Madre soltera y camarera, un autor misántropo y un artista gay forman una amistad muy poco usual después de que el artista es agredido en un robo.Madre soltera y camarera, un autor misántropo y un artista gay forman una amistad muy poco usual después de que el artista es agredido en un robo.Madre soltera y camarera, un autor misántropo y un artista gay forman una amistad muy poco usual después de que el artista es agredido en un robo.
- Dirección
- Guionistas
- Elenco
- Ganó 2 premios Óscar
- 38 premios ganados y 54 nominaciones en total
- Verdell
- (as Jill)
- Supporting Dog
- (as Timer)
- Supporting Dog
- (as Billy)
Opiniones destacadas
I finally got around to watching this touching and funny film directed by James L. Brooks that stands out thanks to some wonderful performances and memorable characters. As Good As it Gets is proof that actions are louder than words because despite how cruel and mean Nicholson's character is, he does incredible and kind things for others. In a way this film reminded me of David O. Russell's Silver Linings Playbook as I found both films to be difficult to follow at first due to the lack of a likable character, but once we get to know who these people are we forgive their flaws and end up routing for them. Both Nicholson and Helen Hunt give excellent performances, and their Oscar wins were well deserved in my opinion. As Good As it Gets is the very definition of charm, and the screenplay written by Mark Andrus (Life As a House) shines thanks to some incredible performances. I really enjoyed this film and found myself laughing through most of the scenes. This is one more film I can eliminate from my shame list, and I'm glad I finally got to experience this romantic comedy which also has a lot to say about overcoming illness.
We are introduced to Melvin Udall (Jack Nicholson), a cranky but successful author who suffers from OCD. He lives on his own in a beautiful apartment where he spends most of his time writing. He always goes out on his daily breakfast ritual which consists of walking to a nearby cafe without touching anyone or stepping on any cracks. He always sits in the same place at the cafe and always demands to be served by the same waitress, whose name is Carol (Helen Hunt). Carol is actually the only one in the cafe who stands his constant outbursts and cruel comments. Melvin's daily routine changes through two events that end up affecting his life. First, his homosexual artist neighbor named Simon (Greg Kinnear) suffers an accident and Melvin unwillingly accepts to take care of his dog in his absence. Second, Carol's son, Spencer (Jesse James) gets ill and she quits her job. Not accepting the fact that Carol isn't there to serve him, Melvin tries to find her in order to restore order back to his life. These series of events force Melvin to change his routine and at the same time he forms an unlikely friendship with Carol and Simon proving that he isn't as bad as he seems to be.
The performances by each one of the talented actors are the heart and motor of this film. Jack Nicholson and Helen Hunt share an incredible chemistry together. It's funny how despite never being able to share his feelings towards her and always saying the wrong things, it becomes clear that she does inspire him to become a better person. The supporting cast is also incredible here, especially Greg Kinnear and Cuba Gooding Jr. who deliver several funny scenes. I was partial to Brooks's work considering I had only seen How Do You Know which didn't work for me and Spanglish which I did enjoy, but As Good As it Gets is without a doubt his best work thanks to an unbelievable cast. This is a smart and funny film, which also could be cruel at times, but it was well balanced. Despite the schmaltzy story it still worked thanks to the characters that carried this film. It's hard not to leave this film with a smile on your face.
Characters write the screenplay in this movie, and everything that happens - happens because of what they are. They are nothing special they are ordinary people we meet in the street every day and that have the same problems a lot of other people have. This movie presents the example of how much you can pull out of that. And if that is written as well as it is in this case, not even a happy ending can bother you. Because, in real life, shown here, what is the end?
Everything is good and warm in this movie, everything is fresh and vivacious, understandable and well performed. Jack Nicholson brings one of the best performances of his career, that terrific Helen Hunt finally got a chance to show how skilfully an actor can connect naturalism with the laws of the camera performance, and Greg Kinnear shows the most convincing emotions coming from a gay character I've ever seen.
The relationships between the characters are created in the way that you can't predict anything that's going to happen, eventhough you know in advance what could come out of their mouth and what kind of attitude they'll have in a certain situation.
You can simply feel the progressive collaboration that occurred between Brooks and the actors and the mutual understanding they developed, and it's not often that you see that kind of artistic superstructure shining on the screen so much as it does here.
I find `As good as it gets' complexed, vital, intelligent, emotionally deep and studied, fresh, original, amusing, cheerful, funny, and one of the best films of 1997.
The performances are uniformly excellent. Nicholson shows real range here - sure, he gets to be the sarcastic curmudgeon we've all come to expect, but his character also has moments of fear, repression and vulnerability which he brings off equally well. My problem with this character (and the "problem" only exists as I think about him afterward, not while I'm actually watching the movie) is in his conception: he seems to be whatever the writers want him to be at that moment, with no particular consistency from scene to scene so when he supposedly "changes" at the end, we're left to think, "Change? This guy's been changing through the entire movie!" And also, the fact that his character is a romance novelist is never really explained or examined in any way.
And yet, Nicholson's performance makes it not matter quite so much.
