Jailbait

I can not see the great film that others see. The story is stereotypical of movie about Hollywood. I must have been down there at the wrong times because I never saw all those nasty people there all the times I went down. Besides that the story was normal. Small town girl runs away looking for friend or others ends having no money and ends up working the streets. The main female char... does not work the streets but almost. The cop is a bit hard to take. It has the usual T & A but does it sparingly. All in all just OK. Nothing I would get again.

I must say a bad and clichéd film like this, manages to be very entertaining for a few reasons. 1- being cleavage, 2- being unintentionally funny- 3- C Thomas Howell who's descended into these B films, through no fault of his own. It's like he has to grin and take it. Not really caring about this film, through his on par performance, he plays cool super loner cop/once a street beggar for all of us to see. Streetwise as this films better known in Oz, doesn't have a bad story to it. A working girl has become a fugitive, after one of her tricks at a seedy motel, gets it in a sensitive region of his anatomy, a shock value scene in the investigation. She was seen leaving prior to the shooting, as she was tipped off by a slug of a character, dressed Hawaiian style, who likes to dog for the police. He mirrors sleazeball characters out of other vice films. Her younger sister, well played by Humphrey, acts tough on the outside, but who's scared on the inside, has just arrived at L.A, of course not knowing her beauty, is a pimp magnet. Her and Howell soon collide (yes they pash A little later) try to track her down (visions of Angel 3, I know) which has Howell visiting old haunts, a big player pimp, who uses his girls in sex tapes. This movie's an all so addictive watch. It's a prime example of how bad can be good. If a Howell fan, this demands your strict attention.

I have seen Jailbait more times than I can even remember. I am not exaggerating when I say that it has the greatest love story I have seen on film, and I never get tired of watching it. I can really sense the chemistry between Howell's character and Humphrey's character (as well as between Howell and Humphrey themselves) and I am more convinced every time I watch it that Howell's detective truly cares for Humphrey's runaway. It is a very inspiring film; it almost makes you want to do the same thing for some underprivileged youth, and makes you a little jealous if you have never had someone in your life that you can look after in such a noble way.

Police, like doctors, are not supposed to let their personal feelings get involved with the people they serve. But sometimes there are human feelings so strong that they get in the way of professional rules and regulations. "Jailbait" revolves around the conflict that Detective Lee Teffler (C. Thomas Howell) experiences as he becomes the Knight In Shining Armor to a Midwestern girl (Renee Humphrey) who comes to Hollywood looking for her sister (Krista Errickson)--an aspiring singer who has become a hooker as well as a suspect in a murder case that Detective Teffler is investigating.

Another suspect in the murder case is Teffler's boyhood friend (David Labiosa) --they used to raise hell on the streets together-- who has taken a different path from the one chosen by Teffler. Rather than becoming a policeman like Teffler, his boyhood friend has become a cold, creepy, ruthless and sadistic criminal who specializes in white slavery.

The performances in "Jailbait" are surprisingly good for a "straight to video" type movie. Although not necessarily achieving Super Stardom, this is a group of actors worth watching for their talent, and for the heart that they put into their performances.

TRIVIA FANS may be interested to know that: 1) Krista Errickson went on to a distinguished career as a journalist and film maker.

2) Leslie Harter went on to get married to (and have 2 children with) "Back To The Future" director Bob Zemeckis.

A B movie, but a pretty enjoyable one. Chock full of downtown L.A. cliches (hookers, thugs, junkies) and gratuitous nudity, but overall a better story and better acting than most movies of the sort. Renee Humphrey (also see "Mallrats" for her fun role as Trish) is very good, and C. Thomas Howell is much better than most reviews have said. Ah, remember those days when he starred in REAL movies? "The Outsiders", "Soul Man"? He seems to be slumming it here as much as his character. The two leads have enormous chemistry and the relationship presented here is surprisingly tender for this kind of film. As far as the supporting cast goes, the actor playing Roman is sufficiently creepy. In short: The film kept my interest even though I rolled my eyes a few times.