Right off, let me say I appreciate beautiful women. I'm also not averse to a movie designed solely for the purpose of showing me the natural (and/or scientifically enhanced)attributes of said women. What I don't like is a promise undelivered.
"Mirror Images II" is just that. It starts off tepidly, bringing back the good twin/bad twin conflict. But then it sort of peters out. It's like it lost it's direction (not surprisingly after Sara Suzanne Brown appears and steals the show with her gravity-defying body) and couldn't decide who the real villain was, the evil twin or the scummy cop/husband of evil twin's sister. In the end (and who couldn't see this end a few minutes into the flick?), both pay the price for being evil, and good twin is free to enjoy sex with the handsome PI she's known for a week (Hey. In California that's a long-term comittment/)
Some films give you the impression they're some of the cast off results of the old "infinite number of monkeys typing" experiment, and I suspect the offending primate who authored this was summarily beaten to death by his counterparts. Or maybe auteur Gregory Dark (Hippolyte) is the twisted genius behind this mess. All of the women in this flick are major league babes. A couple even exhibit a hint of talent. The trouble is, the material is so lame, and the erotic scenes so stiff or bland (except for the girl-on-girl sequences, which start off strong, then retreat into soft-focus voyeurism), that the fast-forward button gets a healthy workout. Shannon Whirry deserves better material. I was heartened a few years back to see her on "The New Mike Hammer" with Stacey Keach. Since then, she's sunk from view.
Aside from the aforementioned Ms. Brown, Kristine Kelley is the only one trying to act. The other women are decorations, except PJ Sparxx, who performs as is expected for an adult film star. Give these women better material, and give us a break.
