CALIFICACIÓN DE IMDb
6.2/10
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TU CALIFICACIÓN
En 1939, la WBN, una modesta emisora de radio, está a punto de retransmitir para toda América. Pero nada más empezar, una misteriosa voz interrumpe la emisión, y los miembros del equipo empi... Leer todoEn 1939, la WBN, una modesta emisora de radio, está a punto de retransmitir para toda América. Pero nada más empezar, una misteriosa voz interrumpe la emisión, y los miembros del equipo empiezan a morir uno tras otro.En 1939, la WBN, una modesta emisora de radio, está a punto de retransmitir para toda América. Pero nada más empezar, una misteriosa voz interrumpe la emisión, y los miembros del equipo empiezan a morir uno tras otro.
- Dirección
- Guionistas
- Elenco
Opiniones destacadas
Having spent three decades working in radio, I was encouraged by friends to pick this up on DVD. My impression is that the Lucas folks attempted to cram 10 pounds of stuff into a 5 pound bag. The potential is obviously present with a cast of extremely talented actors and even some of the folks who were a big part of radio history (George Burns and Rosemary Clooney), but someone (the Director? Producers? The Studio?) decided to increase the pace to the point where it feels like watching Spielberg's "1941" in fast-forward.
There is a stable full of interesting characters whom we never really get to know. Harvey Korman and Bobcat Goldthwait's characters obviously had some serious issues - but what was their story? The same with Brion James, Ned Beatty, and Jeffrey Tambor. Michael McKean's homage to Spike Jones was a joy, but too short, and there were too many missed opportunities to show what actually went on in radio broadcasts performed in front of a live audience. Sound effects played a major role, which was hinted at but never fully glorified in Christopher Lloyd's role. I would bet there is probably another whole movie sitting on the cutting room floor.
On the plus side, however, at least SOMEONE made the effort to capture the feel of major broadcast radio from it's heyday, and the look as well as the overall mood is fairly authentic. I appreciate that this is not a documentary, and the story itself is pure fantasy, but this film left me wanting more - like someone had torn half the pages out of a book. Perhaps, someday, the Lucas folks will release some kind of "director's cut" edition with restored scenes and a feature on the Golden Era of radio. Most people under the age of 50 have no idea of the remarkable entertainment that was available over the airwaves during this era - but for fans of the medium, and for those who have worked in it, this is a gem that will bring a smile.
There is a stable full of interesting characters whom we never really get to know. Harvey Korman and Bobcat Goldthwait's characters obviously had some serious issues - but what was their story? The same with Brion James, Ned Beatty, and Jeffrey Tambor. Michael McKean's homage to Spike Jones was a joy, but too short, and there were too many missed opportunities to show what actually went on in radio broadcasts performed in front of a live audience. Sound effects played a major role, which was hinted at but never fully glorified in Christopher Lloyd's role. I would bet there is probably another whole movie sitting on the cutting room floor.
On the plus side, however, at least SOMEONE made the effort to capture the feel of major broadcast radio from it's heyday, and the look as well as the overall mood is fairly authentic. I appreciate that this is not a documentary, and the story itself is pure fantasy, but this film left me wanting more - like someone had torn half the pages out of a book. Perhaps, someday, the Lucas folks will release some kind of "director's cut" edition with restored scenes and a feature on the Golden Era of radio. Most people under the age of 50 have no idea of the remarkable entertainment that was available over the airwaves during this era - but for fans of the medium, and for those who have worked in it, this is a gem that will bring a smile.
This is the all-time great overlooked flick! Filled to the brim with intricate timing, sight gags, 40's-style dialogue, radio in-jokes, ensemble acting, and great music, this movie had everything to love and nothing to hate! Most baffling to me, on finally seeing it on video was how people could not like it! I have yet to show it to a friend or relative who did not agree that this is an excellent movie! See it now! See it later! See it both! If you CAN laugh, if you like movies, if you liked the radio, if you breathe, you should like "Radioland Murders!"
This is a wonderful, obscure film completely lacking subtlety which is why some people may hate it but exactly why I like it. The countless visual and verbal puns mean you can watch this film 20 times and never find them all. AND eventhough you KNOW what is coming next, you will still laugh at the punchlines.
Great story movement, dialogue; every stereotype known to Hollywood and YET, every stereotype seems to get violated; its like stereotypes of stereotypes. The only weakness is the movie keeps interupting some great songs.
One of my favorites. OK, so I don't have great tastes. Its still a really fun movie.
Great story movement, dialogue; every stereotype known to Hollywood and YET, every stereotype seems to get violated; its like stereotypes of stereotypes. The only weakness is the movie keeps interupting some great songs.
One of my favorites. OK, so I don't have great tastes. Its still a really fun movie.
Radioland Murders is a movie that should be seen more than once because it is so fast-paced and contains lots of inside jokes....it helps to have worked in radio (i've been a control board operator for 6 yrs) to catch some of the adsurdity. In my opinion, it's mostly about "timing" because in radio "dead air" is a no-no....one program must flow into another (with commercials in between, of course)....the audience has no idea of the confusion going on behind the scenes! Watch the contrast of the writers' hectic schedule and the actors performing whatever they are given so smoothly...this script is well-written, I think. Dissect the lines and they work, like when Billy tells Mr. Henderson, "that's quite a reach, Mr. H". Just say it out loud and it has a rhyme to it. I love the part where the cops are staring at the TV test pattern!! Some of the silly parts were a bit too long for my taste, but the movie works on many humorous levels. I also enjoyed the 1930 popular lingo as dialog in places. And the last script Mr. Henderson delivers IS a pip and pulls it all together!
The (normally) Jazz number "And The Angels Sing" behind the ending credits works its way through half a dozen musical styles, including a wildly improbable Western Swing.
Be sure to listen to the end.
Be sure to listen to the end.
¿Sabías que…?
- TriviaGeorge Lucas has stated that the two main characters, Roger and Penny Henderson, are actually the parents of Richard Dreyfuss' character Curt Henderson from Locura de verano (1973); making this film a bit of a semi-prequel.
- ErroresThe portrait in Gen. Whalen's office shows the general wearing a service dress green uniform which was not adopted by the U.S. Army until the mid-1950s. In 1939, when the movie is set, the general would have worn a khaki uniform.
- Citas
Penny Henderson: I told Dexter not to smoke. If you ask me, they oughta put warning labels on those packages.
- Bandas sonorasThat Old Feeling
Written by Lew Brown and Sammy Fain
Performed by Rosemary Clooney
Courtesy of EMI Feist, Inc. and Bienstock Publishing Co.
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- How long is Radioland Murders?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,316,865
- Fin de semana de estreno en EE. UU. y Canadá
- USD 835,570
- 23 oct 1994
- Total a nivel mundial
- USD 1,316,865
- Tiempo de ejecución1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
- 2.35 : 1
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By what name was Radioland Murders (1994) officially released in India in English?
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