's a very carefully orchestrated show. The scenes, each exactly 2 sec long, repeat in a scripted sequence that can only be described as mathematical (or as Peter says in the commentary, "musical").

Bloody bloody awesome.

OK, I'm probably losing some of you, and that's to be expected. After all, what's interesting about political, mathematical & metaphysical themes? The answer: a hot assassin chick in a vinyl bikini with boobs that defy Newton's Laws of Physics, that's what.

What's the word I'm looking for? Oh right: bloody freaking whacktastic awesome.

After the initial 6 shorts comes the Pilot which is also without dialogue and highly expressionistic as well as philosophically jam packed. However when the actual series followed, MTV took more of an active role making changes that weren't always for the best. The biggest change is that the characters speak. Another big change is that Aeon develops more of a consistent personality and morality (unlike in the shorts where she was an Existentialist to the max). Some of the episodes are still very good--the ones written by Peter Chung--but others were given to different writers who didn't have a clear grasp on the artistic concept. The result was more plot driven, linear, humorous at times & random at times. At the same time, some of it became more poetic in a literal sense. In all, a very different flavour but still very enjoyable, even if the episodes aren't the brain-teasers we had seen at first.

That's about all I have to say, so I'll close by saying we need more women dressing up as Aeon Flux at halloween parties. Ladies, if you do that you win hands down. Well except for maybe the green star trek chick.

Peter Chung is definitely one of the most creative minds in animation today. This is his groundbreaking work he is best known for.

Originally a recurring short for MTV's Liquid Television, Aeon Flux combined the flash of the sexy heroine and action movie violence with extremely surreal and bizarre scenarios. MTV later commissioned 10 half-hour episodes. Obviously the more high profile placement of a scheduled program lead to more network restrictions. Not quite the same surreal vision as the original shorts but definitely interesting in themselves.

A lot of people saw it as some kind of anime rip off. It's nothing of the sort. While without a doubt drawing influence from Japanese animation the more apparent influences are European fantasy illustrators like moebius.

I bought the TV episodes and shorts on a VHS several years ago. I'm not sure if it has made it to DVD. There's a live action movie based on the characters of the animation series coming out this winter. It's extremely doubtful they'll be able to pull off any of the weird stuff. It will probably be just another boringly ordinary Hollywood sci-fi/action movie. One of Peter Chung's ideas with his animation is to create something you can't do in live action.

I remember watching this series late at night about 5 years ago on MuchMusic (Canada's MTV equivalent). It was (and probably still is) the most innovative animated series I've had the chance to lay my eyes on (and wrap my brain around). Definitely not for kids, definitely not straightforward, this series fluctuates between abstract narratives, warped motives, and unconventional characters to tell us the stories of a futuristic communist society ruled by Trevor Goodchild and clashed with by the ever-present iconoclast known as Aeon Flux, a society that is both a distortion and a reflection of our own. Nothing in this series is clear-cut and the writing definitely lets you think your way through instead of being spoon-fed. Thank you, mister Chung, for the great work.