Pasión Turca

Ana Belen gives a tour-de-force performance as Desideria, a woman who is fulfilling her societal obligations by marrying her college sweetheart and living the perfect life in the eyes of her friends but it is her sexual urges that are not being fulfilled until on a trip to Turkey she meets YAMAN....Georges Corraface fills this character with seething sensuality and dangerous passion.....he takes her forcefully and this is what she craved.To be desired,to be ravaged....to feel alive. She leaves her husband and returns to live a life with Yaman...from his reaction you get the impression he seduces many women,and always hears their vows of returning to him.Desideria has and now she is in a land where she does not speak the language.GREAT FILM!!!!!!!!!!!!!!!!!!

Good movie. Not superb, but decent.

The movie uses a lot cliché. Orientalism hard core, the mental image of Turkey heavily used. No body want to see an another European country, like a modern factory made car, almost identical to each other. People want to see these differences, taste it, fell it and live it. So the director took us the travel to unknown, different and a bit forbidden places. In our inner world of feelings and literally.

She consume forbidden apple (desires) and became of slave of her desires and lost, than completely destroy herself and her ego. And Turkish man start exploit that love she fall in. She is going some kind of hell, with eating that exotic apple. In my life, I saw similar stories. My gal friends fall in toxic love and be miserable later on. So it happens.

The movie show us the phases of love, eventually it reach to sexploitation levels.

If you are interested Turkish culture, and visit Turkey, you will experience belly dance, food, carpets history etc etc. And the movie provide these background images. More less, you will experience same things.

Reality slightly different. Turkey is not that orientalist. It is a bridge country, it connects east and west, so you find very very western characters but also eastern. It is a mixed culture. Turkish girls will not even talk with that Yaman character. He is kind of repulsive (even for 80s-90s standards-maybe for 70s standards he is ok, I dunno). The streets, housing, environment possibly could be exist in limited old city. Like Venice, canals there for tourists and there is modern city beside. Anyway, who cares reality? People see only what they want to see.

Good man is better than gold (and harder to find). Turkish or Japanese or Mexican etc. You find a good loving man, keep it. My partner still keeping me for 15 years. I must be a good man but I am not. I am an A$$whole like Denis Leary says. The poor woman does not know, she is delusional like Desi. Shhh do not wake her up.. So the movie is a fantasy, cliché a bit soap opera but nice to watch (especially at emotional perspective).

This was the fourth film I've watched from Spanish director Aranda; as with THE NAKED EYE (1998), it's one of his more recent works - as opposed to vintage stuff like FATA MORGANA (1965) and THE BLOOD-SPATTERED BRIDE (1972; still his best film).

In essence, it's pretty similar to THE NAKED EYE - focusing as it does on an independent-minded woman's search for sexual fulfillment, which borders on obsession - though the details, obviously, are different; furthermore, this one has an added attraction in its exotic locale. The pace is appropriately languid, but the narrative is filled with enough ironic - if predictable - touches to keep one's interest throughout and, like Laura Morante in the later film, Ana Belen here delivers a committed central performance.

If on the one hand Antonio Gala can be considered one of the best writers of real literature in Spain today, and is also one of the leading connoisseurs of Islamic history and culture, and on the other José Luis Alcaine is one of our best directors of photography and José Nieto one of the best composers for TV and films, and we add to all this that Ana Belén is not at all a bad actress as well as being a very accomplished singer, either alone or with her husband Víctor Manuel, one could say that this film was destined to be memorable.

However, Vicente Aranda, who may be considered one of our most representative film directors today, just does not hit it off with this film. I think mostly because somewhere along the line in transition from being a literary novel of subtle poeticness to being a somewhat crudely and hurriedly concocted passionate love affair in seething sithering Istanbul, especially laid on for Spanish tourists judging by the San Miguel beer spread out on the street-side café, quite a lot of deliberate delicacy got lost.

The result being a rather top-heavy show of macho bravura unbefitting intelligent women in today's modern Spain – or anywhere else in Europe. The overbearing macho tendencies attributable to Islamics just does not fit in: the film becomes 'trasnochada' even before it starts.

I have seen this film about three times, unfortunately: and each time I like it less. Maybe it is because I suffer from acute manias with everything associated with Islamic mentality. Perhaps. I will not argue that: and of course accept that all manias are rather silly, especially including my own. But the fact remains that I was not brought up believing that women were like cattle and thus to be treated similarly. And that is what purportedly this film is bent on showing. Definitely one of Ana Belén's more important roles, but I am afraid that in this film things go dreadfully awry.

I saw this film about five years ago in Madrid. Remember wishing I'd gone for tapas and copas instead! A bit like a Spanish Shirley Valentine, devoid of humour and a bit of anal sex thrown in to spice it up.

Should have got Almodovar to direct it, at least he might have got Alfredo Landa to play the part of the Turk to liven it up a bit!