Una viuda vengativa quiere seducir a los parientes del hombre al que culpa por la muerte de su marido.Una viuda vengativa quiere seducir a los parientes del hombre al que culpa por la muerte de su marido.Una viuda vengativa quiere seducir a los parientes del hombre al que culpa por la muerte de su marido.
- Dirección
- Guionistas
- Elenco
Daniel McVicar
- Truman Langley
- (as Dan McVicar)
Perla Walter
- Belle
- (as Perla Walters)
Ron Melendez
- Robey's Friend
- (as Ron Roy Melendez)
Wil Shriner
- Detective
- (as Wil H. Shriner)
Robyn LeAnn Scott
- Cheryl
- (as Robyn Scott)
Leslie S. Sachs
- Alex's Secretary
- (as Leslie Suzanne Sachs)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It's quite a brilliant fetch to have Shannon Tweed play a villain, because seeing her use her looks for evil and not for good/neutral is actually pretty hot. Come to think about, she wouldn't have been a bad pick for "Basic Instinct" either. This could be the nudity talking, but she's able to look and act way more evil than Sharon Stone ever could. The plot for what it's worth: after a guy can't get promotion despite lending his wife to the right people, he like, totally kills himself. His wife, understandably, demands vengeance and wants to kill the total jerk who did get the promotion, Alex Weston. Only her idea of vengeance is having wild sex with everybody around him. That'll teach 'em. The audience is given what it wants: ye olde soft core classics (pool table anyone?), but also teenage boy's phantasies brought to life, a lesbian scene, and a fair share of shower scenes. The writing actually proves to be good, even if by accident. For instance, the maid interrupts what could have easily become another steamy sex scene, and you just want her to like, not be there. Then she gets killed. Again, they know what the audience wants. Could you believe it,a soft core movie with a plot that actually kinda makes sense. The ending was both fairly surprising and I should mention hot. If you're ever going to watch soft core accept no substitute.
Shannon Tweed does an excellent job of performing as a lonely housewife who blames Andrew Stevens for her husband's suicide. She then manipulates her way into the family and starts seducing them. First the son, then husband, and then the wife. This will go down as a classic soft core erotic thriller.
I would think that it's a monumentally bad idea to hire a tutor that looks like Shannon Tweed for your high school boy. It's obvious what happens after that.
The movie isn't so high quality, but Shannon Tweed looks very good in this film. She's out for revenge on the man and his family thats lied to and made her husband commit suicide.
As mentioned earlier, the production of this movie is mediocre, but acting of Andrew Stevens is good, and so is Shannon Tweed's. Michael D Arenz puts in a good show as well.
It's a bit exploitative film, but is a guilty entertainment as well, and is worth a watch.
The movie isn't so high quality, but Shannon Tweed looks very good in this film. She's out for revenge on the man and his family thats lied to and made her husband commit suicide.
As mentioned earlier, the production of this movie is mediocre, but acting of Andrew Stevens is good, and so is Shannon Tweed's. Michael D Arenz puts in a good show as well.
It's a bit exploitative film, but is a guilty entertainment as well, and is worth a watch.
Wow!!!!! This movie has it all. Uberman, Andrew Stevens stars in and directs this stunning work of action and mise en scene dedicated to one of the biggest problems facing young Americans today. How many youngsters do we have to lose before people begin tightening regulations on after school tutors? I mean, c'mon people. We are losing students at an alarming rate. Finally this film shows the dangers of improperly hiring an unchecked tutor for your children. In this case, a young and nubile wife is forced to deal with the loss of her beloved husband, and decides to take it out on the man (and his family) who she blames for her beloved's death. She worms her way into a high profile tutoring position and proceeds to dismantle Andrew Steven's son strand by strand. Her sexual torture of the poor boy is especially troubling. I think the message here is apparant to all. Please, for God's sake, check references people!!!! I can't stress that enough. And God bless Shannon Tweed. Keep up the good work.
