Yeuk saat

I've seen quite a few of Billy Tang's films, and I must say this is the best. The direction is great, Tang's penchant for blue lighting works perfectly with the material. Lily Chung plays a retarded girl who is sent to a home after the death of her father. Ben Ng plays the mild mannered director, who happens to be a psychotic killer and rapist, his violent impulses triggered by the color red. This is an awesome performance, ranking as one of the most entertaining film loony's I've ever seen (and that's no small number). While bleak, there is also plenty of humor, some unintentional, due to the poorly translated subtitles ("Crash your penis, cut it to make soup!"). Fans of HK horror will love this.

Red to Kill is about a mentally retarded girl who is brought into a home for the handicapped after her father dies in a car crash. She's welcomed with open arms by all the residents and staff. Well, to add some spice to the story one of the staff is a psycho killer who goes absolutely nuts when he sees the color red....or whenever he takes off his glasses. Will the mentally challenged girl wear the color red? Find out in Red to Kill.

Now I've seen four Cat 3 flicks, Ricky O, Untold Story, Ebola Syndrome and now this, and each one doesn't disappoint. The dude who plays the maniac does an awesome job. I'm not sure if I've seen a crazier portrayal of a psychopath ever before....he was definitely the best part of the film. If you're looking for a unique, crazy flick, Red to Kill definitely fits the bill. 8.5 outta 10

A lurid and sleazy piece of gratuitously violent exploitation, Red To Kill will either have you switching off in disgust or glued to the screen in complete awe, such are the levels of excess committed to celluloid in this notorious Hong Kong shocker. Personally, I loved it, but then I've always had rather 'dubious' taste in films.

Ben Ng plays Chi Wai Chan, a seemingly mild-mannered care-worker at a home for the retarded; however, it transpires that, as a child, he was badly traumatised by a violent family incident and as a result, he isn't quite right in the head. Now, when Chi sees the colour red, he becomes a sweaty, sex-crazed, spittle-flecked maniac who rapes and kills with sadistic glee.

When Ming Ming (Lily Chung), an orphaned retarded girl with a love of dance, accidentally flashes the gusset of her red knickers to Chi, and later wears a red dress for a dance performance, she becomes the latest victim of the twisted lunatic, suffering a brutal sex attack.

Chi is arrested, but is later freed on a technicality. Ming Ming's social worker and close friend Ka Lok Cheung (Money Lo) vows revenge. She follows Chi to a bar, dressed in a sexy red outfit, and teases him enough to cause him to wig out and go postal in a finale which has to be seen to be believed.

Director Billy Tang, who gave us the stylishly sick Dr. Lamb, goes all out to offend the sensibilities with what may be the most repulsive, yet compelling movie to ever be awarded the Category III rating. Just setting a rape/revenge movie in a home for the mentally handicapped might be considered reason enough for most to avoid this film, but fans of extreme cinema will be delighted. If you are able to look beyond the questionable subject matter, it is not hard to admire Tang's audacity as he enthusiastically ladles on the excess.

Lily Chung and Money Lo both give excellent assured performances, but it is Ben Ng as the crazed sex-fiend Chi, who steals the show. His transformation from gentle care-worker to deranged muscle-bound, sledgehammer-wielding rapist is a joy to behold and goes to the top of my list of all-time favourite cinematic psychos (sneaking just ahead of Anthony Wong as Bunman).

Given the extreme nature of Red To Kill, one should think carefully before viewing. Even if you are an experienced Cat III junkie, be prepared to have your jaw hit the floor at least once or twice during this relentlessly harrowing and sleazy tale.

"Red to Kill" is one of the classic Category III psycho-sicko flicks.It is about the teacher of retarded children who goes completely crazy in front of color red because of one trauma.He falls in love with one of his students,a childlike teenage girl but soon discovers her red underwear.What follows is an unspeakable acts of terror,rape,self mutilation and very disturbing violence."Red to Kill" is extremely strong and disturbing piece of horror.This is the kind of film even 'jaded' HK cinema fans seem to dislike and judge as sick and repellent.Of course it's gratuitous but has also some interesting points and thoughts about society's care for retarded people who can,and sometimes are much more 'human' and kind than the normal ones.The scene after he brutally raped one of the retarded girls where she is standing alone in the shower traumatised and hacking away at her pubic hair with a razor blade whilst murmuring "dirty...dirty...dirty!" is a jaw dropper.So if you're a fan of extreme cinema give this little gem a look.9 out of 10.

RED TO KILL: Wow! Again, I ask myself why the hell I watch this stuff?! I mean, from my experiences so far, I should know better but damn it, it always seems to start the same way. I get alittle nervous at the beginning. It's that uneasy, quizzy sensation that creeps up from your bowels when the movie first starts. Because no matter how well you think you've prepared yourself, you NEVER really know for sure what to expect, or whether or not you're going to see something that you shouldn't when it comes to these vile Chinese Category 3 chunkblowing displays of moral debasement. And this movie is certainly one of those unredeemable, wretched messes that no one should like to watch, or lord forbid, find enjoyable. Oh, but that's exactly why we LOVE them so much in the first place! But this one wasn't so much shocking to me as it was just plain sleazy. It's the corruption and perversion of innocence in this flick that causes that awful scratching at your principles of what's right and wrong, or at least, it should. Why, you ask? Well, most of the movie takes place in a shelter for mentally retarded young people so the subject matter alone could easily get completely out of control very quickly if you think about all the wonderful possibilities that a creative sicko-twisted mind could come up with. It also stars LILY CHUNG as Ming Ming, yup, you know her all too well. She's the same poor girl who was tormented and repeatedly raped by her father in another supra-sleazy Chinese C3 taboo-trasher entitled DAUGHTER OF DARKNESS. I will give her credit though, she's NOT afraid to snatch her clothes off and perform a mock rape scene in a very visually disturbing, almost pornographic way. So with depraved s**t like that going for it, what's the movie about you're wondering... it tells the story of an insane mental shelter super-intendent who, whenever he sees the color red on clothes (especially girl's panties), he goes totally bonkers and KILLS and RAPES (usually in THAT order too) the woman or young girl wearing it. Yes, I know what you're thinking, I thought the same thing, this is NOT a nice movie and why am I watching it?! But alas, it's not really his fault (or so society would tell us). When he was young, he and his brother witnessed their mother having sex with a strange man and when their father caught her in the act, she killed him with a meat clever. Enraged, she went on to chop up his little brother and ends up killing herself as well, splashing WHAT all over the place? That red, red blood, of course. Hence the name of the movie and why he goes stupid kill-crazy when he sees it. And in the end, it all gets surprisingly real damn moist and just about everyone gets f***ed up some kinda bad. So, all in all, a repulsive idea for a film that shouldn't have ever been made with scenes of detailed filth for which there is no remorse or forgiveness for. The shower scene after retarded Ming Ming's first rape where she tries to "clean" her "dirtied" sexual body parts with a razor knife comes to mind first. Simply nauseating, sickeningly foul, morally-offensive stuff indeed. But ya know, if you really think about it, the whole exploitive nature of the Asian Horror-Shock Cinema just wouldn't be the same without these rare, uncompromising gems of celluloid obscenities.