The Real Blonde

I will start by saying Tom Dicillo's "Box of Moonlight" was the very best film I have ever had the great pleasure in watching. It was a highly symbolic, magical experience that had almost a spiritual feel to it. I knew his 1998 release, probably an attempt to return to his "Living in Oblivion" themes, "The Real Blonde" wasn't going to be nearly as good, and I was right. It was a good film, don't get me wrong, but I just couldn't help but be disappointed.

His signature style is ever present here, and that is one of the delights about "The Real Blonde". There is a lot of clever, almost subliminal use of devices that require a second, third, (or sometimes more) viewing, great dialogue and dead on satire, and great acting and photography.

Matthew Modine (an actor I never did care for) wasn't bad as a man struggling to make it big, and fed up with the sickeningly fake and shallow people that make up the entertainment and fashion industry. His girlfriend (Catherine Keener, great as always) shares his pain, although she is the only true, genuine character in the entire movie.

I heard for the first time about THE REAL BLONDE in May 2020 and when I looked at the cast I told myself that I knew I had to see it. Last March (after nearly two years) I finally saw it and while I didn't loved it, I still liked it for what it was.

Joe (Matthew Modine) is an aspiring actor that works as a waiter in a restaurant. His girlfriend Mary works as a cosmetician and supports him in money. Joe wants more to express himself than work a job with a salary, and is frustrated for not having accepted roles that were up to his standards. In the meanwhile his colleague Bob lands a role in a soap opera and has a fetish for blonde, leading to date a model and then dump her when he discovers her hair is dyed. Joe swallows his pride and meets agent Dee Dee Taylor (Kathleen Turner) that arranges for him to be an extra for the new Madonna music video while Mary goes to a self-defense and anger management class with an instructor (Denis Leary) that encourages her to express her anger. Bob has success with his soap opera and starts a relationship with real blonde Kelly (Daryl Hannah). During the Madonna video the director (Steve Buscemi) treats the extras like contest dogs and Madonna has been replaced by Tina (Elizabeth Berkley), and for an anti-semitic statement Joe is fired.

Dee Dee takes pity for Joe and arranges for him to play the part of a sexy serial killer in a play with Tina as her co-star, and he succedds and goes in bed with Mary after months. In the meanwhile Bob is negotiating a longtime contract for the soap while Kelly taunts him constantly, and Bob hopes to have Kelly's character killed in the show.

While the plot is a bit convoluted and the language a bit too adult in spots, it's still funny and managed to make me crack some smiles here and then. Matthew Modine gives a decent leading man performance and he actually surprised me, Daryl Hannah comes off good along with being gorgeous as the sultry soap opera star, while Maxwell Caulfield was a bit buffoonish with his fetish and needed a break. The supporting cast (Kathleen Turner as a pretentious but still warm-hearted agent, Christopher Lloyd as the head waiter and Joe's boss, Steve Buscemi as a loud video director, Elizabeth Berkley as a sexy Madonna double and part time actress, Denis Leary as the defense instructor) is a hoot and gives their best with the material given. The soundtrack was catchy, with not only Madonna's HANKY PANKY but also BE MY LOVER by La Bouche (a song I really love and now I can't associate it without thinking of this movie) and various other hits of the 1990s.

In substance, this movie is like a satire on the entertainment and fashion industry, and it does it in a nice and, I dare to say it, kid-friendly way. With a star studded cast, lots of great songs of the unforgettable 1990s and some funny moments, do you need more? Perfect for having some sort of voyage back in the 1990s even for folks who haven't lived them (like me that I am soon to be 24).

Joe is an out of work actor who is also struggling with his relationship with Mary who has lots of rage inside. Joe's actor friend Bob has just got a job on a soap opera but is caught up in his desire for a `real' blonde despite having fallen for the available model Sahara. The films follows their lives in the world of minor celebrity.

Despite having done good with the subject of film making in `Living in Oblivion', the director doesn't do as well when it comes to the world of the minor celebrity. The plot is a little jumbled – it wants to make fun of the world but also seriously follow the people it makes fun of in their relationships. Also it makes fun of Bob's acting but yet has plenty of respect for Joe simply because he keeps quoting `Death of a Salesman'. The satirical edge is nice and produces some funny moments but the relationship stuff is muddled.

There are plenty of famous cameos and most are good. Lloyd, Turner, Leary, Buscemi, Chappelle, Von Bargen etc all show their faces. In the leads Modine is OK but because the director doesn't know if he's part of the joke or a serious character then we don't know how to approach him either. Keener tries hard and is OK but Caulfield is the best of the bunch simply because we know he's meant to be a bit of a comedy figure.

The film manages to loose it's laughs in a sea of serious asides. The worst being the theme of the old black woman and her dog getting stolen. We keep going back to her and she has the last theme in the film – why? If there was a message I must be too dumb to get it and it certainly didn't really fit in with the rest of the movie.

Overall this has enough good moments to justify watching but it clearly lacks focus and loses it's way really easily.

Set in the world of struggling actors and models, this is an intelligent comedy with just a hint of seriousness. It's well-written with good performances by its large, mostly younger cast. The humor is for adults, so if you're looking for big belly-laughs and gross-out situations, you'll be disappointed. The number of characters threatened to be a bit too many but that's not a major problem. I found 'The Real Blonde' funnier and more entertaining than lots of comedies that get far more publicity and have much more box-office success.

"The Real Blonde" is an easy going romantic comedy with the emphasis on comedy which sticks Modine and Keener in the midst of an ample cast of familiar faces as it spins its lukewarm but likeable story of sitcom type couple vicissitudes. Somewhat ill focused and lacking in coherence but always upbeat and busy, "TRB" makes a good couch potato flick for those in the mood for romantic comedy. (B-)