Scorned (1993) is one of those sleek, sultry erotic thrillers that feels tailor-made for late-night cable. It delivers exactly what you'd expect from the genre: a mix of soft-lit sex, glossy danger, and a vengeful woman who uses her body as both a weapon and a lure. The film coasts along the familiar curves of mid-90s direct-to-video erotica, but it's elevated by Shannon Tweed, who turns in a performance that walks a fine line between femme fatale theatrics and genuine emotional control.
Atmospherically, Scorned leans into its erotic thriller roots with smoky interiors, moody lighting, and a slightly over-the-top musical score that seems to cue every bedroom glance and calculated betrayal. The cinematography doesn't strive for subtlety, it revels in voyeurism, with the camera lingering on bare skin, silk sheets, and slow disrobing sequences. This is a film that knows what its audience wants and doesn't shy away from delivering it.
Tweed, ever the queen of this particular genre, carries the film with ease. She's not just eye candy here, she's a commanding presence. Her character, Patricia Langley, exudes a manipulative sensuality that holds the attention even when the plot takes some ludicrous turns. Whether seducing or scheming, she owns every scene she's in, and her numerous nude scenes are staged with an eye toward both titillation and character dominance. Her physicality is central to the film's atmosphere and is used purposefully to drive tension, seduction, and revenge.
Supporting performances are more serviceable than memorable. The male leads, particularly Andrew Stevens as the target of Patricia's obsession, play their roles with a sort of sleepy compliance. They're plot devices more than people, but that's not entirely a fault in a film like this. The direction from Andrew Stevens, who also co-stars, is competent if workmanlike. He keeps the pace taut, never letting things drag for long, and knows when to turn up the heat.
As a whole, Scorned doesn't break new ground, but it doesn't need to. It's a smooth, mildly trashy ride that leans hard into genre expectations: seduction, betrayal, and the slow unraveling of one man's life at the hands of a beautiful woman with an agenda. The film isn't trying to be high art. It's trying to be enticing, dangerous, and sexy. On that front, especially thanks to Tweed, it mostly succeeds.
Atmospherically, Scorned leans into its erotic thriller roots with smoky interiors, moody lighting, and a slightly over-the-top musical score that seems to cue every bedroom glance and calculated betrayal. The cinematography doesn't strive for subtlety, it revels in voyeurism, with the camera lingering on bare skin, silk sheets, and slow disrobing sequences. This is a film that knows what its audience wants and doesn't shy away from delivering it.
Tweed, ever the queen of this particular genre, carries the film with ease. She's not just eye candy here, she's a commanding presence. Her character, Patricia Langley, exudes a manipulative sensuality that holds the attention even when the plot takes some ludicrous turns. Whether seducing or scheming, she owns every scene she's in, and her numerous nude scenes are staged with an eye toward both titillation and character dominance. Her physicality is central to the film's atmosphere and is used purposefully to drive tension, seduction, and revenge.
Supporting performances are more serviceable than memorable. The male leads, particularly Andrew Stevens as the target of Patricia's obsession, play their roles with a sort of sleepy compliance. They're plot devices more than people, but that's not entirely a fault in a film like this. The direction from Andrew Stevens, who also co-stars, is competent if workmanlike. He keeps the pace taut, never letting things drag for long, and knows when to turn up the heat.
As a whole, Scorned doesn't break new ground, but it doesn't need to. It's a smooth, mildly trashy ride that leans hard into genre expectations: seduction, betrayal, and the slow unraveling of one man's life at the hands of a beautiful woman with an agenda. The film isn't trying to be high art. It's trying to be enticing, dangerous, and sexy. On that front, especially thanks to Tweed, it mostly succeeds.
¿Sabías que…?
- TriviaAlthough it has a sequel called Scorned 2 Shannon Tweed didn't reprise the lead role and the role was recast with actress Tane McClure.
- Citas
Patricia: [shows Robey a cock ring] You know what this is?
Robey Weston: No.
Patricia: Well, you're gonna find out!
- ConexionesFeatured in We Kill for Love (2023)
- Bandas sonorasReflections of the Night
Composed by Terry Plumeri
Alto Flute - Gordon Halligan
Guitar - Eric Gale
Keyboards - Eugene Bien
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- How long is Scorned?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 40min(100 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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