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IMDbPro

Mejor... Imposible

Título original: As Good as It Gets
  • 1997
  • B
  • 2h 19min
CALIFICACIÓN DE IMDb
7.7/10
331 k
TU CALIFICACIÓN
POPULARIDAD
1,546
190
Jack Nicholson in Mejor... Imposible (1997)
A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.
Reproducir trailer2:20
2 videos
99+ fotos
ComediaComedia románticaDramaRomance

Madre soltera y camarera, un autor misántropo y un artista gay forman una amistad muy poco usual después de que el artista es agredido en un robo.Madre soltera y camarera, un autor misántropo y un artista gay forman una amistad muy poco usual después de que el artista es agredido en un robo.Madre soltera y camarera, un autor misántropo y un artista gay forman una amistad muy poco usual después de que el artista es agredido en un robo.

  • Dirección
    • James L. Brooks
  • Guionistas
    • Mark Andrus
    • James L. Brooks
  • Elenco
    • Jack Nicholson
    • Helen Hunt
    • Greg Kinnear
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.7/10
    331 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,546
    190
    • Dirección
      • James L. Brooks
    • Guionistas
      • Mark Andrus
      • James L. Brooks
    • Elenco
      • Jack Nicholson
      • Helen Hunt
      • Greg Kinnear
    • 657Opiniones de los usuarios
    • 141Opiniones de los críticos
    • 67Metascore
  • Ver la información de producción en IMDbPro
    • Ganó 2 premios Óscar
      • 38 premios ganados y 54 nominaciones en total

    Videos2

    Official Trailer
    Trailer 2:20
    Official Trailer
    As Good As It Gets
    Trailer 0:32
    As Good As It Gets
    As Good As It Gets
    Trailer 0:32
    As Good As It Gets

    Fotos136

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    Elenco principal81

    Editar
    Jack Nicholson
    Jack Nicholson
    • Melvin Udall
    Helen Hunt
    Helen Hunt
    • Carol Connelly
    Greg Kinnear
    Greg Kinnear
    • Simon Bishop
    Cuba Gooding Jr.
    Cuba Gooding Jr.
    • Frank Sachs
    Skeet Ulrich
    Skeet Ulrich
    • Vincent
    Shirley Knight
    Shirley Knight
    • Beverly
    Yeardley Smith
    Yeardley Smith
    • Jackie
    Lupe Ontiveros
    Lupe Ontiveros
    • Nora
    Jill the Dog
    Jill the Dog
    • Verdell
    • (as Jill)
    Timer the Dog
    • Supporting Dog
    • (as Timer)
    Billy the Dog
    • Supporting Dog
    • (as Billy)
    Bibi Osterwald
    Bibi Osterwald
    • Neighbor Woman
    Ross Bleckner
    • Carl
    Bernadette Balagtas
    Bernadette Balagtas
    • Caterer
    Jaffe Cohen
    Jaffe Cohen
    • Partygoer
    Laurie Kilpatrick
    Laurie Kilpatrick
    • Partygoer
    Alice Vaughn
    Alice Vaughn
    • Partygoer
    Brian Doyle-Murray
    Brian Doyle-Murray
    • Handyman
    • Dirección
      • James L. Brooks
    • Guionistas
      • Mark Andrus
      • James L. Brooks
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios657

    7.7330.7K
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    Opiniones destacadas

    9ODDBear

    Simply great

    As Good As It Gets is one of those incredibly moving films that is also hugely entertaining. It's not just a comedy, you can't quite label it a drama piece, it just is what it is; simply great.

    What works here so well are the actors and the script. Nicholson and Hunt both won Oscars and they're simply great but Kinnear is no less effective as Nicholson gay neighbour. Plus that dog is amazing as well. This film really relies on great performances and there's no shortage of that here.

    As Good As It Gets is also remarkably well written. So well defined characters and completely involving, you quite simply grow to love them and sympathize with their plight. Nicholson's remarks are terrific, each one very quotable (personal fav; I think of a man and I take away reason and accountability).

    Direction is first rate, Brooks made Terms of Endearment so it's well established that he's quite capable of making great films. As Good As It Gets is very nearly as good it gets.
    7krumski

    Unusual movie

    This movie is bizarre because, while judged overall its story is shmaltzy and unbelievable, nevertheless each individual scene plays absolutely convincingly and feels very real. It's weird. I don't know if it's just the greatness of the actors overcoming an under-thought out script, or whether it's just the script concentrated solely on crafting great scenes one after the other, but not so much in coming up with a convincing through-line. Whatever. All I know is that this is one of the most entertaining pictures I've ever seen, extremely funny and quite emotionally affecting in places. Somehow, it just doesn't matter - I like it anyway.

