Justicia roja

This film held my interest because of the great acting by Ling Bai,(Shen Yuelin),"Edmond",'05, who is a very educated Chinese lawyer and is placed in a very difficult situation in having to defend Richard Gere,(Jack Moore), "Unfaithful",'02, who is also another lawyer from the United States. Jack Moore gets himself in a very bad situation with a young Chinese woman, he some what falls in love with this gal on first sight and winds up in bed with her and all kinds of problems seem to happen. Jack wakes up and can't remember very much of anything that seemed to have occurred with this young gal and winds up being thrown into jail and having to live like a pig in horrible conditions. Richard Gere and Ling Bai are a great combination, however, the film is rather long and drawn out and intends to become a bit boring.

I came across this movie on Hulu last night by accident, after failing to stream two other movies, and am overall glad I decided to "settle" for it. It definitely could have been better in several ways, but the historical/legal aspect of it, set in transitional 90's Communist China is actually pretty outstanding and memorable. As one other user commented, the Chinese acting is perfectly convincing and even frightening in how realistic it is, but unfortunately Richard Gere's character is a little too...I don't know, idiotic? for my liking. Still, I wouldn't say he single-handedly ruined the movie.

Reading the production notes and trivia on here is interesting to me because it shows how the producers really did capture the reality of what goes on in Red China. I visited all over China and Lhasa, Tibet, right after the olympics and can vouch that the same legal situation still exists there today. In Beijing, we drove by a large, concrete and windowless court-building with the CCP emblem (seen many times in the film, and omnipresent in China in general) and when asked what the building was, my tour guide just responded plainly, "That's where you go to die."

For a foreigner, yeah, it might take a murder or espionage charge to keep you imprisoned indefinitely over there, but for Chinese citizens, many crimes are still punishable by execution without a fair trial, just as the film accurately portrays.

So, if you're into Chinese history or culture, then this is definitely worth watching, even more than once. If not, then don't watch it.

This is a very well written and directed film with good locations and very good acting. The discourse on the Chinese approach to justice and the potential for corruption in their state-centered society is sharp and, from my experience, accurate. It is delivered as part of an entertaining story with very strong performances by the leads. I like Richard Gere in this, as I do Ling Bai's performance. Their chemistry attracts the viewer and helps us through the difficult issues the film addresses. A must see.

For about a dozen years, it was hard to find too many films Richard Gere made which weren't interesting and well-made. This was no exception. Once again, he "delivers the goods" and is involved in an interesting story.

Gere, a follower, I believe, of the Dalai Lama whom the Communists forced out of Tibet, uses this film to get his shots in at his mentor's enemy. Anyone who thinks this is just a coincidence is pretty naive. Nonetheless, the facts support the film's stark, brutal portrayal of Communist China's leadership. At the very least, it shows a regime unwilling to hear both sides of a story. (Hollywood has often given the same treatment to the U.S. government, showing it more often in a corrupt light, which is ludicrous compared to restrictive Communist China.)

Anyway, Gere really dominates this film, being in almost every scene. This is your basic frame-up-then-prove-your-innocence-in-court story. It keeps your attention throughout although I thought the ending was a bit confusing because things happened almost too fast for the viewer to take in. At two hours, the film could have been trimmed a tad but the lulls in here were not much.

Overall, an underrated film and unjustly criticized by the national critics, most of whom don't like it when communism is bashed.

I thought this was wonderful - and can't for the life of me understand the criticisms.

Some seem to be attacking the movie on the basis that it is too hard on China - REALLY?

Ask any North Korean refugee who's been captured in China -

Ask any member of the harmless Falun Gong religious sect -

Ask anyone connected by family ties with those identified as having participated in the Tianenmen Square protests (the protests were actually in quite a number of cities - but television covered just the tens of thousands assembled in Beijing).

No, it's not an "art house" kind of movie - don't expect the slow pace and strange story of something like Farewell My Concubine.

Instead, it's a wonderful Hitchcock-type story transplanted to Communist China - and voila - a wonderful movie that should have been remembered at Oscar time!

It's far better than, say, Hitchcock's Torn Curtain or Topaz - both set in repressive Communist regimes. It's more like a combination of The Wrong Man and North by Northwest - but sexier than either.

Our Welsh friend from beautiful Aberystwyth, Philip Davies, has it about right in his review printed beneath mine.

This is beautifully shot, with wonderful acting in a riveting Hitchcock type movie. Richard Gere is excellent - the politics and scenes of a changing China are fascinating.

I strongly recommend this one.

This is very exciting, suspenseful, romantic - and its depiction of China rings true.