Agrega una trama en tu idiomaA slick New York assassin accepts an unusual hit: a woman who not only is expecting him, but who is more than willing to be murdered.A slick New York assassin accepts an unusual hit: a woman who not only is expecting him, but who is more than willing to be murdered.A slick New York assassin accepts an unusual hit: a woman who not only is expecting him, but who is more than willing to be murdered.
- Dirección
- Guionistas
- Elenco
Philip Maurice Hayes
- F.B.I. Agent
- (as Philip Hayes)
Claudio Masciulli
- Partygoer #2
- (as Claudio De Victor)
Justine Priestley
- Masseuse
- (as Justine Priestly)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I've searched for a copy of this movie on DVD in stores, on-line for 10 years and finally located a VHS copy from Amazon.
I truly do NOT understand why this movie isn't listed in Mimi Roger's or Anthony Lapaglia's Wikis as I regard it as their best work. I plan to copy the VHS to DVD ands share it on torrent sites.
No one else seems to give a flip about marketing it on DVD or I'd have ordered it by now.
Never play leapfrog with a Unicorn.
I'd rather have a bottle in front of me than a frontal lobotomy.
There's your ten lines, Bubba.
I truly do NOT understand why this movie isn't listed in Mimi Roger's or Anthony Lapaglia's Wikis as I regard it as their best work. I plan to copy the VHS to DVD ands share it on torrent sites.
No one else seems to give a flip about marketing it on DVD or I'd have ordered it by now.
Never play leapfrog with a Unicorn.
I'd rather have a bottle in front of me than a frontal lobotomy.
There's your ten lines, Bubba.
Lapaglia is tremendous as the icy hitman who not only thaws from the heat of passion, but burns to a cinder in the process! Mimi Rogers is good as the object of his obsession. This modern noir film should not be missed. Lapaglia stunning performance runs the gambit of emotion and melts the screen!Don't miss it!
"The hit must be done tonight. The mark is expecting you, and won't resist." That was the set up, but hardly comes close to what confronts Anthony LaPaglia.
A lot of important crooks want Mimi Rogers dead. Why? No one really says, but we start to understand at her first appearance in this marvelous film: she's assertive, smart, stylish, educated, curious, and, yes, very sexy.
Almost a cast of two - others only serve to set up the characters or the plot - with Matt Craven as superb comic relief, the story slowly exposes the soul of the hit man and the real reason for the hit.
Marvelous work by all in the cast; especially Rogers and LaPaglia.
I saw this fifteen years ago; powerful remembrances made me search for it and watch it again today.
A lot of important crooks want Mimi Rogers dead. Why? No one really says, but we start to understand at her first appearance in this marvelous film: she's assertive, smart, stylish, educated, curious, and, yes, very sexy.
Almost a cast of two - others only serve to set up the characters or the plot - with Matt Craven as superb comic relief, the story slowly exposes the soul of the hit man and the real reason for the hit.
Marvelous work by all in the cast; especially Rogers and LaPaglia.
I saw this fifteen years ago; powerful remembrances made me search for it and watch it again today.
Bulletproof Heart (1994)
This wears its film noir visuals on its sleeve and even there, in the one clear intention by the filmmakers, it holds back. For one reason, it's in color, but not the noir intense color you might expect in a modern iteration, but a dull and workaday visual approach with grey blacks and soft edges. Too bad, because the visuals were the one hope for making this thing work.
The idea is promising--a woman knows she is going to be killed by a hired killer, and she seduces the killer(s) and avoids her death, at least at first (not to give away the end). But that is the entire plot idea, totally, so for an hour and a half we slowly (slowly) get there. There is a lot of "soft porn" as we go, and not very good either (not advancing the plot and not for its own sake, whatever soft porn is supposed to be doing in a movie in the first place). The script has shades of the clipped dialog and indifference lead character of noir, but maybe the comparison to great films of the past isn't helping appreciate this one.
The director, Mark Malone, has a series of five star movies to his name (five out of ten) except his last one, which gets three. This is his first, and it feels like it, with some clumsy breaks in the narrative flow that feel like film school tricks. The writing is painful, the editing lazy.
There are better low budget crime and suspense films to cut your teeth on.
This wears its film noir visuals on its sleeve and even there, in the one clear intention by the filmmakers, it holds back. For one reason, it's in color, but not the noir intense color you might expect in a modern iteration, but a dull and workaday visual approach with grey blacks and soft edges. Too bad, because the visuals were the one hope for making this thing work.
The idea is promising--a woman knows she is going to be killed by a hired killer, and she seduces the killer(s) and avoids her death, at least at first (not to give away the end). But that is the entire plot idea, totally, so for an hour and a half we slowly (slowly) get there. There is a lot of "soft porn" as we go, and not very good either (not advancing the plot and not for its own sake, whatever soft porn is supposed to be doing in a movie in the first place). The script has shades of the clipped dialog and indifference lead character of noir, but maybe the comparison to great films of the past isn't helping appreciate this one.
The director, Mark Malone, has a series of five star movies to his name (five out of ten) except his last one, which gets three. This is his first, and it feels like it, with some clumsy breaks in the narrative flow that feel like film school tricks. The writing is painful, the editing lazy.
There are better low budget crime and suspense films to cut your teeth on.
Although just a decade ago, Anthony LaPaglia was a wild guy in movies, not the subdued leader of the hit TV program "Without A Trace." He usually played very profane guys, too. That's certainly the case here in this film which I've always seen labeled "Bulletproof Heart," (not "Killer").
Actually, all four lead actors in this movie were interesting: assassin LaPaglia, love-sex- interest Mimi Rogers, comedians Matt Craven and Peter Boyle. The latter two play comedian-types, I should say. Craven is particularly funny in this movie. Rogers is here mainly to show off her huge breasts. She shows them off particularly in a bondage-type scene that is a bit sick. (This movie isn't exactly The Sound Of Music, morally-speaking. It's pretty sleazy.)
The film has a good mixture of drama, humor, sex, violence and suspense. However, it also is a good example of Hollywood's depravity, pagan views and fatalistic viewpoints. Seeing more and more of that with my second and third viewing of this , my rating went lower and lower until I finally canned this from my collection. It's just too sordid.....but, for the first-time viewer, a real eye-opener which keeps your attention.
Actually, all four lead actors in this movie were interesting: assassin LaPaglia, love-sex- interest Mimi Rogers, comedians Matt Craven and Peter Boyle. The latter two play comedian-types, I should say. Craven is particularly funny in this movie. Rogers is here mainly to show off her huge breasts. She shows them off particularly in a bondage-type scene that is a bit sick. (This movie isn't exactly The Sound Of Music, morally-speaking. It's pretty sleazy.)
The film has a good mixture of drama, humor, sex, violence and suspense. However, it also is a good example of Hollywood's depravity, pagan views and fatalistic viewpoints. Seeing more and more of that with my second and third viewing of this , my rating went lower and lower until I finally canned this from my collection. It's just too sordid.....but, for the first-time viewer, a real eye-opener which keeps your attention.
¿Sabías que…?
- TriviaFeature directorial debut for American playwright and screenwriter Mark Malone. Although he wrote the screenplay, Malone only receives a "from story" credit; in order to qualify for a Canadian tax shelter, the film's producers instead gave sole screenwriting credit to the pseudonymous Canadian writer Gordon Melbourne.
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- How long is Bulletproof Heart?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Bulletproof Heart
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 297,415
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,406
- 1 ene 1995
- Total a nivel mundial
- USD 297,415
- Tiempo de ejecución
- 1h 35min(95 min)
- Color
- Mezcla de sonido
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