    The performances are uniformly excellent. Nicholson shows real range here - sure, he gets to be the sarcastic curmudgeon we've all come to expect, but his character also has moments of fear, repression and vulnerability which he brings off equally well. My problem with this character (and the "problem" only exists as I think about him afterward, not while I'm actually watching the movie) is in his conception: he seems to be whatever the writers want him to be at that moment, with no particular consistency from scene to scene so when he supposedly "changes" at the end, we're left to think, "Change? This guy's been changing through the entire movie!" And also, the fact that his character is a romance novelist is never really explained or examined in any way.

    And yet, Nicholson's performance makes it not matter quite so much.

    Helen Hunt is a revelation in this movie - she nails every scene she's in, whether she's forced to be witty, embarrassed, angry, defiant, emotionally overwhelmed, whatever. She keeps Jack on his toes, and they work off each other brilliantly. Also, I never thought I'd find myself saying this, but Greg Kinnear was great as Simon, the gay neighbor. (It was also nice to see director Harold Ramis - the third Ghostbuster, after all - in front of the camera again, if only briefly, in a small part as a doctor.)

    What more can I say? Good comedy, good love story, great acting. None of it, in the end, is very convincing, but if you just focus on the individual moments and not on the grand design - a task made easy by the wonderful writing and playing - it's very easy to like As Good As It Gets.
    8MovieLuvaMatt

    When Jack's on screen, you can almost never go wrong!

    Jack Nicholson is one of those actors who impresses me the second (and I'm not overstating in the least bit) he appears on screen. The moment I see Jack's face on screen, I get this feeling that everything's going to be all right. He could do a Pauly Shore film, and elevate its quality with his mere presence. And I didn't even get to his acting.

    Nicholson won a well-deserved Oscar for this movie. Then again, I feel like he deserves an Oscar for virtually everything he's been in. Hell, you can even give him an Oscar nod for "Anger Management." THAT'S how great he is! He's one of those actors who can communicate even more emotion when he's not saying anything than when he is. And of course, he has one of the coolest movie star voices ever, so it makes it a joy whenever he does speak. I still feel like "You can't handle the truth!" wouldn't be as priceless a line if Jack didn't yell it. He can say almost any line of dialogue and turn it into gold. In this movie it was "You make me wanna be a better man." Again, an otherwise forgettable line of dialogue made gold by Jack.

    "As Good As It Gets" is a flawed film, with scenes that drag and an overlong running time, but it's highly enjoyable and altogether pretty well-written. Aside from its many hilarious moments, it's also quite touching. But I have to admit that it's the comedy that sticks out most in my memory. There's some priceless gags like when a Jewish couple is sitting at Jack's usual table. He first intrudes into their conversation saying, "People who speak in metaphors oughtta shampoo my crotch." He complains to Helen Hunt, his usual waitress, saying "I have Jews at my table!" He then intrudes in the couple's conversation again, noticing the food on their table, saying "Obviously your appetites aren't as big as your noses." Now, I probably wouldn't want to personally know a man like Melvin in my real life, but I still found those cracks to be hysterically funny. The same when he attacks Greg Kinnear's gay character with constant homosexual slurs.

    The performances are great all-around. Though Jack pretty much steals the show, Greg Kinnear gives a wonderfully endearing performance. He doesn't play out the gay stereotypes, yet he's sensitive and feminine enough to have me convinced that he is gay (unlike Eric McCormack on "Will and Grace" who acts like he's gay for the sake of the show's gimmick). It's nice to see Kinnear rise from the host of "Talk Soup" and the thankless late night talk show "Later" to a fine actor. Previously, I wouldn't have any notion that he could become what he is now. Helen Hunt also gives a compelling, emotionally packed performance. And Shirley Knight, as her mother, provides a little bit of comic relief. Cuba Gooding Jr. has a small but interesting role, and he makes the best of it.

    The film does have its dull moments, but Jack's one-of-a-kind performance makes it all worthwhile. There is nobody, and I mean NOBODY, who could've played Melvin better than him. I read in the trivia that John Travolta was originally offered the role. Now, I like Travolta, but in this type of role he wouldn't hold a candle to Jack.

    My score: 7 (out of 10)
    9planktonrules

    Well, I certainly can say I've never seen a film like this before!

    Several years ago, my wife watched "As Good As It Gets" and she told me she didn't like the film. So, I avoided it for years....and now I wish I hadn't listened to her. I loved the film---just don't tell her I said so!

    The film, to me, was perhaps a bit different experience than it would have been for the average viewer. As a former psychotherapist, I kept trying to analyze Jack Nicholson's character in order to understand the story better. He appeared to either have a variety of personality disorders--including an avoidant personality (where he pretends to HATE everyone and pushes them away to avoid being hurt), an obsessive-compulsive personality (or perhaps an Obsessive-Compulsive Disorder) and probably a nice dose of either Asperger's or was just socially retarded. Regardless, this sort of person would NORMALLY live a very solitary and sad existence. However, the film manages to make it seem believable that a man like this could change...some...as well as find love. It's all very improbable but also very charming and sweet. And, later in the film rather oddly romantic. Additionally, the film is, at times, rather funny. Overall, a quirky and well-written film with some terrific acting.