Helen Hunt is a revelation in this movie - she nails every scene she's in, whether she's forced to be witty, embarrassed, angry, defiant, emotionally overwhelmed, whatever. She keeps Jack on his toes, and they work off each other brilliantly. Also, I never thought I'd find myself saying this, but Greg Kinnear was great as Simon, the gay neighbor. (It was also nice to see director Harold Ramis - the third Ghostbuster, after all - in front of the camera again, if only briefly, in a small part as a doctor.)
What more can I say? Good comedy, good love story, great acting. None of it, in the end, is very convincing, but if you just focus on the individual moments and not on the grand design - a task made easy by the wonderful writing and playing - it's very easy to like As Good As It Gets.
The big Oscar winner for Jack is recent years is enjoyable if you come to it knowing what to expect. The film is very sentimental but in a good way. The film is gently comic and amusing and the characters (although exaggerated) are winning and involving. The telling is a little long winded at times and the film could have been shorter but it is still enjoyable. It does tip over into sickly sentimentality at times and can be a bit syrupy but it comes with the territory.
Nicholson is excellent and is the main reason it all works well. His un-PC Melvin is funny but also a character that you can hate and pity on several occasions. Kinnear is good because he is a solid understated character and not hammy or OTT like he can be. Hunt is good but is left with the majority of the syrup and sentiment where the other characters get more share of the laughs. Gooding Jr continues his trend of being good in over the top roles and is funny and happily avoids becoming a flaming gay stereotype.
Overall this is a sentimental romantic comedy that is typical for the genre. The story wanders to it's point but the good cast, led by a great Nicholson, hold the whole thing together. A superior piece of sentimentality.
The film, to me, was perhaps a bit different experience than it would have been for the average viewer. As a former psychotherapist, I kept trying to analyze Jack Nicholson's character in order to understand the story better. He appeared to either have a variety of personality disorders--including an avoidant personality (where he pretends to HATE everyone and pushes them away to avoid being hurt), an obsessive-compulsive personality (or perhaps an Obsessive-Compulsive Disorder) and probably a nice dose of either Asperger's or was just socially retarded. Regardless, this sort of person would NORMALLY live a very solitary and sad existence. However, the film manages to make it seem believable that a man like this could change...some...as well as find love. It's all very improbable but also very charming and sweet. And, later in the film rather oddly romantic. Additionally, the film is, at times, rather funny. Overall, a quirky and well-written film with some terrific acting.
A lot of other stuff has been written about this multi-Oscar-winning film....so I'll just end by saying my wife is 100% wrong...but I still think she's terrific.
¿Sabías que…?
- TriviaIn one scene the dog starts mimicking Jack Nicholson by stepping over the cracks in the sidewalk. The filmmakers accomplished this by placing little obstacles on the cracks so that the dog had to step over them. They then removed the obstacles digitally in post-production.
- ErroresWhen Simon is in the hotel in Baltimore, he rips his cast between the thumb and index finger. Upon the return to New York, when Carol is exiting the car, the cast is clearly and repeatedly seen to be intact.
- Citas
Melvin Udall: Now, I got a real great compliment for you, and it's true.
Carol Connelly: I'm so afraid you're about to say something awful.
Melvin Udall: Don't be pessimistic, it's not your style. Okay. Here I go. Clearly a mistake.
[shifts in his seat uncomfortably]
Melvin Udall: I've got this, what, ailment? My doctor, a shrink that I used to go to all the time, he says that in fifty or sixty percent of the cases, a pill really helps. I hate pills. Very dangerous thing, pills. Hate. I'm using the word "hate" here, about pills. Hate. My compliment is, that night when you came over and told me that you would never... all right, well, you were there, you know what you said. Well, my compliment to you is, the next morning, I started taking the pills.
Carol Connelly: I don't quite get how that's a compliment for me.
Melvin Udall: You make me want to be a better man.
[pause]
Carol Connelly: [stunned] That's maybe the best compliment of my life.
Melvin Udall: Well, maybe I overshot a little, because I was aiming at just enough to keep you from walking out.
- Créditos curiososJust after the disclaimer of the American Humane Association (The animals used in this film were in no way mistreated...) there is a second disclaimer stating "The actors used in this film were in no way mistreated."
- ConexionesEdited into Doggiewoggiez! Poochiewoochiez! (2012)
- Bandas sonorasTemple (Sanctuary Mix)
Written and Performed by Jane Siberry
Courtesy of Reprise Records
By Arrangement with Warner Special Products
Selecciones populares
- How long is As Good as It Gets?Con tecnología de Alexa
- What is that song Vincent plays in Simon's studio?
- What is the song Melvin plays in his car marked 'To Use As Icebreaker'?
- What Breed of Dog is Verdell?
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Mejor... imposible
- Locaciones de filmación
- Khoury's Restaurant - 110 N. Marina Drive, Long Beach, California, Estados Unidos(Chesapeake Bay, Baltimore Restaurant)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 148,478,011
- Fin de semana de estreno en EE. UU. y Canadá
- USD 12,606,928
- 28 dic 1997
- Total a nivel mundial
- USD 314,178,011
- Tiempo de ejecución2 horas 19 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1