Es la madre americana perfecta: una excelente cocinera y ama de casa, una recicladora devota y una mujer que literalmente matará para que sus hijos sean felices.Es la madre americana perfecta: una excelente cocinera y ama de casa, una recicladora devota y una mujer que literalmente matará para que sus hijos sean felices.Es la madre americana perfecta: una excelente cocinera y ama de casa, una recicladora devota y una mujer que literalmente matará para que sus hijos sean felices.
- Dirección
- Guionista
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- Premios
- 1 nominación en total
- Detective Pike
- (as Scott Wesley Morgan)
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"Serial Mom" is a ridiculously charming and clever film that never really received the credit it deserved. It is John Waters' best mainstream film, and its tongue-in-cheek portrayal of suburbia, domesticity, the media, and conventional gender roles is delightfully subversive. Kathleen Turner was criminally underrated--this was her best performance to date. The dialogue is hilarious, the murders are wickedly funny, and the overall atmosphere of the film is disturbingly bright and shiny. Co-stars Waters regulars Mink Stole, Ricki Lake, Traci Lords, and features a dynamite cameo by grunge goddesses L7. My Rating: 9/10
Kathleen Turner is just purely brilliant as sweet mother Beverly Sutphin, who would look more at home in a show like Bewitched. However, we soon learn that she's not all that she seems. I love any movie that takes a classic element (in this case the innocent housewife) and completely turns it on its head.
And so the film leads us on a journey through Beverly Sutphin's life and motivations. The film grabs on, and doesn't let go, keeping the pace until the very last scene.
In bad taste? Well, yes. Sick humor? Quite often. Good? Oh yes. If you have a dark sense of humor, don't miss it for the world.
Turning his outrageous gaze on an archetypally perfect housewife and mother from the Baltimore suburbs in Maryland, supportive to her loving husband and teenage kids and possessing a real tlent for cooking, it appears that she is everything a stable, hard-working business man could want. However, there is a slight catch. She is also a serial killer.
Mom's tendency to take bloody revenge on any poor neighbouring housewife who fails to observe her rigid socially acceptable guidelines, like not recycling rubbish or driving too fast, is so barmy you are sure to find it absurdly and darkly funny. Kathleen Turner, alternating between dizzy, unquestioning devotion to her family and clinically cool, yet psychotic anger to offending neighbours, either appears to possess a martyr's yellow halo above her head, denoting divine lightness and freshness, or a focussed smile as she carefully contemplates her next victim.
If you are on the lookout for some perfectly vibrant, yet malicious black comedy, subscribe to "Serial Mom", one of the most ruthless, patronising skits on good manners and nosey, voyeuristic neighbours ever to hit the screen. If you like Waters' latest irreverent venture into visceral, cutting black humour, then get all his other movies, because they are all even more extreme and grotesque - "Pink Flamingos", "Hairspray", "Cry Baby" - all kitschy, underrated classics in their own right.
In terms of performances, Kathleen Turner is the perfect star to be in a John Water vehicle. It makes me sad to see her fall out of the limelight because every movie I've seen with her, she's easily been the best part, she is so charismatic and she is perfectly cast in this movie.
In addition, the satirical elements of modern mass obsession with real crime stories couldn't be more apt and wonderfully woven into the story. It really adds to the story, and keeps it from just being a great comedy.
And speaking of obsession with real crime stories, I do wonder what John Waters thinks of the glut of Ted Bundy documentaries and movies that have come out recently.
Kathleen Turner takes the lead role, and does an excellent job of performing in a serious, yet jokey way; which does the film no end of favours on the parody front. She looks the part, acts the part...and really, I cant think of a better middle-aged actress to take the lead in this film. The support cast, which includes Matthew Lillard and Ricki Lake, is good; but it's the director that's the real star of the show. John Waters has made a name for himself by creating odd and twisted films, and although I haven't seen a great deal of them; Serial Mom is his best as far as I'm concerned. It's one of those films that constantly make you laugh (providing you've got a sick sense of humour), while poking fun at society and offending all the right people all at once! I love originality in movies, and this really is one unique film. The nineties saw the release of lots of obscure social commentaries that were lost under films like Schindler's List and Fight Club, and Serial Mom, along with Francois Ozon's 'Sitcom', is one of the best 'under the radar' films of the decade. It's not a film that everyone will like, but everyone should see it just in case!
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- TriviaThis was Matthew Lillard's first film. When he noticed that Kathleen Turner had memorized everyone's names from the call sheets, he asked her why she did it. Her reply was, "Oh, honey, that's the first thing you do!"
- ErroresWhen Beverly goes to Chip's school for a P.T.A. meeting, Mr. Stubbins says Chip is "off to a fine start this year". However, a card in the opening scene established that the day is Friday, May 14, 1993, which would be nearing the end a school year, not the beginning.
- Citas
Dottie Hinkle: Hello?
Beverly Sutphin: Is this the Cocksucker residence?
Dottie Hinkle: God damn you! Stop calling here!
Beverly Sutphin: Is this Four Two One Five Pussy Way?
Dottie Hinkle: You bitch!
Beverly Sutphin: Now let me check the ZIP code. Two-one-two-fuck-you?
Dottie Hinkle: The police are tracing this call this very minute.
Beverly Sutphin: Well, Dottie Hinkle, then why aren't they here, huh, fuckface?
Dottie Hinkle: FUCK YOU!
[hangs up]
Beverly Sutphin: Hahahaha!
[immediately calls her back]
Dottie Hinkle: DIDN'T I JUST SAY FUCK YOU?
Beverly Sutphin: [in a different voice] I beg your pardon?
Dottie Hinkle: Who is this?
Beverly Sutphin: Mrs. Wilson from the telephone company. I understand you're having problems with an obscene phone caller?
Dottie Hinkle: Yes, I am. I'm sorry, Mrs. Wilson. But this is driving me crazy! I've had my number changed twice already. I'm a divorced woman, please help me.
Beverly Sutphin: Well what exactly does this sick individual say to you?
Dottie Hinkle: I can't say the words out loud, I don't use bad language.
Beverly Sutphin: Oh well, I know it's difficult but we need to know the exact words.
Dottie Hinkle: I'll try. Cocksucker, that's what she calls me.
Beverly Sutphin: [reverting to the original voice] LISTEN TO YOUR FILTHY MOUTH, YA FUCKIN' WHORE!
Dottie Hinkle: GODDAMN YOU!
Beverly Sutphin: MOTHERFUCKER!
Dottie Hinkle: COCKSUCKER!
- Créditos curiososNo flies were injured or killed in the making of this motion picture.
- ConexionesEdited into 365 days, also known as a Year (2019)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Serial Mom
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 13,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 7,820,688
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,040,450
- 17 abr 1994
- Total a nivel mundial
- USD 7,823,437
- Tiempo de ejecución
- 1h 35min(95 min)
- Mezcla de sonido