    A lot of other stuff has been written about this multi-Oscar-winning film....so I'll just end by saying my wife is 100% wrong...but I still think she's terrific.
    bob the moo

    A superior Hollywood piece of sentimentality

    Melvin is a romantic novelist who is a selfish manic compulsive who is rude and insulting to all he meets. When Melvin's gay neighbour is beaten up and robbed, Melvin agrees to look after his dog. The dog gives Melvin something to care about other than himself and his life is approaching normal until his regular waitress has to leave work to look after her asthmatic son and his neighbour wants his dog back. Melvin starts to realise that his life needs others for more than just selfish reasons.

    The big Oscar winner for Jack is recent years is enjoyable if you come to it knowing what to expect. The film is very sentimental but in a good way. The film is gently comic and amusing and the characters (although exaggerated) are winning and involving. The telling is a little long winded at times and the film could have been shorter but it is still enjoyable. It does tip over into sickly sentimentality at times and can be a bit syrupy but it comes with the territory.

    Nicholson is excellent and is the main reason it all works well. His un-PC Melvin is funny but also a character that you can hate and pity on several occasions. Kinnear is good because he is a solid understated character and not hammy or OTT like he can be. Hunt is good but is left with the majority of the syrup and sentiment where the other characters get more share of the laughs. Gooding Jr continues his trend of being good in over the top roles and is funny and happily avoids becoming a flaming gay stereotype.

    Overall this is a sentimental romantic comedy that is typical for the genre. The story wanders to it's point but the good cast, led by a great Nicholson, hold the whole thing together. A superior piece of sentimentality.

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    Argumento

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    • Trivia
      In one scene the dog starts mimicking Jack Nicholson by stepping over the cracks in the sidewalk. The filmmakers accomplished this by placing little obstacles on the cracks so that the dog had to step over them. They then removed the obstacles digitally in post-production.
    • Errores
      When Simon is in the hotel in Baltimore, he rips his cast between the thumb and index finger. Upon the return to New York, when Carol is exiting the car, the cast is clearly and repeatedly seen to be intact.
    • Citas

      Melvin Udall: Now, I got a real great compliment for you, and it's true.

      Carol Connelly: I'm so afraid you're about to say something awful.

      Melvin Udall: Don't be pessimistic, it's not your style. Okay. Here I go. Clearly a mistake.

      [shifts in his seat uncomfortably]

      Melvin Udall: I've got this, what, ailment? My doctor, a shrink that I used to go to all the time, he says that in fifty or sixty percent of the cases, a pill really helps. I hate pills. Very dangerous thing, pills. Hate. I'm using the word "hate" here, about pills. Hate. My compliment is, that night when you came over and told me that you would never... all right, well, you were there, you know what you said. Well, my compliment to you is, the next morning, I started taking the pills.

      Carol Connelly: I don't quite get how that's a compliment for me.

      Melvin Udall: You make me want to be a better man.

      [pause]

      Carol Connelly: [stunned] That's maybe the best compliment of my life.

      Melvin Udall: Well, maybe I overshot a little, because I was aiming at just enough to keep you from walking out.

    • Créditos curiosos
      Just after the disclaimer of the American Humane Association (The animals used in this film were in no way mistreated...) there is a second disclaimer stating "The actors used in this film were in no way mistreated."
    • Conexiones
      Edited into Doggiewoggiez! Poochiewoochiez! (2012)
    • Bandas sonoras
      Temple (Sanctuary Mix)
      Written and Performed by Jane Siberry

      Courtesy of Reprise Records

      By Arrangement with Warner Special Products

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    Preguntas Frecuentes24

    • How long is As Good as It Gets?Con tecnología de Alexa
    • What is that song Vincent plays in Simon's studio?
    • What is the song Melvin plays in his car marked 'To Use As Icebreaker'?
    • What Breed of Dog is Verdell?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de diciembre de 1997 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Mejor... imposible
    • Locaciones de filmación
      • Khoury's Restaurant - 110 N. Marina Drive, Long Beach, California, Estados Unidos(Chesapeake Bay, Baltimore Restaurant)
    • Productoras
      • TriStar Pictures
      • Gracie Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 50,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 148,478,011
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 12,606,928
      • 28 dic 1997
    • Total a nivel mundial
      • USD 314,178,011
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 2h 19min(139 min)
    • Color
      • Color
    • Mezcla de sonido
      • SDDS
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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